I saw that new He-Man, sorry, Masters Of The Universe film today. Overall, I thought it was pretty rubbish.
It certainly has good bits. Sir Idris Elba is as solid as you’d expect and Alison Brie is great as Evil Lyn. But beyond that, it has many problems, which I’m going to spoiler tag.
The first 2/3 of the movie is very much Roger Sweet’s He-Man, that is brawn above brain, masculine power fantasy. It feels like it’s written by a 14 year old edgelord and seeing He-Man rip off a guy’s horn, jam it up into his jaw and then kick him off a mountain into lava just feels wrong.
Now, it definitely tries to pull back from that in the end, by emphasising that Adam was chosen to have the power of Grayskull for his humility, compassion and humanity rather than to exert brute physical strength. Which absolutely doesn’t work, for several reasons. First is that the film’s take on all these qualities feels like parody. While on Earth, Adam has ended up with a job in HR and all of that is cringeworthy corpo-compliance talk: group recitations of mantras, people “telling their truth”, everything a shitty workplace sitcom from 15 years ago would have run into the ground. It feels like intentional “anti-woke” right wing strawman of not being a dick, especially with the way the film revels in its violence, which makes it all the more surprising it tries to pull it back at the end and go “that’s good, actually”.
Second is that we don’t really see any evidence of Adam’s compassion and conciliation stuff. There’s one micro-scene where he’s trying to resolve an HR issue at work, which again, is essentially played off as “ha, look at this nonsense job he has.” Beyond that, it’s all him being a wuss played for laughs, such as when he tries to talk down Trapjaw. Which leads into the third problem with it: for all that the film purports to adhere to the Filmation morality of He-Man, all his attempts at amicable conflict resolution fail and he has to resort to violence. Talking down Trapjaw ends up with Adam ripping his gun arm off and using it to kill all the minions with him. When he tries to talk down Skeletor, it doesn’t work and he resorts to beating the shit out of him, which the film practically orgams over. Adam’s big “rallying the troops” moment – which I guess is meant to showcase how nice he is – is similarly awful. It’s mostly played for laughs and its main thrust is “we need to work together to escape, because where has working alone got us?” even though none of them were working alone! They were all captured in groups!
It’s brainlessness about on par with the rest of the script. The tertiary characters – Fisto, Ram Man, Beast Man etc are not only thin as hell, they’re inconsistently written. Near the end, Ram Man looks askance at Fisto for having called him that, despite Ram Man having enthusiastically claimed the name earlier. The film straight up forgets about Roboto for five minutes. Cringer is completely wasted and instead of being transformed into Battle Cat just agrees to disregard his entire personality (which has had a cumulative two minutes on screen, at best).
Perhaps most baffling is how the film is just embarrassed by its source material. That thing about Ram Man’s name? Turns out, he’s not called Ram Man (though his real name isn’t given) that’s just one of the “silly” names Adam gave to people from Eternia after being stranded on Earth, as he drew pictures to try and remember them. Same with Fisto, Mekanek, Trapjaw and others. The film even dismisses the name He-Man as laughably stupid, only using it right at the end and not at all seriously. And I’m sorry, “Evil Lyn” and “Skeletor” are fine but “Ram Man” and “He-Man” are a bridge too far? What are we even doing here lads if you’re embarrassed by the name of the main character of what you’re adapting? 25 years on from “what, you’d prefer yellow spandex?” and we’re still doing this self-apologetic crap?
The film decides to make no distinction between Adam and Adam as He-Man, there’s no “He-Man” personality, which isn’t a terrible choice. But it also has *everyone* aware that Adam is The Character Not Called He-Man and yet, it still shoves in a gag at the end where, upon receiving a distress call, Adam slinks off with Cringer to transform as if he has a secret identity to hide, with everyone else commenting how weird that is as he knows they all know. And I don’t get why that’s there rather than as a slight at the cartoon. Because it’s not like Adam says anything about being a fan of superheroes while on Earth and wanting to emulate them nor tries at any time to hide his transformations earlier from anyone. Just arbitrarily does something stupid for a bad joke.
But that’s pretty standard for the level of shitty writing this film has. Its willingness to mock the Filmation series and the franchise generally is galling given how vacuously it’s written. When Teela rescues Adam, she tells him what Skeletor has done to Eternia. He wonders why he’s done it. “Because he’s bad,” Teela tells him. “No, there must be something more to it than that,” Adam says. “He has a skull for a face,” Teela says, as if that proves everything. When Adam tries to find peace with Skeletor (before beating the shit out of him) he asks Skeletor why he’s so determined to have the power of Grayskull etc and the film rejects any attempt to give Skeletor anything approaching motivation. “Because I’m a villain” he says (I think – I’ll come back to that). Fucking Orko shows up in the credits to do a mock Filmation moral summation and says something to the effect that “and people who have skulls for faces are bad”. And I guess that’s alright then! I mean, I don’t need deep lore and backstory for Skeletor, but fuck me are we really doing a Filmation moral that is “judge people by appearances”?
Skeletor’s problematic in other areas. Visually, he’s good – the design is well realised – and the script is… well, it’s hard to fairly judge because Jared Leto is so fucking shit. Not only is his voice heavily processed to have way too much bass, which makes it near impossible to make out some of his lines, his take on the character is as insultingly banal as his Joker. It’s vaguely British, I think, the laughter is forced and hesitant. So bad. It makes Mark Hamill just doing the Joker in Kevin Smith’s MotU cartoon a classic by comparison.
I think this film is going to do well for the same reasons the Michael Bay Transformers movie did well. It’s glossy, it’s got a “cool” take on the characters and edgelords will be all over the violence. But just like how Bay missed what made that franchise special, this film fails to understand MotU. I’m not even that invested in MotU – I watched the original cartoon as a kid but it’s certainly not something I can bear now as an adult. But I recognise its qualities, and this film misses them. The 200X series was far more successful in taking the premise, owning its eccentricities while making it more “mature”.
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This reply was modified 1 month, 1 week ago by
Martin Smith.
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This reply was modified 1 month, 1 week ago by
Martin Smith.
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