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  • #124275

    As I’ve probably mentioned before, I have a tradition of replaying an old game in the run up to Christmas. As with all traditions, it’s about chasing the feeling of a Christmas gone by. Originally, one in my teens, when I stayed up late playing the Pokemon Trading Card Game on a Game Boy emulator, got really into it and never played it again, but increasingly one year in my twenties when I replayed Kingdom Hearts and managed to beat the finale boss on just two attempts with about 10 minutes to spare before I went out to the pub for the evening.

    This year, my choice is Mario Kart Wii, which is, as far as I’m concerned, the worst in the series. Certainly the worst of the 3D ones. It’s so bad that I never actually won all the cups originally (which I’m good enough at Mario Kart to be able to do easily on all the other ones). I stalled out in 150cc, IIRC, possibly because I became convinced the motorbikes, which are hard to handle, were the best choice to use.

    So I’ve dug out my Wii and hooked it up for the first time in about 11 years (I transferred all my data off it onto my WiiU when I got that, so it’s had no use since then), to my CRT rather than my main TV, which has helped the graphics immeasurably. I’ve done the four main cups (the ones with original tracks to the game) on 50cc so far and yes, I definitely still think this is the worst Mario Kart.

    The big problem with it is the balance of items. It goes way too heavy on the distribution of big disruptive items. I’ve done races where I’ve been simultaneously hit by a blue shell and a POW block, then by a red shell before I’ve even recovered, losing 10 places in the off. And what MKW does that 8 scaled back on is that you lose your held items when you get hit by pretty much any of those. Maybe not the red shell, but definitely POW blocks, blue shells, lightnings and hitting any track obstacle (like the “real” cars on Moonlight Motorway) robs you of your gear, further disadvantaging you. It makes the “oh would you just fuck off” factor pretty high. It feels like they’ve tried to make the game more like Mario Party, in the way it just razes the playing field flat at the end of the game with bullshit bonus stars. There’s so many disruptive items in here that winning starts to feel more like luck than any semblance of driving skill.

    (as an aside, this is why I also don’t like 8 Deluxe as much as 8, as I’m fairly sure they rejigged the item balance to have many more lightnings).

    And yet, for the worst game in the series, it does have some absolutely great new tracks and it’s easy to see why they’ve returned in later games (and not just because they’d be easier to up-res than older ones).

    • This reply was modified 1 day, 13 hours ago by Martin Smith.
  • #124274

    You’re right, I don’t know how I forgot to mention that. Stonking theme tune.

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  • #124273

    The NYPD have a suspect for the CEO shooting and it seems he’s a reactionary nutbag.  So good job weaponising those guys, Republicans!

    According to one report, he played a violent assassination video game called ::gasp::  “Among Us”.  Although venting would explain how he escaped New York so successfully. And actually, I would say there probably are transferable skills (or at least mindsets) in how to successfully be the Imposter in Among Us and how he killed the CEO. I guess he now just has to not look sus during the trial.

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    Ben
  • #124247

    I’ve been watching the 90s Iron Man cartoon lately. I picked it up on DVD for £3. It ran for two seasons, which are very different.

    The first is the epitome of a Saturday morning cartoon. It feels very obviously based around selling toys of Iron Man, his various armours, allies and villains. To that end, Iron Man is working with Force Works (though I’m pretty sure they’re never called that in this season) – War Machine, Julia Carpenter Spider-Woman, Hawkeye, Scarlet Witch (with a terrible mostly Russian accent) and Century. They’re pitted in every episode again Mandarin and his array of flunkies: MODOK (his 2IC), Justin Hammer, Blizzard, Whirlwind, Hypnotia, Grey Gargoyle, Dreadknight, Blacklash and Living Laser.

    It’s a pretty dumbed down premise and not helped by just not being well made. The animation is crap (they constantly fail to properly do looping backgrounds for flying vehicles etc). Presumably most of the budget went on the CGI sequence of Iron Man putting his armour on, which I remember being wowed by as a kid, but has not aged well at all and doesn’t gel with anything else in the show (vs say the Battletech cartoon, where the CGI was used for the mech battles, so the difference worked ok).

    The writing is dreadful too. The head writer is Ron Friedman, who wrote the first three GI Joe mini-series in the 80s, among other things. It’s all too rote and repetitive. About half the episodes focus on Mandarin and co sabotaging the test/demonstration/unveiling of a new Stark Enterprises vehicle or weapon. One episode literally ends with a trite “Tony was a robot decoy” reveal. The writing of Spider-Woman and Scarlet Witch is especially bad, as they’re just there to fawn over Tony and be catty with each other. Such a disservice to the characters.

    Perhaps the most ridiculous part of how this season is put together is the opening titles. The music’s fine, but there’s a rollcall element to the animation, showing characters with graphics of their names. Except, it goes through all of Mandarin’s team (except Living Laser, who feels like a late addition) but only Iron Man and War Machine for Force Works, which seems like a really mixed up set of priorities. Why is Blacklash getting higher billing than Hawkeye?

    The main redeeming factor of the season is the voice acting. Mostly. Robert Hayes (from Airplane) is Tony and he’s really good. I still think he’s the definitive “classic” Iron Man for me (as opposed to RDJ, who is a very distinct version of Iron Man). Dorian Harewood is good as War Machine too.. eventually. Rhodey is initially voiced by James Avery (Uncle Phil! Shredder!) who is fine, but clearly had scheduling issues, because not only does he disappear a few episodes in, there are moments where lines he couldn’t record are very poorly filled in for by Jim Cummings (who plays MODOK), doing a terrible impression.

    Season 2 sees an entire overhaul of the show. New animation studio in the form of Koko (who would go on to do Spider-Man Unlimited), new producer and writing team, replacement voice actors for most of the cast (Hayes, Harewood, Cummings and Neil Ross as Fin Fang Foom survive) and just higher quality over all. Interestingly, it doesn’t just make a clean break and does actually go to the trouble of exploding the status quo of s1, by having Mandarin’s goons captured and jailed, Mandarin losing his rings and most of Force Works leaving after Tony faked his death. This leaves just Tony, Rhodey and Julia, which is a much more managable cast and there’s a nice sub-plot through the series for Rhodey about losing confidence in using the WM armour.

    Oh and there’s also Homer, a dry, sardonic AI virtual assistant that works with Tony and talks to him in and out of the armour. It is the genesis of JARVIS, really and I think it’s original to this show.

    Freed from the Force Works vs Mandarin set-up, the show wanders into other areas of Iron Man lore, like Madame Masque, Firebrand (voiced by Neal McDonough, later Dum Dum Dugan in the MCU), AIM and adaptation of Armor Wars. It works well, being much more varied than series 1 and, largely, being better stories.

    Most interestingly, there’s a much different tone to the show. The new animation style is flatter but also darker, there’s lots of shadows, but also the writing feels far less pandering of kids. Dialogue is clipped and wry and doesn’t over-explain what’s going on. It suits Hayes really well.

    Plus, Stingray is in the Armor Wars episode, so it’s a clear 5/5 for me.

    It’s hard to think of any other show that’s been so radically and successfully retooled between its first and second season. Well, the 90s Fantastic Four cartoon of course, which was paired with Iron Man in the Marvel Action Hour and also went from being absolute dreck into an underrated gem. But beyond them, hard to think of much. Even TNG took longer to get better after its dreadful first season than this.

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  • #124243

    `The solution is not to vote for Trump.  the solution is for the Democrats to run on what their voters actually want.  This is a big part of why Harris lost, she tried appealing to the right, and she saw a collapse in left-wing support as a result. Then she got fewer right-wing votes than Biden did for her troubles.

    And yiz are blaming the voters and not Harris for that.

    As an American who saw everything firsthand, the irony is that Harris was portrayed as “too liberal” and part of the reason she lost is that it was perceived that she was more concerned about liberal idealism than actually doing something about the economy and other more pragmatic concerns, and that tanked her among moderate voters.

    Some perceived Harris as too liberal, and others didn’t think she was liberal enough. Welcome to the Democratic Party’s version of the Kobayashi Maru.

    If you’re going to be labelled “too liberal” by the usual suspects no matter what you do, it’s a great opportunity to actually go for it and offer some policies that might actually help or even appeal to people.  Instead they just meekly went “I’m not too liberal! Look, I hate trans people too uwu.” You’re never going to win at mud wrestling a pig.

    EDIT: and they still don’t seem to have grasped that and think the problem is that they weren’t right wing enough. They’re never going to fuck you, my dudes.

    • This reply was modified 2 days, 9 hours ago by Martin Smith.
    • This reply was modified 2 days, 9 hours ago by Martin Smith.
    • This reply was modified 2 days, 9 hours ago by Martin Smith.

    The problem is that many working-class voters feel the Democrats have abandoned them, including unions. Those people helped the Dems win a lot, but now they feel they are too focused on “high ideals” and not helping them economically. Trump promising cheaper eggs went a lot farther than trans rights for many voters.

    It’s okay to go full left, as long as you are including everyone.

    Well yeah, true left policies would appeal to working people and unions. That’s the other problem with the Democratic party really. Trans rights shouldn’t be the radical part of policy, it should be a given. There should be worker’s rights, protecting the right to unionise, minimum wages etc. They’re not mutually exclusive and it’s a right wing/transphobes’ tactic to make people think so.

    • This reply was modified 2 days, 8 hours ago by Martin Smith.
  • #124241

    Don’t forget, it’s absolutely in the interests of the rightwing parties to stoke anger from the left at what the more progressive parties are doing. In the UK, the rightwing media (which is most of it) is attacking Starmer on every possible front, and lots of their criticisms are gaining traction with the left as well as the right, which is exactly what they’ll be hoping for. If it goes on like this for five years then they will have done their job well, and I’m sure Reform and the Tories will make significant gains in 2029. So I’m not sure parroting their attack lines is all that helpful.

    Should the more progressive parties be exempt from criticism when their policies are lacking in certain areas? Of course not.

    But you’ve just said that criticising Starmer can only feed the right wing. And any time Starmer’s Labour gets criticised for things the right wing do like, we’re told that they have to do that stuff because it’s essential to appeal to the right wing voters in order to stop the Tories/Reform getting in. So basically we’re not allowed to ever criticise Starmer from the left, because it’ll bring about a right wing government and we have to just put up with him acting like a right wing government anyway.

  • #124239

    SciFier.

    Oh cool, I used them a couple of times when they were Aphrohead. I’m not too fussed about when the DC trade turns up really, it’s the (non-SF novel) that’s the real issue. It only seems to be in stock with Amazon now, which is annoying – I try to minimise how much money I send their way. I find it ironic that the publishing house has on their website fluff about being proudly independent and stuff, but seem to have prioritised sending stock to the big global megacorp rather than smaller independent book-sellers. I get the economics of it, but not a great look.

    1 user thanked author for this post.
    Ben
  • #124236

    `The solution is not to vote for Trump.  the solution is for the Democrats to run on what their voters actually want.  This is a big part of why Harris lost, she tried appealing to the right, and she saw a collapse in left-wing support as a result. Then she got fewer right-wing votes than Biden did for her troubles.

    And yiz are blaming the voters and not Harris for that.

    As an American who saw everything firsthand, the irony is that Harris was portrayed as “too liberal” and part of the reason she lost is that it was perceived that she was more concerned about liberal idealism than actually doing something about the economy and other more pragmatic concerns, and that tanked her among moderate voters.

    Some perceived Harris as too liberal, and others didn’t think she was liberal enough. Welcome to the Democratic Party’s version of the Kobayashi Maru.

    If you’re going to be labelled “too liberal” by the usual suspects no matter what you do, it’s a great opportunity to actually go for it and offer some policies that might actually help or even appeal to people.  Instead they just meekly went “I’m not too liberal! Look, I hate trans people too uwu.” You’re never going to win at mud wrestling a pig.

    EDIT: and they still don’t seem to have grasped that and think the problem is that they weren’t right wing enough. They’re never going to fuck you, my dudes.

    • This reply was modified 2 days, 9 hours ago by Martin Smith.
    • This reply was modified 2 days, 9 hours ago by Martin Smith.
    • This reply was modified 2 days, 9 hours ago by Martin Smith.
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  • #124187

    They got back to me again. The one for me is a DC trade and they can’t say when they’ll have it. The other book is “out of stock with the publisher” and they got in a small amount of stock to fulfil some pre-orders but they’re expecting it in 2-3 weeks. Which is a bit awkward for a Christmas present.

  • #124146

    Has anyone had any issues pre-ordering with Speedy Hen lately? I had two pre-orders for books released on 3rd Dec (one’s for me and one’s a Christmas present). There’s no sign of them being dispatched. I contacted SH and they say they’re both out of stock with their supplier and will take 1-2 weeks to come in. Which seems kind of not the point of pre-orders.

  • #124145

    It’s another mastermind bit of strategy from Starmer. Piss off all the people you’re going to be relying on over the next few years to achieve anything in order to… score points with the people who already hate them and won’t like Starmer as much as Badenoch/Farage no matter what he does?

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  • #124119

    Who do you think supplied him the info?

    Marvel knows they get free marketing via him.

    I know. Just thought it’d be quite funny if he went rogue and announced something they didn’t know about. And then they were stuck going “well damn, now we have to make it”.

    1 user thanked author for this post.
    Ben
  • #124113

    Omar has just announced for August 2025 a X-Men: Fall of the House of X / Rise of the Powers of X Omnibus.

    Does Marvel know about this?

  • #124108

    To be honest, I don’t think Biden pardoning Hunter is that big a problem.

    There’s a number of problems with it really, but the most important one is: Biden demonstrated that he’s fine with some people – those in power – breaking the law and suffering no consequences whatsoever. In that, he is now no different than Trump. Which plays into the hands of those who already see the two big parties as interchangable and want someone like Trump to shake things up. And it also means that once again, people have been shown that “politicians are all the same” and they needn’t bother going out to vote at all.

    As he said, the plea deal Hunter agreed to was torpedoed

    Ah well, when a plea deal doesn’t work out obviously all you can do is just not prosecute somebody further. I bet there’s a lot of convicted people in the US who wish they’d had that choice.

    I’d have pardoned him to avoid that too.

    Right, because you’re fine with somebody stealing 1.4 million dollars from the people.

    Well, like Tobias said, this is why separation of powers is a really good idea.

    Interesting sidenote: The pardon doesn’t just cover the crimes he’s being accused of, but any and all he may have comitted in the year 2014. Makes you wonder, doesn’t it.

    • This reply was modified 1 week, 1 day ago by Christian.

    I’m not saying it’s ideal by any means, but he had plea deal that a Trump appointed judge struck down. Given that they’ve spent over four years demonising Hunter Biden (and I have no strong opinion either way) I really wouldn’t put it past Trump, who is openly talking about persecuting his enemies with the full power of the federal government, to try and fuck him up even further on other charges, tenuous or otherwise. So yeah, lame duck President Biden at the absolutely end of his political career (and twilight years of his life, let’s be honest) pre-emptively protecting his fuck up of a son from the vindictiveness of the next President’s administration really doesn’t bother me that much. I just wish he’d been as keen to play in the margins of traditional acceptability on other stuff (stacking the supreme court for example) as the other side are. Because there’s only so far holding yourself to a higher standard gets you when you’re up against people like Trump.

    I genuinely don’t believe this is going to change anyone’s pre-existing opinions about anyone, frankly. Who possibly has a problem with this but was ok with Trump pardoning all his mates? The people of a mind to think “both parties are as bad as each other” already didn’t particularly like Biden, who is now an irrelevancy anyway. I just think there are more pressing things to care about than a guy who was unlikely to go to jail anyway being pardoned.

  • #124099

    To be honest, I don’t think Biden pardoning Hunter is that big a problem. As he said, the plea deal Hunter agreed to was torpedoed and it’s very clear that Trump and his cronies see Hunter as a big target. There’s no way they wouldn’t have gone for retaliatory “justice” against him. I’d have pardoned him to avoid that too.

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  • #124015

    I have been seeing Black Friday deals start since last week .  Stores aren’t waiting for the day after Thanksgiving to start. Depending on the year, since Thanksgiving is not a set date, the days between Black Friday and Xmas vary.

    I already bought game consoles, smart TV etc. already. I don’t see the need to buy a new one every year. So maybe go easy on electronics stuff and get coats, jackets etc.

    I genuinely thought Thanksgiving was last week, given all the Black Friday promotions I saw then.

    I did some Christmas shopping yesterday and have come to the conclusion that nothing costs a tenner any more. There’s a few people I’d set a £10 budget for and everything I saw I thought might be ok for them was £11. Which obviously isn’t a huge monetary issue, but it’s odd. It breaks a psychological barrier.

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  • #123975

    Trump election case is tossed after special counsel Jack Smith requests dismissal citing ‘categorical’ DOJ policy

    Is it wrong to hope Trump dies before January 20?

    Honestly, this is infuriatingly pathetic. “oh we have to delay these court cases because the defendant – who tried to overthrow the result of a legitimate election – is running for president and we don’t want to influence the election” becomes “well the guy who tried to fix an election won another election, guess we can’t prosecute him now!”. Just so fucking dumb.

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  • #123868

    Linda McMahon and Dr Oz? Jesus fucking christ.

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  • #123768

    BBC daytime staple Doctors ended today after 24 years. I’ve been dipping in and out for the past month or so and watched the past week fully. It’s an odd show. It juggles ongoing storylines for the main cast and case of the day stories for patients. Some of that ongoing stuff is interesting – there’s been a storyline running up to the finale about a manipulative new GP in the practice trying to take over, scheming to get rid of people he doesn’t like etc (at the end, when he was ranting at being kicked out, it felt a bit like a strawman for criticisms of the show and BBC generally) – but the case of the week stuff is pretty limp. They never really seem to resolve, they just… stop.

    Anyway, the show’s notable because it’s had a lot of actors at the start and twilight of their careers turn up in it. The show ending has prompted me to go and watch some of those, so I’m bouncing around season 1 episodes (all on YT), from 2000. So there’s the guy who played Ronnie in Renford Rejects and pre-Footballer’s Wives Zoe Lucker and Honor Blackman and a young Sheridan Smith. But you’d be hard pressed to tell at times because dear lord the camerawork is awful! Frenetic, wobbly, full of awkward close-ups while continually failing to show what’s happening, loads of dreadful “natural” lighting. And this is across all the episodes, not just one rogue director. It’s a shocking production choice and not something I remember being particularly common or en vogue at the time. I’m amazed it got recommissioned frankly.

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  • #123755

    Is the original version of the site still up and running? If so, it’d be interesting to see if any of its regular readers noticed the change to the Onion running it as a parody.

  • #123666

    I still haven’t read Secret Wars but I have read a handful of the Battleworld tie-ins and I thought some of them were pretty good. Thors, Supreme Power… another one. But not the Captain Marvel and Carol Corps one. Battleworld is an interesting concept, but I’m not interested in the story supporting it, frankly.

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  • #123665

    Isn’t that what you did, as well, though? Blaming only the Maccabi fans?

    Well, I’m not trying to excuse antisemites – I’m sure some of the people retaliating were thrilled for the excuse and it always sucks when innocent fans get swept up in hooliganism – but the situation was created by the Maccabi fans. Retaliatory violence against football hooligans is hard to spin as being entirely down to antisemitism when it’s clearly provoked by the racist actions of the initial hooligans. If those prejudices were equal and comparable they’d have clashed directly straight off, but they didn’t. The Maccabi ultras fucked about unprovoked.

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  • #123649

    Right, but just because some of the people their actions provoked were antisemitic doesn’t mean the Israeli hooligans aren’t culpable. You’re using one side’s prejudice to excuse the other’s.

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  • #123606

    Also it is likely Maccabi fans also did things that are unacceptable.

    Given Maccabi fans/hooligans are known to be fascistic even by the standards of football ultras, it seems pretty clear they fucked around (pulling down the Palestinian flags, smashing up taxis) and found out (hounded out of the city). That this is being spun as horrible antisemitism targeting poor innocent football fans is ridiculous.

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  • #123538

    The Republicans took the Senate, and the House doesn’t seem settled yet. The Repubs may get the House.

    If they get both, that pretty much means that Trump will be removed, and Vance will be POTUS.

    Literally remove him from power or let Vance act as POTUS in all but name?

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  • #123519

    Trump is hardly much better though, his rambling disjointed speeches aren’t exactly full of complex policy discussions.

    But he does say tangible things, however abhorrent or delusional they may be. “Mass deportations” and “I’m going to fix inflation” are policies that supporters can grab onto. Harris had… :unsure: I know more about what Walz did as governor than what Harris aimed to do as President.

  • #123515

    You know, thinking about it, I’m not sure I’ve heard a single policy of Harris’ other than “I’m not Trump” and “let Israel keep doing what they’re doing” and while I’ve not been forensic about following the election, it’s not like I’ve totally avoided. So in hindsight, maybe a campaign based on vibes wasn’t the best idea?

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  • #123425

    only chasing characters that appeared in the 1986 movie.

    So does that rule out Snarl or are you counting the three frames or so he appears in?

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  • #123398

    There’s Cassie as well. I suppose they might just have them be “Avengers”.

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  • #123395

    They blew it upon Miami Vice? Not Jey Leno’s Garage, right?

  • #123367

    I thought Agatha stuck the landing. I wasn’t expecting there to be two episodes this week and I actually thought the end to penultimate one would have been a bold place to leave it. I really liked that the road was a bit of folklore Agatha inadvertently created then completely seized upon for own benefits and that she’d been winging the whole thing. And hey now she’s got white hair again, after the comics made her look like young Kathryn Hahn. One day they’re going to stop chasing MCU synergy so desperately and pointlessly.

    I’m still surprised there hasn’t been any kind of Young Avengers project announced, given that they’ve gone from seeding the characters to now actively setting them up finding each other.

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  • #123317

    (Tobey Maguire was in his late 20s when he shot the first Spider-Man movie)

    Yeah and it shows tbh.

  • #123288

    ‘Law & Order Toronto: Criminal Intent’ Lands A (Rather Limited…) UK Release

    Law & Order Toronto: Criminal Intent‘, the Canadian spin-off to the L&O franchise has landed a UK home, albeit a somewhat limited release, as it’s airing on “LG Channels” which are only available on LG TVs.

    The drama is a gripping psychological thriller woven into a complex criminal investigation, centring on a team of detectives from the Specialized Criminal Investigations Unit, an elite squad in the fictional Toronto Police Department. Tasked with uncovering high-profile homicides and exposing corruption, these detectives navigate the dark underbelly of metropolitan Toronto.

    Based on the classic series created by Dick Wolf for Universal Television, ‘Law and Order Toronto: Criminal Intent’ showcases original Canadian stories written and produced by, and starring Canadians. The series stars Aden Young (Rectify) as Detective Sergeant Henry Graff, Kathleen Munroe (FBI) as Detective Sergeant Frankie Bateman, K. C. Collins (Lost Girl, Saving Hope) as Deputy Crown Attorney Theo Forrester, and Karen Robinson (Schitt’s Creek, Star Trek: Discovery) as Inspector Vivienne Holness. The recurring cast includes Nicola Correia-Damude as Dr. Lucy Da Silva, Araya Mengesha as Mark Yohannes, and Tammy Isbell as Detective Alice Riley.

    When the series premiered in its native Canada on Citytv earlier this year, it quickly became the number one prime-time drama of 2024, attracting 1.1 million views on the first episode. Citytv renewed the show for seasons two and three, both of which are set to air in Canada in 2025.

    As I mentioned at the top of the article, the UK release is somewhat limited at the moment, as LG has brought the exclusive rights for its “LG Channels” which come bundled on all LG TVs running LG’s latest webOS software (that’s mainly 2019 LG Smart TV models onwards running webOS version 4.5 and up.) If you have a compatible TV, you can find this service by clicking HOME on the remote control, navigating to SETTINGS, and then selecting LG CHANNELS.

    Weird.

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  • #123197

    Couple of Classified Joes I’ve had in recently.

    Raptor

    Raptor is one of those wonderfully silly characters that Larry Hama somehow made work. He’s an accountant that works for Cobra but who dresses as a big bird of prey. This is to help train actual hawks and stuff he has and uses for… Cobra stuff. It works in context. The original figure is one I had from a load of second hand Joes as a kid and I always liked for how goofy it was. A bare-chested guy with a bird helmet.

    The new version has kept that but also tried to make him cool. His eye mask now has a Robin/Nightwing vibe. He’s still got the bird hat, but it’s removeable and he’s got a cool hair cut underneath and he looks vaguely like Cillian Murphy. He’s still mostly bare-chested, with a high-cut waistcoat thing giving him feathers on the shoulders, but he’s now got tattoos that look a bit like henna braces going down his chest.

    The big change is that instead of fake bird wings, he’s got a mechanical wing jetpack thing, like MCU Falcon. It’s really big, with a few points of articulation that mean it can fold around as a shield, Bat-Fink style. It’s kinda cool, but going to be a bit of a bitch to fit into the my main Joe shelf when he progresses there and it’s hard to get the backpack level.

    He comes with a pistol and knife, which I think are standard for accountants, and a bird of prey that can plug into his wrist. Oh and some ninja style Wolverine claw things, which are a new idea for him and supposed to go with the wings for like a slicing divebomb attack concept. Overall, he’s a nice update of the character, showing that Classified can make even the ridiculous parts of the original Joe line work in its style without feeling out of place. But I do kinda miss him having just bird wings/feather cloak.

    Retro Cobra Commander

    Weird to think I’ve got so many Classifieds without a Cobra Commander until now. He was in wave 1, but it was a very fussy, updated “regal” design that I wasn’t wild about and wave 1 wasn’t easily available over here. So I’ve held out and now here he is accurate to his original 80s design. This is his classic slimline blue suit with minimal fuss. It’s very elegant and the colours are lovely (mostly). It’s the battle mask version (the hood is a no-go now, for some reason) but that’s fine, as I always preferred it. The faceplate is proper vacu-metal reflective chrome, which really pops. The only problem with his design is the colour of his shirt collar. It reminds me of when I was at secondary school and someone managed to get the wrong shade of blue for their school shirt. Instead of the same pale blue the rest of us had, theirs was much more saturated bright blue, which stood out by a mile. CC’s clearly gone to the same shop that guy had and got a really bright, almost fluoro blue for his shirt, which stands out too much.

    Accessories are limited. He’s got a stand (still no idea why only retro releases have one, but I make my own now, so no bother), a backpack holster, a small pistol, a knife and then just six hand options. Feels a little miserly, but it does give a pointing hand and a maniacal laugh hand, so I guess they beat another gun or whatever.

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  • #123106

    I saw an interesting thread this morning (on Twitter, ironically) about the forces looking to use Trump as a puppet.

    Suspiciously, Twitter is being shit about showing the whole thread, so here it is copied elsewhere.

    https://mem.ai/p/rxEtqT5REEgAYVNzw5iy

    1/ No Trump voter is saying that they are voting for Trump because they want J.D. Vance to be president. Or Elon Musk. Or Peter Thiel. MAGA voters believe they will be getting MAGA if they vote red.

    They are absolutely not going to get that. They are going to get the *opposite*.

    2/ Donald Trump is running to stay out of prison, which he’s entitled to do.

    But he didn’t expect to win in 2016 and didn’t enjoy being president. He might not have run this time had he not felt embarrassed about 2020 and been worried about being imprisoned if he loses immunity.

    3/ He’s hiding his medical records and looks and sounds unwell. He’s cancelling events due to—his own team says—“exhaustion.” He’s doing fewer events than ever. He’s rambling and mixing up dates and names more than ever before, to the point media is starting to write about it.

    4/ He would be the oldest human to be sworn in as president. His wife and daughter have largely abandoned him. He just swayed and bopped silently to his own iPod playlist in front of a crowd for 40 minutes. There’s something wrong with him. Even if he wins, he won’t be president.

    5/ All this was known to Musk, Thiel and Rupert Murdoch when they convened in California early this summer (feel free to Google it; it’s uncontested) to figure out who’d be Trump’s running mate. They and their ally Tucker Carlson knew the GOP VP candidate would be de facto POTUS.

    6/ Canada just revealed it has evidence that Tucker Carlson is a Kremlin agent. So at least one of the men who chose the MAGA ticket is an agent of an enemy of America.

    Obviously this is enough to avoid that ticket like the plague—forever—but that is just the tip of the iceberg.

    7/ Peter Thiel is part of a creepy far-right techno-authoritarian cult headed by failed coder and utterly mid “intellectual” Curtis Yarvin.

    Yarvin has proposed that he and a group of other tech bros decide which humans worldwide are “productive” and turn all the others into goo.

    8/ Oh, you think I’m kidding? https://newrepublic.com/article/183971/jd-vance-weird-terrifying-techno-authoritarian-ideas

    9/ You’ll notice that the Yarvinist listed in the headline of the preceding article *isn’t* Thiel. No—it’s Thiel’s disciple, Vance, who Thiel *and Yarvin* have been grooming (yes, that is the right word) for years to become president so that Yarvin and Thiel can rule through him.

    10/ When they saw that Trump was running not to be president but to avoid jail; when they saw how elderly and infirm Trump had become, and incapable of being POTUS even if elected; when Tucker Carlson convinced Trump that picking anyone but the Yarvinist Vance would cause him…

    11/ …to get assassinated by the Deep State (again, Google it, it’s uncontested that this is how Kremlin agent Tucker Carlson got Trump to pick Vance); they realized this was the moment to make their techno-authoritarian dream come true.

    continued

     

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  • #123105

    A couple of surprisingly good movies based on 80s toys for me recently.

    Transformers One, which I wasn’t going to bother with, but I kept hearing positive things from various corners, so caught it in the cinema. Really fun. Gorgeous graphics, though too much shaky cam. And Scarlett Johansson didn’t sound bored, which is astonishing.

    Teenage Mutant Ninja Turtles: Mutant Mayhem, which I’ve had on my Sky box for months. When the first trailers came out for this, I thought it was influenced by Spider-Verse. Seeing the full film, that’s both right and wrong. It’s aiming more to replicate something like Eastman and Laird’s art style (albeit with different Turtle designs) in 3D, but I do think they were only able to try that because of Spider-Verse’s success. The importance of the soundtrack felt very Spider-Verse inspired too. Overall, I liked it. Nice to see the “teenage” emphasised for once. I didn’t really like its take on Splinter (though him being inspired to teach them martial arts through media was quite fun) though. But it’s an generally a fresh, interesting new take on the concept and I can see why it’s done well.

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  • #123077

    I don’t think there’s any new information in here (I saw pretty much all of this reported on Twitter during the Olympics) but here’s a nice summation of how the boxing nonsense during the Olympics was set up by Russia.

    https://www.washingtonpost.com/sports/2024/10/17/russia-paris-olympics-boxing-gender/

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  • #122998

    Can’t be a Jedi Survivor without some Jedi Survivor’s Guilt.

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  • #122919

    Both things are true:

    – Starmer’s stepped on several entirely avoidable rakes.

    – The media are far more indulgent to the right-wing.

    Oh there definitely is a factor of how these attacks are mostly coming from the right wing press, but while that makes them hypocrites too it doesn’t automatically make their concerns (however bad faith) irrelevant, as some Labour people keep trying to spin it.

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  • #122903

    There is an element of that, but I think it lets Labour, and Starmer, off the hook too much for their own failings and hypocrisy.

    Take the freebies thing. Starmer made great hay of Boris Johnson’s cash-grabs and freebies – to the point of even going and doing a photo op in John Lewis looking at wallpaper when it came out that Johnson got ridiculously expensive gold stuff installed in no 10 – and yet here he is, in office less than three months, and he’s getting designer clothes and glasses, sports and concert tickets etc for free. And their only response seems to be “well the Tories were even worse,” as is that makes their sleaze acceptable, somehow.

    Then there’s Starmer’s inability to stick to promises. He made a raft of pledges when he ran for party leadership: ditched them all when he became leader in the excuse of “country first, party second”. He made a load of vows in the general election: most of them are getting dropped or watered down because of “the financial black hole” they suddenly discovered when they came into office, even though they’d been told about it repeatedly during the campaign and refused to acknowledge it.

    When he became LOTO, loads of centrists were frothing about, because he was a lawyer, he was going to be “forensic”. And yet so much of this in the past three months has been entirely avoidable and he’s walked right into it and in most cases made it worse. The free box at Arsenal thing (provided by the Premier League, who are the subject of a regulator the government is supposed to be setting up), for example. He claims it’s because it’s too much of a security risk being in the stands now. Which I don’t really believe (Sunak did that stunt in the stands at a match last year or so, John Major used to go to the cricket no problem) and doesn’t say much about other Arsenal season ticket holders if true, frankly (and he seemed to be fine going to that Taylor Swift concert without a private box). But his line of “it’s a choice between taking the free executive box or not getting to go to a game” just made the situation even worse. He sounds entitled. Lots of people have to choose between work and getting to go to the football. It’s not a god-given right to get to go to live games and heaven forfend that being Prime Minister comes with some kind of sacrifice.

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  • #122895

    Slim hope of that. It seems abundantly clear already that Starmer is bought and paid for.

    On a similar note:

    IMG_4093

    Ah yes, because that’s been the big problem in the British housing and development market, regulations.

    IMG_4094

    • This reply was modified 1 month, 4 weeks ago by Martin Smith.
    • This reply was modified 1 month, 4 weeks ago by Martin Smith.
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  • #122822

    I was going to say as well, I’m pretty sure my family had that exact stereo back in the day. Loved the three CD changer: felt so futuristic.

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  • #122798

    It’s just so dumb to cancel these shows so early, because it actively disincentives people from watching them and stops shows from gradually building an audience through word of mouth. I was still halfway through the first season of Kaos and enjoying it, but now likely won’t bother finishing it in light of this news.

    It’s incredible that they’ve gone from being the place that would recommission network shows to give them an ending to being a turbo-charged version of the US TV industry that instantly kills shows before most people have had chance to watch them.

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  • #122774

    Starmer era’s going well then.

    Keir Starmer replaced his top aide and the Treasury acknowledged that key tax-raising plans were under review, as the Labour government tried to correct course from what even allies say has been a rocky three months in power.


    Starmer and Chancellor Rachel Reeves must now turn their attention to a budget on Oct. 30 that is already coming under strain, with the viability of more than half the extra revenue that Labour planned to raise to fix Britain’s public services now being questioned.
    Plans to impose value-added tax on private school fees, announced in Labour’s election manifesto and due to come into force in January, may have to be delayed to prevent administrative problems, aides said, confirming a report in the Observer newspaper on Sunday.
    Reeves is also reconsidering a planned overhaul of the UK’s tax regime for non-domiciled foreigners, looking at different policy options to maximize the tax take after suggestions it would spark a wealth exodus and end up losing money for the Treasury.
    Private Equity
    Further proposals to close a loophole on carried interest — private equity fund managers’ portion of profits on asset sales — are being looked at again after internal Treasury analysis showed they too could end up costing the exchequer money.

    The private equity firm General Atlantic has warned the government that dozens of dealmakers in London could leave if plans for higher taxes on carried interest go ahead. The hedge fund billionaire Alan Howard is considering a move to Geneva from London. Jeremy Coller, a pioneer of Britain’s private equity sector, has already left for Switzerland.

    ::eyeroll::

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  • #122729

    For reasons passing even my own understanding, I downloaded all of Saved By The Bell: The New Class recently. I’ve been playing a game on Switch that is very grindy, so something to have on TV and not have to pay full attention to while playing in handheld mode is nice.

    I quite liked the original Saved By The Bell when I was a kid and I still have nostalgia for it (I’m not convinced how much it’d hold up to modern viewing, especially after seeing TNC). I think it helped that I was about 5 or 6 when I started watching it. If I’d been the same age as the characters, I don’t think I’d have been at all interested. But I was all in on those Peter Engel shows in my single digit years: SBTB, Hang Time, California Dreams especially and The New Class. But I only ever caught the latter sporadically, on both TCC and Channel 4, and it never seemed to have the same cast members between episodes. That’s a reason why I decided to go through it, starting with season 1 and… wow is it bad.

    There’s two main problems. (Well, three if you want to include the scripts, but I can’t imagine they’re much, if any, worse than the ones original SBTB had). First is that the acting is broadly terrible. The cast are, admirably, all roughly the same age as the characters, there’s no 25-year olds as teens (well, maybe for some of the minor roles) but that means they’re not desperately well trained. They don’t gel well and they’re all delivering their lines awkwardly. Someone really needed to just spend some time with them, as a group, and get them to relax a bit.

    The other problem is the set of characters. They’re mostly fine, with two exceptions. You have Vicky, a sort of generic 90s awkward headcase (she’s vegan! she’s a hypochondriac! she’s for animal rights probably!); Megan, the smartest girl in school (played by Beyonce’s half-sister); Lindsay, who… is just blandly nice; Tommy D, Lindsay’s biker-ish boyfriend; then Scott and Weasel, who are basically clones of Zack and Screech.

    I can sort of see why they felt recreating that was a good idea, but it really isn’t. It makes the whole show feel like “here’s a bunch of knock offs” rather than just “here’s another group of kids”, especially as they initially have Scott break the fourth wall the way Zack did. The bigger issue is just that the actor playing Scott, Robert Sutherland Telfer, has negative charisma. The Zack/Scott archetype is a charming con man type, a loveable rogue. Mark Paul Gosselaar nailed that. Telfer just makes Scott seem like a sleazy dickhead. The stories don’t help: in the first episode he falls for Lindsay and starts trying to manipulate her into breaking up with Tommy D for him – in the second episode he’s resorted to dressing in drag and posing as his own cousin to attend a sleep-over to gaslight Lindsay into thinking she has nothing in common with Tommy – but Telfer just seems like a creep the entire time. He’s incapable of conveying sincerity, so when he inevitably has to apologise or show contrition, he still sounds exactly like he did when he was pulling the con or manipulating people. Weasel isn’t as bad, though Isaac Lidsky hams up his lines too much, but ultimately he just does feel like Screech 2.0.

    The most interesting thing about this first season is actually what happened to the actors who played Scott and Weasel after SBTB. They were both dropped after season 1 (along with Bonnie Russavage, who played Vicky, who was arguably the best actress in the group). Telfer, allegedly, because of his bad behaviour on set, which extended to trying to pick fights with random extras. He doesn’t have any other acting credits on IMDB but now has a public Facebook page where he posts lots of angry right wing memes. Meanwhile, Isaac Lidsky, (who, like Dustin Diamond before him, was only 14 playing older as Weasel) was diagnosed with a degenerative disease in his eyes that led to him going blind. He went to college at 15, graduated Harvard at 20 with a computer science degree, founded an internet advertising start-up in 1999 that survived the dot-com burst and was sold for millions years later. But he’d left that to go back to Harvard to get a law degree, after which he became a clerk to Supreme Court Justices Sandra Day O’Connor and RBG and is now a famous lawyer and activist.

    Very divergent paths from a Saved By The Bell sequel, of all things.

    Anyway, I lasted about three and a half episodes into season 1 before just skipping around. I’m mainly just looking for episodes where future famous people show up, such as James Marsden as a popular sleaze in one episode (who out-acts everyone around him, although he was 20, so probably better trained) and Buffy’s Emma Caulfield in a season 2 episode, where she plays a school nurse who has a thing with Screech.

    Ah yeah, Screech. So in retooling for season 2, some new kids were brought in. There’s Brian, who is still a bit like Zack and Scott, but it’s dialled back a bit, he doesn’t break the fourth wall and he’s Swiss, for some reason. Then there’s his best mate Bobby, who is more of a unlucky in love loser than a Screech (and played by a guy with the incredible name of Spankee Rodgers. He has no other credits on IMDB and I fear to google him) and rich girl Rachel, who had been in an episode in season 1. She’s played by Sarah Lancaster, who actually progressed to a decent career in things like Chuck (to be fair, Linsday and Megan’s actresses have subsequently done stuff as well, I’m just not familiar with any of it).

    But the main addition is Screech, who returns to the school as an admin assistant to Mr Belding. It… doesn’t work. He’s incredibly annoying, which admittedly is Screech’s whole deal, but his dynamic with Mr Belding is just odd and it feels like a desperation move all round. Dustin Diamond is fresh off the just cancelled SBTB: The College Years and really this should have been the point in his career when he went off to reinvent himself, as the others did. Instead, he retreated to the security of Screech for six more seasons, which killed his career long-term, because he became indivisible from the character. But ultimately it just gets in the way of the actual kids taking centre stage fully.

    The acting seems marginally better for season 2, but the weirdest bit is that all the episodes, in air date order, are out of order. First episode, everyone is going back to school (presumably for the start of a new years, but possibly just term). Second episode: school’s out for summer, Belding and Screech are working at a country club (huh?) and the kids are hired on as staff (huh?). There’s about six episodes set in that country club, along with two at Screech’s cousin’s dude ranch (of course) and they’re just sprinkled through out the series. The two part series finale (set at the school, just to make the timeline make less sense) didn’t air consecutively either. American TV, man.

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  • #122679

    Well of course not. When has Biden (or anyone else in the US) saying anything a) deterred Israel or b) lead to any consequences affecting US support of Israel?

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  • #122591

    I think the bigger issue for me was the limited opening time. Four and a half hours just doesn’t seem enough (especially as it’s over lunch, so if you want to get food, you’ve got to burn some of that time) and I don’t get why it closes mid-afternoon. The crowd wasn’t too bad once we’d got out of the first aisle initially.

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  • #122588

    I went to the big toy fair at the NEC on Sunday. I was going to go solo, but decided to ask if my brother – who has been collecting MASK the past few years and getting TMNT for his son – if he wanted to come. Had to dissuade him from bringing the kids (they’re 4 and 6, a bit too young to cope with the size and business of the fair imo) and we ended up bringing along his friend (who is sort of my friend as well). They’re both early 40s, for reference, and before we went in Friend was asking if there was anything in particular we were looking for and I asked the same of him. He was non-committal, he’s been getting Thundercats recently and his son has been getting into Ghostbusters, but he was “fine with not getting anything, not looking to spend big but if I see a good deal I’ll go for it”.

    Within about 15 minutes of getting in we were trying to convince him not to immediately buy the first MIB Millennium Falcon he saw. He was also nearly going for a MIB G1 Ultra Magnus for £100, I think (down from £180!) something I don’t remember him ever mentioning any interest in before. He ended up spending more than we did (on decent things, in the end). Made me realise that while I know a lot about various lines, I have no clue about going rates for most stuff. Is £100 good for a MIB Ultra Magnus? :unsure:

    I bought some stuff though. A stack of TFUKs was my biggest spend (22 for £35, which is pricier per issue than I’d have liked but ok), but I finally got a Beast Wars Terragator! one of the few BW figures I’ve never managed to find for some reason, right there, at one of the first tables I went to. So that was nice. Got some 90s Gladiators figures for my nephew (who is mad on both the new show and the 90s one). And then various junkers for use in designing resin stands: a Kenner Darth Vader (not a Star Wars guy at all, but having handled it for a bit, I can kinda see the appeal of it as a thing), a James Bond Jr scuba gear fig I had as a kid, a MotU Clawful, a Biker Mouse and, most surprisingly for me, Herc Armstrong from Inhumanoids. It was in a box of bagged, individually priced figures with no price. I asked the stallholder, expecting a high price (as I’ve seen precisely one in person before and it was expensive, though admittedly this is missing all pieces) and he just uncertainly said “£5?” and then, after I’d paid, asked if I knew what it was because he didn’t have a clue.

    Most interesting thing I saw though was a stall which had all its loose figures in plastic blisters. One of their Visionaries had one of my resin printed stands in with it. Felt weirdly proud of that.

    It’s an exhausting show though. Opens at half 10 (with early entry from 8). We got there about 11:15 and there was still a large queue filtering in, with a stream of people walking out with stuff (presumably bought from early entry) making the wait feel worse. We were still going round as the show closed at 3 (and, annoyingly, some people were already packing up at half 2). I think there was an entire aisle we didn’t get to check.

     

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  • #122571

    I got to have a go on a Virtual Boy yesterday. Not something I ever really considered a possibility outside of splurging several hundred quid myself on buying one (which I’m incredibly unlikely to do). But the owner of the retro games, toys and car dealership near me has got one in and had it set up for people to have a go on yesterday, so I went down (early, to beat the crowds I expected, but no-one else was there. For the Virtual Boy! Mad).

    So it’s an interesting machine. By which I mean weird. First, the controller. It’s got two d-pads, for reasons passing understanding. The one on the right means that the main face buttons are shoved further inwards than is strictly comfortable. It has shoulders buttons, that came as a surprise, while the system’s power switch is on the controller too, for some reason. Not only is it weird in itself, it’s strange how close it feels to a PS1 controller in shape, yet the subsequent N64 one didn’t.

    The system itself is no less odd. The shop had it set up on a tripod, to avoid strapping it to people’s face (which I think you can do) and he said you don’t need to push your face right down into it. I’m not sure if that’s true or if he just wanted to avoid having loads of people’s faces smushed into it. Looking into the viewer felt like being Spock on Star Trek, peering into his science device, just at a slightly different angle. I wasn’t sure if I’d need to take my glasses off to view it properly, but (as a short-sighted person) I really didn’t. The image of the screen feels surprisingly far away. There’s a serious feeling of depth. Not necessarily to the stereoscopic effect (though that does work) but just to how far away it all is. That didn’t mean the image felt small though and I’d say I had the opposite issue. In playing one of the games, a vector-based Starfox-alike, while concentrating on the ship, I couldn’t ever really see the HUD in the corners. I had to actively look around to find that and kept forgetting it was even there. As I said, the stereoscopic effect does work, to differing degrees. It’s not quite as good as on a 3DS but it does work. There’s a focus slider on the device, but I didn’t feel like that really did anything.

    The shop had two games and that is the crux of the machine really. The first was that space shooter, called Red Alarm, published by T&E Soft and which plays worse than Starfox. The issue is really the controls, although I think I was meant to be using the second d-pad more than I was. There wasn’t much sense of speed (although that might have been due to me not knowing how to accelerate fully, if you can) and the manoeuvrability was poor. Another weird thing was that it kept flashing “Nintendo Virtual Boy” and “T&E Soft” on the screen while playing, which made it feel like a tech demo rather than a game. Not sure what that was about but apparently it’s intentional.

    The other game was Mario Clash, which owes more to the Mario Bros arcade game than the proper Super Mario games. It’s about stomping on turtles that move across two platforms, the twist being they’re on front and rear planes, connected by pipes, rather than different heights. It’s a decent concept, I guess, and the depth of field really works. The game just isn’t fun. It’s immediately quite difficult, with spiked turtles you can’t stomp on the first level, while the platforming elements (there are some higher platformers) feel awkward and I just couldn’t make the jump.

    Ultimately, that was the biggest issue I had with my short go on the Virtual Boy. I didn’t mind the red tone graphics and it didn’t seem to be inducing a migraine in me (as I feared, given VR does) I just wasn’t compelled to spend any time with the games, because they were kinda shit. And that’s ultimately what any console is going to live or die by.

  • #122513

    Has New York never considered electing, or even nominating, someone who isn’t a POS? IIRC correctly, no-one seemed enthused about Adams or his opponent. No-one liked the mayor before that or the one before that etc.

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  • #122438

    the song in episode two might not have worked

    I really dug the song. I’m definitely enjoying the show and I’m glad to see Debra Jo Rupp swept up into it.

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  • #122379

    So this is the panel scan I found, attributed to the French-Canadian reprints, that had me thinking that was the source of my art pages.

    Altered-page-from-Last-Indian-story

    It’s got the same altered layout and extended panels. It’s from the story The Last Warrior, originally in Rawhide Kid 71.

    So I dug into the French Canadian reprint title. There’s not a huge amount of info about it online, but by cross-referencing three sites, I managed to work out the contents of each issue in the run.

    No sign of the story my pages are from. But the first ten issues or so had two stories in them, and from #5 onwards, they didn’t bother putting the titles of both on the cover. So maybe it was an unnamed back-up strip?

    Cue lots of fruitless Googling. Eventually, I though to switch to Lycos, which gave me better results and I stumbled upon a site with scans of the entire French-Canadian run. Downloading was throttled though, so it took a while to grab the potential issues and…

    No sign of the story my pages are from. And then the same page of the Last Warrior that I found that scan online from looks like this:

    Last-Indian-Story-French-Canadian-page

    So I guess it’s definitely not from the French-Canadian series and I’m back looking in France.

  • #122378

    I find this fascinating, Al. Is there a certain size at which an over-sized object becomes creepy to you? Or is it scale relative to the normal item? Do those over-sized scissors that are used at ribbon cutting ceremonies wig you out?

  • #122320

    Cheers, Dave, I’ll look into that. I may have too quickly discounted the French Canadian possibility. The scans I’d seen of them were all from the first pages, but I’ve just found a scan of a random story page that seems to have been altered in the same way as the pages I’ve got, with lettering of a similar quality (much better than in the scans I’d previously seen, which were barely legible chickenscratch). Comics.org is a bit light on information beyond covers for the series and the original to cover to “my” issue was reused for that Masquerader story, so I’ve got little to go on.

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  • #122318

    That’s the French-Canadian reprint I mentioned. It uses the cover from #73 but actually has the contents of a different issue. They used pages as were with new lettering squeezed into the existing bubbles.

  • #122243

    The sheer gall of Labour trying to say it’s absolutely fine for private donors to be paying for/buying clothes for the Prime Minister and his wife because “they don’t get an allowance for clothing”. HE’S PAID A SALARY! They already don’t have to pay for most things in life, is clothing really too much to be covered by the £100 grand+ a year or whatever he makes?

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  • #122223

    I care only in that it might prompt DC to (finally) reprint the back end of Sandman Mystery Theatre in the second compendium edition. But given Gaiman’s fall from grace, they might not want to bother tying anything in with it.

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    Ben
  • #122193

    Has season 2 of Netflix’s Sandman already been shot?

  • #122192

    As is the Treasury refusing to provide any details (some might say proof) of the supposed £22bn “black hole” in the finances. As if it doesn’t actually exist (to that degree) and they’ve picked a random number out of a hat to justify things they were going to do anyway.

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  • #122133

    But what I always think about that is, surely these guys would just buy a really high-end PC that outperforms a console either way?

    I suspect a lot of them do too, but there’s still a difference between console and PC gaming. Not just exclusive releases, but comfort of playing in front of a TV rather than a desktop.

  • #122129

    To be fair to Trump, I have heard lots about people eating dogs, even heating them up to do so. Disgraceful.

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  • #122128

    I guess they’re mainly aiming this at people who haven’t bought into this console generation, yet rather than people upgrading mid-gen – but even as a newcomer to PS5 I’d sooner buy a standard model and five brand new games rather than a PS5 Pro.

    Yeah, I’m not sure about that. The people who haven’t moved to the current gen (such as myself) are likely holding off for cost/desire reasons. So I’m not sure a slightly better model at such a high price is going to convince any of them. I think this is aimed at the type of people who read Digital Foundry and salivate over ray-tracing and frame rates, the kind that would have had a PS5 from launch. Or idiots with too much disposable income.

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  • #122127

    Man, you really have to wonder. Gaiman, Whedon and Ellis were some of the most important influences to me in the nineties,

    Ok Christian, you need to list your other important influences from the 90s so we can prepare ourselves for their scandals.

     

    Wait, was Dave Grohl one? Damnit, Christian!

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  • #122046

    Asked about Tuesday’s vote on the changes to the fuel allowance, forced after the Conservatives submitted a motion to annul the government’s change to regulations, Starmer refused to say if Labour MPs who rebelled would be stripped of the whip – but made it clear he expected their support.

    “That will be a matter for the chief whip,” he told BBC One’s Sunday with Laura Kuenssberg. “We’re going into a vote. I’m glad we’re having a vote, because I think it’s very important for parliament to speak on this. But every Labour MP was elected in on the same mandate as I was, which was to deliver the change that we need for the country.”

     

    Well that’s a yes, isn’t it?

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  • #122037

    It’s a bit odd to see Kathryn Prescott still playing a high school student almost a decade after Skins, even if she was an actual teenager on that show.

    I just went and checked to see if she was the twin that got really hench and into bodybuilding and that turns out to be her sister, Megan (who is now using OnlyFans to fund a Fringe show about how being a child actor is a bit like being a sex worker… :s) while Kathryn has had three years of major surgery and recovery after being run over by a cement truck. :|

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  • #122036

    Remember when Labour kept criticising the Tories’ Rwanda policy but just for being inefficient and expensive and yet the media and their boosters kept spinning this as Labour not wanting to wholesale deport refugees, even though there was no direct evidence of this?

    Yeah…

    The government deported more than 200 people to Brazil this month, the largest single deportation on record. Since Labour came to power there have been at least nine deportation charter flights.

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  • #121938

    That happens quite a bit towards the end of a few Nintendo games.

    Due to other things that it really nails, I’m sticking with Star Wars Outlaws. If it was from any other company, the stealth would make more sense, but as it is? They know how to do this, or most of their studios do. Still, got some new stuff to try out that might aid it for the better.

    I watched Outside Xbox do a stream of Outlaws and Andy, who is a master of stealth in Hitman, spent the best part of an hour (it felt like, I wasn’t timing) stuck on one insta-fail stealth section in an Imperial hangar. It looked supremely frustrating.

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    Ben
  • #121928

    While my WiiU is set up, I decided to go back and finish off the single player campaign in Splatoon. The online services for the WiiU were turned off last year (there’s a fan-made alternative server system set up, but I’ve not gone into rigging that yet, if I bother at all) and that’s the core of Splatoon. The game’s main hub has other online player’s characters milling around and you can talk to them, so I was expecting a ghost town. But no, there were still people in there. I guess they’re just remnants of the last people I saw online. I was a little surprised that, with the servers off, you can’t even browse the shops for gear, but I suppose that makes sense given it’s only used online.

    Anyway, single player is offline, so is unaffected. I couldn’t remember how far I’d got previously and it turned out to be most of the way – about 21 of the 27 levels done. But I redid all of them, for the experience and to get my head back into the game. I’ve always liked Splatoon, but I’m not particularly good at it, multiplayer-wise anyway. Single player, I did ok, but it’s not nearly as tough as MP can be, until you get to the final boss. Oooo boy that’s a challenge. It’s an octopus guy in a flying mech orb thing. It fires missiles at you and then its two fists. You basically have to shoot the fists so they swing back and punch him in the head.

    Now, this being a video game boss, you’d probably expect to do that 3 or maybe 5 times. But nope, you have to do it about 12. It’s a huge sprawling fight. Every time you get a rebound fist hit in, he back his mech up deeper into the level and every third time, he starts firing a massive subwoofer thing at you, which you also have to ricochet back, but three times in succession. By the fourth cycle of this, you’re dodging two waves of four missiles, a sonic attack, bombs that spawn enemies plus then the fists and subwoofer, while also negotiating tricky terrain and patches of opposing ink (which slowly deals damage if you stand in it). It’s tricky as hell, and probably took me longer to do than most of the rest of the single player alone, but immensely rewarding to beat.

  • #121920

    The least British thing about the season: due to a product placement deal, everyone uses Sprint, a company that never operated in the UK, as their mobile operator.

    That’s up there with an episode of The Blacklist that has a short scene set in “Leeds”, where a guy and his young daughter are walking down a very American suburban street, see a kid with a lemonade stand and says “we always stop for lemonade stands”. And then get blown up.

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    Ben
  • #121896

    I decided to jump on the Blokees bandwagon. These are little blind-boxed model kits – a bit like Gunpla I think (I have no first hand experience of Gunpla) – of Transformers characters. They’re exclusive to Game in the UK and appeared with no fanfare on their website last month. They were repped at TF Nation though and went down a storm. I ordered two off AliExpress, because they’re about half the price on there compared to Game (£4 vs £8 each, which still isn’t expensive really). They’re really cool.

    They’re a really fun little build. They use the same basic armature, with push together pieces (some of which are on sprues, but pop out and don’t require clipper) which allows for a lot of articulation and interchangeability. It’s incredibly satisfying to do, simple and yet the character feel really distinct (well, these two do – I imagine if I’d ended up with, say, Prowl and Bluestreak, that’d be less the case but that’s just Transformers for you). They’re so poseable. I’m really resisting the urge to order a load more immediately. I think they’d be great for kids too, obviously. Reminds me a little of building a Kinder Egg toy, except the end result isn’t shit.

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  • #121894

    Kinda puts this in a new light:

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  • #121885

    A little while ago, I was listening to an episode of The Back Page podcast (which is hosted by Samuel Roberts, former PC Gamer editor, and Matthew Castle, former editor of Official Nintendo and Xbox Magazines) and there was a reasonable argument made about Metroid: Other M. Other M is easily the most reviled game in the series. It came out in 2010, which is when I’d stopped paying attention to the Wii and it forewent the FPS approach of the Prime games in favour of a 3D graphics on 2D plane(s) approach (ala Crash Bandicoot really) with first person stuff mixed in. What makes the game so immediately hated is that it absolutely slaughters the character of Samus. Where previously she’d been a silent protagonist, here she gives a running commentary that can best be described as “rambling daddy issues”, all performed pretty woodenly. But Matthew Castle’s argument was that the game deserved to be seen beyond the internet dunks on the story elements and that it’s gameplay is worth a look. So, convinced by this reasonable argument, I picked up a copy from CEX for £4 and I’ve been playing it this week.

    It fucking sucks.

    All the story stuff is as bad as I expected, but the game’s writing generally is terrible. The root issue is a poor localisation, I think. Even the plot summary reminders when you reload the game are badly written. But the gameplay’s shite too. The platforming is imprecise and woolly, the combat finnicky, with an auto-aim that occasionally fails and reliance on context sensitive moves (like jumping onto an enemy and doing a charged shot point blank in the head) that just don’t work most of the time. The map makes no sense – the mini-map that’s always on screen constantly rotates, meaning it’s really hard to compare it to the full map in the pause screen, which near the point at which I bailed on the game had just given up showing where I was. The biggest issue is the first person stuff. You’re constantly forced to use it to examine the environment in lame pixel-hunt moments (not a patch on Prime’s scanning visor stuff) and it’s the only way to fire missiles. But you can’t move while in it, meaning you’re a sitting duck any time you want to fire missiles. And the button to pan your view is the same as the one to lock onto things, which is annoying. But the worst bit is that you switch into by aiming the Wii remote at the screen and exit by returning it to the horizontal orientation, meaning you constantly have to change your grip on the controller while playing, which is just annoying.

    So yeah, some times shit games thoroughly deserve their reputation.

  • #121872

    I don’t think anyone particularly gives a damn about polite discourse this time (thankfully). I think everyone’s just waiting til Vance or Trump drop the n-word.

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  • #121848

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  • #121843

    That’s been my fear as well. Having Meryl Streep in last season felt like it might be a bit “well, they’re just padding it with stars now” rather than focusing on story, but that season was good. This first episode was fun (and I especially like that they’ve acknowledged how damn mumbly Mabel is), but I do hope they decide end the whole thing on a good note rather than run it into the ground.

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  • #121818

    Might as well put this here: Blake’s 7 is getting blu-ray releases of the same standard as the Who Collection sets.

    They’re doing replacement special effects, but with new model shots rather than CGI, which is cool.

    https://x.com/InvincibleChr1s/status/1826573584669577563

    • This reply was modified 3 months, 2 weeks ago by Martin Smith.
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    Ben
  • #121812

    Arjan, we get it: knife crime exists. I don’t think you continually posting links to every single stabbing is really doing anything of worth, certainly not to your own mental health. If you keep fixating on negative news that, ultimately, has very little bearing on your own life, you’re just going to drive yourself to ruin.

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  • #121811

    OK but surely a lot of these people did die falling off construction sites, right?

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  • #121808

    I finally managed to get a copy of Kill Or Be Killed!

    IMG_3926

    I didn’t realise the Hulk was in it, but I trust Brubaker and Philips to make it work.

    Ok but seriously, I think this is only the second Hulk comic I’ve ever bought (the other being the first Masterwork).

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  • #121807

    Macron just pretty much doing a coup in France, refusing to pick a PM from the party with the most seats in parliament.

    https://www.theguardian.com/world/article/2024/aug/26/chaos-in-france-after-macron-refuses-to-name-prime-minister-from-leftwing-coalition

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  • #121750

    I actually pre-ordered one of those DC Finest. The Green Arrow: Longbow Hunters one is down to £25 or so on Amazon, which seems a decent price (pending reviews for how well put together these volumes are). I’m not at all convinced they’re going to update the logo on them to the new Bullet one though.

  • #121724

    Got a weird little… well it’s not a problem, I’m not overly bothered by it but I am curious as to what’s causing it and if it can be sorted and I don’t really know anywhere else to ask (googling has brought up nothing of use).

    I bought a new phone the other week. Well, a refurbished one. It had a screen protector on, which I got rid of (mainly to check if it was scratched underneath or not and to test the touch screen). Despite having cleaned the screen (wiped with a glasses cleaning cloth, a bit of IPA, a minutely damp bit of tissue paper), when it catches the light you can still clearly see where the screen protector was, the outline of it is clear. But there’s no tactile residue or anything. What is causing that and can I clean it off?

  • #121722

    You would hope that the reality that she has insulted and bullied a person who according to her own supposed views is clearly a woman would at least give Rowling pause and food for thought, but I don’t think there is any openness of mind left in her.

    It seems to have stopped her tweeting, which is nice.

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  • #121683

    Modern Era Epic Collection Spider-Gwen 1: Edge Of Spider-Verse

    Well, this was kinda disappointing.

    Not the Modern Era Epic format – that’s fine. Sensibly, this doesn’t include Spider-Verse or Secret Wars: Spider-Verse, (which interrupts the main series and causes the hilarious numbering format of 2015A and 2015B for the series titles). It maybe could have done with summary pages of those though, because the former especially has a big effect on the character and while it does point you towards reading Spider-Verse (with a “next: Spider-Verse tpb” tag in the last panel of the Edge of Spider-Verse story) it’s not very satisfying to be left floundering without explanation of “who that Spider-guy watching her was, who the the pig-Spider-Man is she’s hallucinating, how she has a dimensional transporter, who Jessica Drew and Cindy Moon are” etc. Some/most of which I knew, admittedly, but reading this it leaves you feeling uninformed.

    That is unfortunately inherent to the stories anyway. Set in its own parallel world, Earth-65, Spider-Gwen is not very good at world building. Latour just sketches in a supporting cast using existing Spidey characters and going “they’re hipsters here” as if that’s enough. Betty is especially galling. She’s apparently Gwen’s room-mate in the 2015B series but there’s explanation of how they now each other, how they became room-mates and what her deal is beyond her playing some music to Falcon at one point (which is very weird). There’s no real interest, or maybe ability, to actually explore Gwen’s life in anything but superficial detail.

    I’m a sucker for parallel worlds and multiverse stuff, but Earth-65 would have struggled to be interesting in a two issue story of Exiles, let alone supporting a series. It’s all very tiresome “hey, it’s that character you know but slightly different”. We learn after the fact that Peter Parker became the Lizard, for instance, because… significance? Harry Osborn shows up to avenge Peter’s death on Spider-Gwen and he uses the Lizard formula to become… the Green Goblin! Frank Castle is an NYPD captain but he also happens to go around in a bulletproof vest with a Punisher skull on it… just because? That’s a story-thread that goes absolutely fucking nowhere too. Tony Stark owns a Starbucks esque chain but is also still a weapons manufacturer and runs a merc unit called “the War Machine” (never seen in panel) and just… it’s so tiresome. These aren’t interesting and original ideas.

    The art’s not very nice either. I don’t particularly like Rodriguez’s pencils and the colouring is blunt and ugly for the first chunk. For 2015B, it suddenly gets more traditional but weirdly this comes with some revisionism. Harry and Jean DeWolff, who both looked like they had brown skin in 2015A are suddenly white. Weird. But again, this relaunch does nothing to really dig into Gwen. Sure, it focuses a lot on her guilt over Peter’s death and her backstory with Harry, but that’s fighting for space with her reality’s Captain America (female Sam Wilson from WW2, seemingly) and Falcon (some kill-hungry kid). She has a gerbil or guinea pig at the start of that run and it’s never explained why she has it. Did it come from Secret Wars? I have no idea.

    Bizarrely, the book actually improves when it goes into a multi-title crossover with Silk and Spider-Woman. Not on Spider-Gwen’s end – Rodriguez is replaced by an even worse artist, but the art on SW and Silk by Joelle Jones and Tana Ford is much nicer. Dennis Hopeless, writer of Spider-Woman, does better by Gwen in his issues than Latour as well. She feels more like an actual character rather than a concept design being dragged out past its gimmick appeal.

    I don’t think Gwen is inherently unsalvageable character, I just think Latour isn’t a good enough writer to make her interesting enough to warrant a series. Fortunately, it doesn’t look like he’s the writer for the second collection, so I may go onto that. Maybe.

  • #121670

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  • #121656

    I watched the first episode of that new Batman: Caped Crusader. Pretty cool. I love stories that do super-heroes as period pieces and combining that with Timm’s Deco sensibilities is a winner. Nice updates/changes to the usual crowd for it as well.

    Only issue is Prime Video’s entire existence, which is somehow shittier than I remembered. I watched on a smart TV and did you know there’s no way to turn off autoplay on those? Ridiculous. Also the first time I’ve used it since they brought in mid-programme ads, which was an unpleasant surprise.

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  • #121618

    I started digging in to the BBC iPLayer, frustrasted about the content shown, since the BBC has the most amazing archives of tele-plays, drama and comedy.

    Digging in under the surface there are multiple Denis Potter works, Alan Bleasdale’s The Blackstuff and Boys from the Blackstuff, Tutti Fruiti, Alan Bennet’s Talking Heads – there might be more, though I’, disappointed there’s no obscure 80s alt-com work, maybe they aren’t that funny?

    I think some of the Beeb’s 80s comedies are on UKTV’s various channels and streaming service (which recently got renamed to something stupid).

  • #121593

    Overall, it’s an interesting and fun cross-doctor tale, not essential but fun. I find myself intrigued by the second doctor who I know very little of.

    Have you not watched Troughton? He’s ace. Handy thing about it all being on the iPlayer now is that it’s easy to make recommendations. The Mind Robber and Tomb of the Cybermen are big stand outs.

  • #121570

    Dealer Alert

    Blackwell’s have the I Hate Fairyland OHC3 due Jan 2025, collecting the second series #1-20 for £26.94, which is quite the price.

    They’re also offering The Power Fantasy Volume 1 due April 2025, for £7.69.

    Is the I Hate Fairyland revival any good? I felt like the original series ran its course and ended fairly well.

  • #121537

    I enjoyed it, though I was hoping for a few more links to the other TGW-universe shows. Aside from name-dropping Cary in the first episode, there’s basically nothing. I’m hoping we get a few familiar guest stars in the future.

    I’d love to see Eli again, though given the different location and story focus, I’m not sure how he’d fit in apart from being a murderer.

  • #121528

    I was quite surprised to hear recently that, with the end of the Good Fight (I’ve still not seen the final season), the Kings had set up another Good Wife character in their own show: Elsbeth Tascione, the quirky lawyer played by Carrie Preston in, erm, Elsbeth. It’s good for Preston – she’s deserved a starring role for ages and Elsbeth is a fun character. But how does quirky lawyer’s lawyer work as a series lead? Seemingly by putting her in a murder mystery series! Well, I say “mystery”, the format is basically just Columbo so the viewer knows who the killer is and the show is about Elsbeth (secretly now a justice department agent and assigned to the NYPD as an outside observer) quirkily working out how to prove it. It kinda works so far. Seems to have a decent roster of celebrities coming in to play murderers doomed to be out-witted. As ever though, I suspect it’s already been cancelled in the US.

    Another surprise is that Canada has set up its own Law & Order, though specifically Criminal Intent (which is also broadly Columbo, weirdly). Unusually for a regional L&O, it’s actually got original scripts, rather than just rehashing American ones (which felt utterly pointless when the UK did it, would be even moreso for Canada). Nice cast in it, including one of my faves, Kathleen Munroe, and Ronnie from Schitt’s Creek as the Captain. Surprisingly though, given the Canadian TV industry seems to usually consist of the same 40ish actors rotating through every show in production, I’ve never seen the guy playing the other lead detective in anything. His character is broadly Goren but that’s fine, L&O is built on archetypes. It’s a good show, filling a niche that’s been vacant for ages. And even better, this has already been renewed for a second and third season.

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  • #121485

    Don’t let the door hit you in the ass on your way out:

    https://firstcuriosity.com/politics/rapper-lil-pump-declares-he-will-leave-america-if-kamala-harris-becomes-president/

    Also, who the fuck is Lil Pump?

    He’s like Big Pump, but lil’er.

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  • #121447

    I missed this being announced at SDCC (further proof that it’s mad to announce anything but big movie news there): there’s going to be two more seasons of The Toys That Made Us. It’s been so long since season 3 I figured it was finito.

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  • #121429

    I remember seeing an interview with McFarlane, ages ago, where he talked about his method (I think for the adjectiveless Spidey title he wrote as well as drew) where he said he’d make all the pages, then work out what order they went in afterwards. He specifically mentions other creators being aghast at this and I’m totally with them.

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  • #121426

    The other thing I meant to say about the Michelinie and McFarlane Spider-Man run: there’s a lot of instances of MJ (whose modelling career is being sabotaged) going off partying to relieve stress. “Oh, I got fired off this job, I need to go dancing”. And it’s screaming out for a drug abuse story line. I don’t know if we’re supposed to take as read that she’s off doing coke (or at the least getting drunk) at these parties, but it definitely feels like subtext and that it should be building to a storyline. But it doesn’t, here at least (and I’ve previously read the next epic collection chronologically along and don’t remember it there).

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  • #121419

    1967 was an important year for Marvel’s Westerns output, for two reasons.

    First is that Larry Leiber, who had been writing all three (Rawhide Kid, Kid Colt and Two Gun Kid) as well as pencilling Rawhide, leaves. He hasn’t left Marvel entirely at this point and Wikipedia tells me he worked on Rawhide til the 70s, so I guess this is just an interval period on that. Also gone is long time Kid Colt artist Jack Keller. The replacement artist on most of these titles is Dick Ayers, inked by Vince Colletta, which is… fine. Ayers is about on a par with Lieber in being solid but not particularly exciting. The exception is Two Gun Kid (the one title Dick Ayers was already pencilling), which is now drawn by Ogden Whitney. He’s a Golden Age artist and while he has a nice style, he makes all the characters look about 50, which is weird.

    Writing for these titles is mostly taken over by Gary Friedrich. The Bullpen Bulletins page (which is a very interesting inclusion in these scans) announces his hiring after Roy Thomas, which is kinda quaint. It’s weird that he never really seemed to get as much to do (or as high profile) as Roy. His works across these titles is generally pretty good. Combined with some of the other writers and artists doing odd stories (especially back-ups) like Denny O’Neill and Herb Trimpe, it feels like the titles are making their progression from early Silver Age to late Silver Age, like the difference between Kirby’s X-Men and Neal Adams’ X-Men. There are less formulaic plots, less linear narratives and more interesting panel layouts that spice it all up a bit.

    The second big change is that a fourth title is added to the range: Ghost Rider! No, not the cool motorcycle one, the lame cowboy in white who would be renamed Phantom Rider later on and turned into a dodgy rapist in West Coast Avengers. Reading his seven issue series, that doesn’t really feel like too much of a stretch for the character. The intention for Ghost Rider is clearly to apply superhero sensibilities to the Western (again). So GR has a secret identity (schoolteacher Carter Slade), a cave hideout, a kid sidekick of sorts and, unlike Two Gun Kid, is distrusted by the local sheriff. The Lee-style soap opera elements are in full tilt on Ghost Rider, while having all but disappeared from Two Gun.

    It doesn’t really work though. The big problem with Ghost Rider, and this isn’t entirely due to hindsight knowledge of the motorbike one, is that it feels half-baked. The Slade doesn’t have any powers but uses gimmickry to pretend to be a phantom. He applies sacred Indian meteor dust to his suit to make it glow in the dark, he has a special projector that allows his ghostly image to appear elsewhere, he uses a black cloak to make parts of himself disappear in the dark so he can be just a floating head or disembodied hands and he has a black lariat to fake mystical telekinesis. And none of that makes sense. Not a single bit of it. It feels for all the world that he was intended to be a proper supernatural character with actual ghosty-powers and for whatever reason – editorial vetoing it, the Comics Code disapproving – they bailed last minute and came up with all this guff. There’s a fatal flaw in the Ghost Rider concept too (something pointed out in a contemporary letter sent in): he can only fight crime at night. None of his powers work in daylight. None of the stories struggle with this, but it is limiting, really.

    What’s weird though is that the month before Ghost Rider debuts, Two Gun Kid does a story where Two Gun and Rawhide also do the ghostly head, disembodied hands trick, with some secret Indian herb knowledge. It’s a weird recurrence. A dry run for the gimmicks intended for Ghost Rider? An idea that they liked so much they very quickly repurposed it?

    The other problem is that Carter is just not likeable. The love triangle stuff with his colleague, who is engaged to a guy who is clearly secretly the villain the Tarantula (and is also the sister of the sheriff) just makes Carter look like a jerk, rather than sympathetic. His relationship with his kid sidekick is just odd. In the first issue, he comes across “indians” attacking a homestead ranch type place. The adults are killed, the kid just injured. Carter tries to save him, but is shot. Actual Indians nurse him back to health and decide to make him the Ghost Rider (again, it’s crying out for just Indian mysticism to be used to give him the powers instead of him gimmicking most of it). He then just sort of claims the vacant house and the kid agrees to live with him there and I get there wasn’t social services in the Old West, but it feels dodgy, you know. Carter also puts on a very dramatic ghostly persona while Ghost Ridering, which just makes him seem an ass. If he was being possessed by a spirit that manifested at night, then it’d make sense, but given it’s just him putting on a mask, it makes him seem like an ass. It’s all these bad vibes that make his fall from grace in the 80s WCA time travel story feel completely right for him. I can totally see him drugging Mockingbird to be his girlfriend based on these stories.

    Ghost Rider only lasts seven issues and it’s easy to see why. While it’s good that it actually manages to do running sub-plots (which again Two Gun Kid has given up on) it’s not as versatile as the other Westerns and its main character just isn’t as likeable.

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  • #121415

    I read an Amazing Spider-Man epic collection recently and I thought I’d talk about it here rather than in the trades thread (because the trade element is not that significant). It’s Assassin Nation, which is pretty all of ASM from 1989. That includes Parallel Lives, an OGN by Conway and Frenz that recounts Spider-Man’s origin and marriage from both Peter’s perspective and MJ’s, as well as throwing in a perfunctory Doc Ock fight. It’s ok. Nicest art of the volume, by a country mile, but it makes a very odd choice of retconning that MJ was at her aunt’s house during Amazing Fantasy #15 and worked out that Peter was Spider-Man as he went off to confront the burglar, which… is a choice.

    You also get that year’s ASM Annual, which is part of a big cross-over, I forget which (maybe Atlantis Attacks?). This means you get loads of not-very Spidey stuff like Deviants, Lemurians, Celestials, the Serpent Crown etc. Add in that Rob Liefeld pencils the main story and it’s far from great.

    The majority of the volume though is standard ASM and it’s the end of Todd McFarlane’s run pencilling with David Michelinie. I fervently believe that if you gave this volume to someone not that knowledgeable of comics and told them that McFarlane would become arguably the biggest comics creator of the next 5-10 years, they would not believe you. His art here is ugly as fuck. He draws a nice Spider-Man, I’ll give him that. Venom too. And he’s good at coming up with weird, dynamic poses for them. But his panel to panel story telling is awful. He’s clearly working Marvel style and it feels like Michelinie is constantly having to drag the art back to the intended plot (there’s a panel of the NYC skyline in an early issue where the Empire State Building is taller than the WTC and the caption tries to pass it off as the effects of Inferno, which ASM unwisely does three issues of tie-in to, but it really feels like the scripter apologising for the artist). McFarlane seems far more interested in making a page that looks “cool” in and of itself rather than serving the story, which is not a good approach for an interior artist.

    On top of this, all his characters look utterly grotesque. Not in an intentional way, just in a “I’m trying to be Art Adams but don’t have the chops for it” way. He’s clearly always trying to draw Mary Jane as a smoking hot super model, but she almost always looks horrific. It doesn’t help that he inks his own work, in what I always think of the “Image house style” – incredibly thin, scratchy lines with next to no weight anywhere. If, say, Bob Layton had been brought in to ink him, I think it would be a bit more palatable.

    Still, he’s better than Liefeld. Just.

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  • #121333

    And if we do go through all these tests and prove that she is indeed cis down to her fucking chromosomes, it won’t matter, because the same assholes will do the same thing any time a woman who doesn’t fit their increasingly narrow definitions excels in sports.

    Exactly. This is where transphobia always leads. They start out claiming they’re just worried about protecting women and very quickly it ends up with any woman who doesn’t look quite femme enough getting harassed.

    Dave, you seem inordinately bothered by the genes of an amateur boxer. You need to step away and realise how weird and invasive (and borderline eugenicsy) it is that you’re suggesting that someone have to take a genetics test and publicly reveal those results to compete in a sport to your approval. And even if that did happen, the practicalities of that level of categorisation is insane. We go from dividing boxers by sex and weight to what? Sex, chromosomal break-down, weight, height, reach, bone density, eye sight, joint flexibility, hair colour? Even the Paralympics isn’t that granular with categorisation for disabilities.

    I’ve been watching a lot of other Olympics events the past week – I haven’t bothered posting about it in here because of the bad vibe going on – and the diversity in body types in most of those sports is large. Sports climbing especially has men who built like bodybuilders going up against guys who could pass for basketball players; women who are absolutely ripped taking on teenage string-beans. And yet it’s still a fair competition. There’s no-one going around crying that there’s someone taller than them having an unfair advantage. Every body type comes with its advantages and disadvantages. The same is true in boxing. To pick up your earlier question, boxing is not just about who can hit harder. Ali is considered one of, is not the, greatest boxers who ever lived, but he didn’t win by just unremittingly sledgehammering the hell out of his opponents. It was a combination of stamina, agility, psychology and yes, strength. The hysteria you keep falling back into, that some Y chromosomes Khelif allegedly has gives her some unassailable advantage, completely ignores that in favour of a reductive assumption that it’s all just about who can hit harder. And even if that was true, her own previous losses show that isn’t the case.

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  • #121311

    A few thoughts about Death’s Head. He’snjust shy of 8” tall, so is a big fig. Not sure how that really gels with his packaging stating he’s 6’ 6” but whatevs. The sculpt is built off the base of an old Colossus figure, I think, and there limitations because of that. Mainly that the elbow is only single jointed and there’s no butterfly joint at the shoulders, so he’s a bit limited in poseability there. Better on the legs. The shield is a bit useless (a recurring theme from the 3.75” fig unfortunately). The peg hole in the figure’s back isn’t quite deep enough to securely hold it while I’ve found it hard to get it to stay in his (one singular gripping) hand. I’m not sure why his weapons are black rather than silver/grey. On the other hand his head sculpt is brilliant, as is his cape, which is flexible while still being weighty and has a great texture. It definitely looks the part.

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  • #121299

    Batman: Arkham Knight

    This came out about 9 years ago now and I have successfully dodged spoilers for it in that entire time. All I really knew was that a) the PC launched was bungled b) people didn’t really like the Batmobile sections (or the amount of them) and therefore took its general critical reception to be a bit muted, lower than the previous two games.

    And that probably contributed to me not getting it for so long. Moreso that I didn’t have a PS4 for the first four years of this period, but even when I did, Arkham Knight wasn’t top of my list of things to catch up on and I only really thought about it when I saw it cheap last year.

    I’m really glad I did play it though, because I think it’s the best of the series. Certainly better than City, which I replayed a month or two back.

    Admittedly, as soon as the Arkham Knight appeared on screen and first said something, I instantly twigged as to who he was and what the story was (which I hadn’t before playing, somehow, which goes to show how little of the game I’d seen). It’s definitely not the wholly originally character they were claiming before release and it took some slightly awkward expositional crowbarring to make that story work, but it mostly does.

    I can see people’s points about the Batmobile sections. There are quite a lot, arguably too many, but I actually really enjoyed them. Most of them. The final Riddler race and the boss fights against AK in the car can get fucked (though they’re easier if you switch to first person perspective, which gives the car better handling, weirdly). But the Batmobile is generally a fun way to get around the city, I liked the drone battles and I really liked how they integrated the car into the puzzles (and I’d say that this game has the best set of Riddler puzzles).

    I did look at the percentage completion rates of side missions when I was about 2/3 of the way through the game and think “there’s *more* drone battles?!” but by the time they came around, they didn’t feel overwhelming and that’s true of the Watchtowers and roadblocks as well. The game does well in parcelling those out and I liked the flow of those side-missions, as you’re constantly fighting to resecure Gotham, which gives gameplay advantages of making the open world safer. (Compared to City and Insomniac’s Spider-Man where it just progressively just gets more of a hassle as you go through the game and you can’t really do anything about it until the story is done).

    I also really liked how the side mission here aim for different aspects of gameplay. So the Firefly strand is about Batmobile chases, the bomb missions are Batmobile battles, the Watchtowers are predator challenges, while the roadblocks are (usually) more combat based. The Two-Face missions are specialist predator challenges while the Penguin ones are specialist combat ones. It feels like it’s got more clarity of purpose than the side mission in City.

    Gadgets and combat skills are at their best here too. I really liked the improved sabotage disruptor thing, which expands from just disabling guns into setting traps. I loved double-firing on enemy’s guns so that they’d be incapcitated upon firing and then hitting them with the electrical thing, forcing them to fire. Sabotaging ammo dumps and then using the voice replicator to direct enemies to check them out was really pleasing too. Being able to use dropped weapons in combat is a nice addition and I liked the environmental takedowns, though they’re a bit finnicky.

    Where the game really excels is in the use of unreliable narration. Ok, so that’s used to make a massive cheat in the story that doesn’t entirely hand together when Barbara is shown killing herself and it’s explained away as just a fear gas hallucination but generally, the way the game weaves delusion into reality is smartly done. The epitome of this is Batman’s schizophrenic manifestation of the Joker (and I like that it’s taken by the characters to be due to the Joker infection he had in City, but is really all explained away by the fear toxin). Finding a way to get the Joker in here after his death in City might seem a bit desperate (it definitely felt it in Origins, when it bait and switches) but it really adds to the game, having him chatter at Batman constantly (always one-sided). It’s also a handy subtle hint system guiding you on where to go in sections, which is cleverly done. On top of this, it uses the Joker’s influence on Batman to force you into actions that make you question yourself and if you have a choice. There’s a point where you’ve got Joker in a headlock and the button prompt is “mash square to kill Joker” by snapping his neck and there’s no alternative. You have to do that.

    I also really loved how it visualised how many enemies you’d taken out by having them all in the GCPD lock-up, which you can walk through whenever you want. That’s a cool idea.

    It’s not a perfect game though. As I said, a couple of the Batmobile battles can absolutely fuck off. The pathfinding for the car is ditzy at times and it would remove my custom waypoints for no reason on a couple of occasions. The chatter from the thugs and militia in Gotham are interesting, but they’re overplayed, which can get annoying, and there’s a couple of instances where they give away what’s going to happen in the plot later, which seems silly (and in a more overt design flaw/bug, the Riddler came over the city PA to tell me he’d hidden trophies in Scarecrow’s hideout in the shopping mall long before the story had me going there or even knowing where it was). The Hush side-mission was a random bit of nothing too. I feel like that could have/should have been more. Oh and the ending coda you get for 100%ing the game is stupid, but hey-ho.

    Overall, I really loved this game. I’m glad I went into it with both low expectations and no real knowledge of the story, not because said story bowled me over with its novelty, but because it meant I didn’t have expectations of it colouring my enjoyment.

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