Always two, there are.
Home » Forums » Movies, TV and other media » Star Wars Thread: Episode II
Tags: newness
George really did want this classic Daffy Duck cartoon shown before every screening of #SW. It would've been an icebreaker to let the audience know what was coming was less than dead serious. I was disappointed when we couldn't get the rights to it & it didn't happen. #TrueStory https://t.co/5VcGKH1yxf
— Mark Hamill (@HamillHimself) April 5, 2021
Retro-Cast: Casting The Star Wars Original Trilogy In The 2010s
https://screenrant.com/star-wars-original-trilogy-fantasy-cast-2010s/amp/
Timothée Chalamet As Han
HAHAHAHAHAHAHAHAHAHAHAHAHAHAHA!!!!!!!!!!!!!!!!!!!
No fucking way. He is way too wimpy and doesn’t have the charisma for the role.
Obviously. Look at how they describe him though:
Timothée Chalamet would fit the bill for the charming, roguish space pirate.
Like, what the fuck? He’s great for Paul Atreides because Paul is a miserable little prick, really. Charming and roguish my ass.
The only ones I could really get behind are:
Saoirse Ronan as Leia, Andy Serkis as Yoda, Christopher Plummer as Obi-Wan, and Gary Oldman as Palpatine (though he would make a good Tarkin, too). Donald Glover as Lando is kind of a gimme, though, isn’t it?
More Retro-Casts:
https://screenrant.com/recasting-star-wars-original-trilogy-famous-actors-2000s/
https://screenrant.com/recasting-star-wars-original-trilogy-nineties-actors/
The ones for the 2000s are all pretty solid.
The 1990s are hit and mostly miss.
Phase II of the High Republic has been announced.
Along with more info on announced titles, it adds audio production and manga to the mediums being used.
It is also moving characters that turned up in one earlier story into these new ones, which is a rather neat bit of coordination.
They’re also clustering each phase around a central event. This has allowed them to actually offer pieces but without requiring they all be purchased. It’s a rather elegant solution.
Since it’s now on Disney+, I watched the Star Wars 2D Clone Saga. I hadn’t seen it since it first aired.
It still holds up today. The story is brilliantly executed with absolutely no fat. Genndy Tartakovsky is a fantastic storyteller who knows when to the characters speak and when to let action do all the talking. He will have minutes go by with no dialogue but the characters’ expressions and body language, along with beautifully choreographed action, tell you everything. The 2D animation is also a definite plus.
If you haven’t watched Primal yet, watch it as soon as you can. It is a masterclass in storytelling and action sequences.
I would love to see him direct a live action superhero movie.
I would love to see him direct a live action superhero movie.
He storyboarded the action scenes in Iron Man 2, one of the only good things in that movie:
‘Star Wars: The Bad Batch’ Premiere Episode: [Spoiler] From ‘Rebels’ Makes A Cameo
The bad batch was the first good new start wars show since Rebels.
I did not watch Clone wars because of Anakin but I have gone back to S7 because that is where the Bad Batch gets introduced. It also has Rex from Rebels too.
I did not watch Clone wars because of Anakin
This is a misguided choice, he’s great in the Clone Wars. He’s a compelling character
That may be true but for the cartoons I like better when Filoni gets to play with his own characters. That is why I like Rebels and now Bad Batch.
Rangers of the New Republic is no longer happening, probably because of the Carano stuff: https://tv.avclub.com/mandalorian-spin-off-rangers-of-the-new-republic-no-lon-1846947917
True, just don’t look closely at the security of those roles or the employment conditions.
I don’t know, man, I mean, at least it’s stable employment and hey, given how it’s going to be the most powerful weapon of the Empire and all that, it’s probably going to be the safest place you can be a soldier at.
Leave Noel Clarke out of this.
Take with a grain of salt:
Grand Admiral Thrawn And Ezra Bridger Casting Confirmed | Exclusive Barside Buzz
The Bad Batch’s 2-part season finale was pretty damn excellent.
Looking forward to whenever season 2 airs.
The other thing I like greatly that it did not do is the last 5-10 minutes instant cliffhanger that plagues so many series.
I saw the first ep of Bad Batch and quite enjoyed it. I’m sure I’ll watch the rest in time (as the kid will make me).
Star Wars: Visions: Disney+ Anime Anthology Reveals Trailers, Voice Casts
The episodes’ respective studios and both their Japanese and English voice casts follow:
“The Duel” (Kamikaze Douga studio)
Japanese voice cast: Masaki Terasoma (Ronin), Akeno Watanabe (Bandit Leader), Yūko Sanpei (VillageChief)
English voice cast: Brian Tee (Ronin), Lucy Liu (Bandit Leader), Jaden Waldman (Village Chief)
“Tatooine Rhapsody” (Studio Colorido/Twin Engine)
Japanese voice cast: Hiroyuki Yoshino (Jay), Kōusuke Gotō (Geezer), Akio Kaneda (Boba Fett), Masayo Fujita (K-344), Anri Katsu (Lan)
English voice cast: Joseph Gordon-Levitt (Jay), Bobby Moynihan (Geezer), Temuera Morrison (Boba Fett), Shelby Young (K-344), Marc Thompson (Lan)
“The Twins” (TRIGGER)
Japanese voice cast: Junya Enoki (Karre), Ryoko Shiraishi (Am), Tokuyoshi Kawashima (B-20N)
English voice cast: Neil Patrick Harris (Karre), Alison Brie (Am), Jonathan Lipow (B-20N)
“The Village Bride” (Kinema Citrus)
Japanese voice cast: Asami Seto (F), Megumi Han (Haru), Yūma Uchida (Asu), Takaya Kamikawa(Vaan), Yoshimitsu Shimoyama (Izuma), Mariya Ise (Saku)
English voice cast: Karen Fukuhara (F), Nichole Sakura (Haru), Christopher Sean (Asu), Cary-Hiroyuki Tagawa (Valco), Andrew Kishino (Izuma), Stephanie Sheh (Saku)
“The Ninth Jedi” (Production I.G.)
Japanese voice cast: Chinatsu Akasaki(Kara), Tetsuo Kanao (Juro), Shin-ichiro Miki (Zhima), Hiromu Mineta (Ethan), Kazuya Nakai (Roden), Akio Ōtsuka, (Narrator), Daisuke Hirakawa (Hen Jin)
English voice cast: Kimiko Glenn (Kara), Andrew Kishino (Juro), Simu Liu (Zhima), Masi Oka (Ethan), Greg Chun (Roden), Neil Kaplan (Narrator), Michael Sinterniklaas (Hen Jin),
“T0-B1” (Science Saru)
Japanese voice cast: Masako Nozawa (T0-B1), Tsutomu Isobe (Mitaka)
English voice cast: Jaden Waldman (T0-B1), Kyle Chandler (Mitaka)
“The Elder” (TRIGGER)
Japanese voice cast: Takaya Hashi (Tajin), Kenichi Ogata (The Elder), Yuichi Nakamura (Dan)
English voice cast: David Harbour (Tajin), Jordan Fisher (Dan), James Hong (The Elder)
“Lop & Ocho” (Geno Studio/Twin Engine)
Japanese voice cast: Seiran Kobayashi (Lop), Risa Shimizu (Ocho), Tadahisa Fujimura (Yasaburo), Taisuke Nakano (Imperial Officer)
English voice cast: Anna Cathcart (Lop), Hiromi Dames (Ocho), Paul Nakauchi (Yasaburo), Kyle McCarley (Imperial Officer)
“Akakiri” (Science Saru)
Japanese voice cast: Yū Miyazaki (Tsubaki), Lynn (Misa), Chō (Senshuu), Wataru Takagi (Kamahachi),Yukari Nozawa (Masago)
English voice cast: Henry Golding (Tsubaki), Jamie Chung (Misa), George Takei (Senshuu), Keone Young (Kamahachi), Lorraine Toussaint (Masago)
Trailer looks fantastic for this.
Yeah, that was pretty cool. Looking forward to it.
https://www.inverse.com/entertainment/thandiwe-newton-interview-reminiscence-star-wars-westworld
ON SOLO AND HOW STAR WARS FAILED ITS FIRST WOMAN-OF-COLOR PROTAGONIST
I felt disappointed by Star Wars that my character was killed. And, actually, in the script, she wasn’t killed. It happened during filming. And it was much more just to do with the time we had to do the scenes. It’s much easier just to have me die than it is to have me fall into a vacuum of space so I can come back sometime.
That’s what it originally was: that the explosion and she falls out and you don’t know where she’s gone. So I could have come back at some point. But when we came to filming, as far as I was concerned and was aware when it came to filming that scene, it was too huge a set-piece to create, so they just had me blow up and I’m done. But I remembered at the time thinking, “This is a big, big mistake” — not because of me, not because I wanted to come back. You don’t kill off the first Black woman to ever have a real role in a Star Wars movie. Like, are you fucking joking?
Unless it’s changed under Disney, Star Wars games were never canon.
Jedi: Fallen Order is, as is Squadrons, but both are fixed narratives, not a player character created, branching storyline in the way KotOR is.
Three days on from the announcement and discussion around it is akin to a pile of body parts after a cluster bomb explosion.
Unless it’s changed under Disney, Star Wars games were never canon.
Before the Disney buyout, the video games (at least the stories/scenarios behind them, not the actual game mechanics) were considered to be low-level canon, behind the movies, tv series, novels, and comic books. I think the original order went: Movies/TV series/90s Books & Comics/LucasArts Games/Everything Else (Marvel comic, holiday special, Han Solo and Lando novels, Droids and Ewoks cartoons). All stories remained canon until something higher up in the chain contradicted it.
Under Disney, the plan seems to have been to have a “Story Group” oversee everything and make sure it all fit together, which would put everything Disney released under the Star Wars banner on the same level of canon. Presumably, video games would have been included as well.
But now it seems like they’re in the process of transitioning to just flinging shit at the wall and seeing what sticks.
Unless it’s changed under Disney, Star Wars games were never canon.
Before the Disney buyout, the video games (at least the stories/scenarios behind them, not the actual game mechanics) were considered to be low-level canon, behind the movies, tv series, novels, and comic books. I think the original order went: Movies/TV series/90s Books & Comics/LucasArts Games/Everything Else (Marvel comic, holiday special, Han Solo and Lando novels, Droids and Ewoks cartoons). All stories remained canon until something higher up in the chain contradicted it.
Under Disney, the plan seems to have been to have a “Story Group” oversee everything and make sure it all fit together, which would put everything Disney released under the Star Wars banner on the same level of canon. Presumably, video games would have been included as well.
But now it seems like they’re in the process of transitioning to just flinging shit at the wall and seeing what sticks.
The whole “lower-level canon” thing was basically a sop to stupid fans who needed to feel like the tie-in media counted. Even Shadows of the Empire, which was billed as a major multimedia event and had a ship show up in the special Eedition of Star Wars turned out to not matter. They were ‘canon’ in as much as they were authorised by Lucasfilm, but anyone who thought that the movies were going to use them as anything other than a stripmine for ideas was fooling themselves.
But now it seems like they’re in the process of transitioning to just flinging shit at the wall and seeing what sticks.
A virtually imperceptible transition.
“flinging shit at the wall and seeing what sticks”
I feel like this should be a quote for the back of the Rise of Skywalker blu-ray.
Visions so far:
The Duel – Excellent, will nab the book.
Tattooine Rhapsody – OK.
The Twins – Total arse.
I haven’t read the Star Wars novels (except for the first one “Splinter of the Mind’s Eye”) but I heard that there were some really good novels and trilogies with very cool ideas that were set after RotJ. But as you know they were not used. The “extended universe” they called it could have been a great source of material and ideas to cherry pick and use even if Disney didn’t want to outrightly adapt one of the novel trilogies.
Instead, they gave it to JJ Abrams (I believe) and others.
What it could have been vs. what the audience got.
I guess that goes for pretty much all the movie franchises like the Star Trek reboot, a lot of DC movies, X-men movies, Fantastic Four…
Diego Luna Says ‘Star Wars: Andor’ Has Finished Shooting, And To Expect “Familiar Faces”
Familiar Faces… FF….
Fantastic Four confirmed.
Diego Luna Says ‘Star Wars: Andor’ Has Finished Shooting, And To Expect “Familiar Faces”
Familiar Faces… FF….
Fantastic Four confirmed.
Diego Luna … moon. The Watcher and therefore Surfer/Galactus confirmed!
Diego Luna … moon. The Watcher and therefore Surfer/Galactus confirmed!
This sort of reads like part of a Nostradamus quatrain.
I’m sorry but Robot Chicken absolutely ruined Boba Fett for me. Their version is the one I want.
I mean I’ll watch it, but there’s no way it’s going to be good, is there?
Loudmouths on the Internet scweamed until they were sick the last time someone tried to do something different with Star War, and now all we’re gonna get is the toy you had when you were a kid smashed into the toy you wished you had as a kid, until it stops being profitable.
now all we’re gonna get is the toy you had when you were a kid smashed into the toy you wished you had as a kid, until it stops being profitable.
Well, the MCU has been pretty successful after all.
now all we’re gonna get is the toy you had when you were a kid smashed into the toy you wished you had as a kid, until it stops being profitable.
Well, the MCU has been pretty successful after all.
Yeah, and that’s absolutely the model for Star Wars that they’re pivoting to. I fully expect the Boba Fett TV show to be at least 50% ads for upcoming Star Wars TV shows and movies by volume.
It’s interesting because I think that for all the talk of “subverting expectations” that surrounds The Last Jedi, I actually think the real problem that a lot of fandom had with the film is that it has a central message about how holding on to the past and eulogising it to the point that it becomes untouchable (in the sense of it being impossible to question and interrogate and improve upon) can be harmful.
The film’s approach to Luke ties in with that and so does all the stuff around the “sacred texts” and the tree that is burned, as well as the way the film deals with Snoke and Rey’s heritage. It’s all about making the point that sometimes hanging on to these things can stop you from moving on and changing and becoming something different and new, in a way that’s healthy and necessary.
(Who knows why some Star Wars fans would find that a difficult message to embrace?)
And it feels like the brand has now turned its back on that to an extent and embraced the nostalgic, backwards-looking approach.
I think the danger there is that you’re playing to an ever-shrinking core audience, and you can’t just trade on nostalgia forever as there will come a point where nobody is alive to care.
Yeah, exactly. Last Jedi is a deconstruction of a lot of space opera tropes – Snoke is unimportant, Kylo has no interest in being redeemed and Rey comes to recognise that, Poe’s maverick heroics make everything worse, Finn and Rose learn that the galaxy is a cynical place and so on. And like, I get why a lot of Star Wars fans wouldn’t like that because it’s incongruous and it’s poking holes in everyone’s favourite space wizard movies. But in a critical theory way as opposed to a Cinema Sins way.
I think the subverting expectations thing is part that deconstruction, and it’s an easy thing to latch onto as a talking point instead of going deeper into stuff like the commentary on slavish adherence to the original trilogy and the EU.
Yeah, definitely.
I will say though that I think Mandalorian navigated a decent line between links to the past and doing something new. I’ve seen a lot of younger fans getting into Star Wars as a whole through Mandalorian, to the extent that the character is often used as the face of the entire franchise in wider branding efforts now.
I think there’s a danger that the stronger links to the past that we saw in season two end up turning it into a Star Wars Cameo Of The Week type deal – but maybe having Boba Fett’s side-story housed in a separate series will allow the show to move forward with offering something different in its third season.
Loudmouths on the Internet scweamed until they were sick the last time someone tried to do something different with Star War, and now all we’re gonna get is the toy you had when you were a kid smashed into the toy you wished you had as a kid, until it stops being profitable.
That might mean something if it didn’t come from a middle-aged guy who still pays with Transformers.
Loudmouths on the Internet scweamed until they were sick the last time someone tried to do something different with Star War, and now all we’re gonna get is the toy you had when you were a kid smashed into the toy you wished you had as a kid, until it stops being profitable.
That might mean something if it didn’t come from a middle-aged guy who still pays with Transformers.
The difference is I’m not shitting all over the internet when they don’t release a toy of a character I like. And if I don’t like the fiction I just don’t read/watch it, and decline to send death threats to actors.
It’s interesting because I think that for all the talk of “subverting expectations” that surrounds The Last Jedi, I actually think the real problem that a lot of fandom had with the film is that it has a central message about how holding on to the past and eulogising it to the point that it becomes untouchable (in the sense of it being impossible to question and interrogate and improve upon) can be harmful.
The film’s approach to Luke ties in with that and so does all the stuff around the “sacred texts” and the tree that is burned, as well as the way the film deals with Snoke and Rey’s heritage. It’s all about making the point that sometimes hanging on to these things can stop you from moving on and changing and becoming something different and new, in a way that’s healthy and necessary.
Well, you know, except for the fact that they reversed course in the Last Jedi itself, so in the end they didn’t subvert anything at all, which made the whole thing absolutely pointless and it all ended up feeling like just a bad take… now… if they had followed through with any of that… but they didn’t…
Reversed course on which elements? I didn’t really feel like The Last Jedi destroyed its own message, it was mostly Rise Of Skywalker that undid what it tried to do for Star Wars.
A lot of the more visceral anger at what The Last Jedi did feels a little like that infamous Harry Knowles review of Toy Story 3 where he goes on a massive rant about why Andy shouldn’t have given Woody away, seemingly oblivious to the message the film is trying to convey. The kind of reaction that tells you more about the person and their relationship with Star Wars than about the film itself.
(I don’t mean that entirely negatively, just that I think the fans who were most attached to Star Wars as a formative part of their childhood inevitably had a stronger reaction against the idea that some aspects of the mythology needed to be rexamined and questioned.)
Loudmouths on the Internet scweamed until they were sick the last time someone tried to do something different with Star War, and now all we’re gonna get is the toy you had when you were a kid smashed into the toy you wished you had as a kid, until it stops being profitable.
That might mean something if it didn’t come from a middle-aged guy who still pays with Transformers.
The difference is I’m not shitting all over the internet when they don’t release a toy of a character I like. And if I don’t like the fiction I just don’t read/watch it, and decline to send death threats to actors.
Just remember to respect the restraining orders Peter Cullen and Frank Welker have against you. Show your appreciation from a distance and with all of your clothes on.
Loudmouths on the Internet scweamed until they were sick the last time someone tried to do something different with Star War, and now all we’re gonna get is the toy you had when you were a kid smashed into the toy you wished you had as a kid, until it stops being profitable.
That might mean something if it didn’t come from a middle-aged guy who still pays with Transformers.
The difference is I’m not shitting all over the internet when they don’t release a toy of a character I like. And if I don’t like the fiction I just don’t read/watch it, and decline to send death threats to actors.
Just remember to respect the restraining orders Peter Cullen and Frank Welker have against you. Show your appreciation from a distance and with all of your clothes on.
This is a foul slander.
First of all it was Dan Gilzevan and Neil Ross. And further more, don’t tell me what to do! I didn’t lose a war or anything!
Well, you know, except for the fact that they reversed course in the Last Jedi itself, so in the end they didn’t subvert anything at all, which made the whole thing absolutely pointless and it all ended up feeling like just a bad take… now… if they had followed through with any of that… but they didn’t…
This! Last Jedi had some great ideas that the walked back and ignored. It was really annoying.
Last Jedi needs better set-up from TFA and follow through by ROS, but that was never going to happen.
Loudmouths on the Internet scweamed until they were sick the last time someone tried to do something different with Star War, and now all we’re gonna get is the toy you had when you were a kid smashed into the toy you wished you had as a kid, until it stops being profitable.
That might mean something if it didn’t come from a middle-aged guy who still pays with Transformers.
The difference is I’m not shitting all over the internet when they don’t release a toy of a character I like. And if I don’t like the fiction I just don’t read/watch it, and decline to send death threats to actors.
Just remember to respect the restraining orders Peter Cullen and Frank Welker have against you. Show your appreciation from a distance and with all of your clothes on.
This is a foul slander.
First of all it was Dan Gilzevan and Neil Ross. And further more, don’t tell me what to do! I didn’t lose a war or anything!
Also, please stop leaving Starscream “tributes” every day on Chris Latta’s grave. It’s becoming an ordeal for the cemetary maintenance crews.
Loudmouths on the Internet scweamed until they were sick the last time someone tried to do something different with Star War, and now all we’re gonna get is the toy you had when you were a kid smashed into the toy you wished you had as a kid, until it stops being profitable.
That might mean something if it didn’t come from a middle-aged guy who still pays with Transformers.
The difference is I’m not shitting all over the internet when they don’t release a toy of a character I like. And if I don’t like the fiction I just don’t read/watch it, and decline to send death threats to actors.
Just remember to respect the restraining orders Peter Cullen and Frank Welker have against you. Show your appreciation from a distance and with all of your clothes on.
This is a foul slander.
First of all it was Dan Gilzevan and Neil Ross. And further more, don’t tell me what to do! I didn’t lose a war or anything!
Also, please stop leaving Starscream “tributes” every day on Chris Latta’s grave. It’s becoming an ordeal for the cemetary maintenance crews.
What is this, Communist Texas?
Loudmouths on the Internet scweamed until they were sick the last time someone tried to do something different with Star War, and now all we’re gonna get is the toy you had when you were a kid smashed into the toy you wished you had as a kid, until it stops being profitable.
That might mean something if it didn’t come from a middle-aged guy who still pays with Transformers.
The difference is I’m not shitting all over the internet when they don’t release a toy of a character I like. And if I don’t like the fiction I just don’t read/watch it, and decline to send death threats to actors.
Just remember to respect the restraining orders Peter Cullen and Frank Welker have against you. Show your appreciation from a distance and with all of your clothes on.
This is a foul slander.
First of all it was Dan Gilzevan and Neil Ross. And further more, don’t tell me what to do! I didn’t lose a war or anything!
Also, please stop leaving Starscream “tributes” every day on Chris Latta’s grave. It’s becoming an ordeal for the cemetary maintenance crews.
What is this, Communist Texas?
Considering what is currently going on here, I truly wish it was.
Reversed course on which elements? I didn’t really feel like The Last Jedi destroyed its own message, it was mostly Rise Of Skywalker that undid what it tried to do for Star Wars.
Pretty much all of them, from what I can remember… that’s kinda what pissed me off watching the movie as a non-fan, the movie ends with everything pretty much in the same place where it began, which made it feel pointless and a waste of time.
It typified the inherent problem with the sequel trilogy. They needed to either move the hell on from the original movies entirely, with perhaps the exception of, say, Luke in a mentor role, or just recast the original characters. Instead they tried to find some middle ground and in doing so fell over. Let’s be honest, when the world at large thinks of Star Wars movies they think of the ageless characters they have been beaten over the head with for decades. Darth Vader and Yoda mainly, also Chewbacca and the droids. Then they think of Luke Skywalker, Han Solo and Princess Leia. And nobody thinks “hey, it would be great to see those characters come back but be all old and shit and die”. If there was no clear plan for something new and different then they ought to have just embraced the iconic nature of those established characters, with perhaps one important new character given time to get over (Rey), and recast ’em. People have dealt with the recasting of James Bond and Batman and Peter Parker and Captain Kirk and whoever else without it harming their movies. A movie about Luke Skywalker having to engage bad-ass mode to sort out post-Empire chaos? Sounds way better than something about his idiot nephew being a stupid dummy.
Anyway, moving on.
Interestingly enough, Dark Empire started with Luke very much in bad-ass mode, but tinged with a dubious edge. That then plays out with a fair amount of action but the final resolution of it is not by kicking arse.
I’m not really convinced people want a Jedi-style kill sequence that homages Commando. You can do that with a Sith and Rogue One did.
The sequel trilogy was doomed before they shot the first scene.
The problem was they went in without any plan for them. They should have had a least a basic blueprint for the trilogy. Some bullet points for each chapter that while the directors would be required to include, they would pretty much have the freedom to shot it to their individual style.
Instead, we got a clusterfuck:
– Ep. 7: Abrams retreaded the original trilogy in the first movie. Management said “sure, whatever”.
– Ep. 8: Johnson did whatever the fuck he wanted. Management said “sure, whatever”.
– Ep. 9: Management said “OH FUCK!!!” after the “fans” shit themselves over Ep. 8. They waaay overcorrected and had Abrams turn it into a SW Greatest Hits album.
It scared them so much that “The High Republic” multimedia project was planned and programmed from the begining while leaving nothing to chance.
“The Mandolorian”, with Baby Yoda in tow, probably saved the franchise.
Unfortunately, the Sequel Trilogy make take many years to be redeemed, if it can be.
The problem was they went in without any plan for them. They should have had a least a basic blueprint for the trilogy. Some bullet points for each chapter that while the directors would be required to include, they would pretty much have the freedom to shot it to their individual style.
I disagree with this, the original trilogy didn’t have a plan, while the prequel trilogy did. That said…
Instead, we got a clusterfuck:
– Ep. 7: Abrams retreaded the original trilogy in the first movie. Management said “sure, whatever”.
– Ep. 8: Johnson did whatever the fuck he wanted. Management said “sure, whatever”.
– Ep. 9: Management said “OH FUCK!!!” after the “fans” shit themselves over Ep. 8. They waaay overcorrected and had Abrams turn it into a SW Greatest Hits album.
This is largely correct IMO. The best storytelling yes “yes, and”, but rise of the Skywalker spent two hours saying “no, but” instead. You could absolutely have made a satisfying conclusion to the trilogy, but you needed to build on the events of last jedi instead of trying to paint over them.
Problem there is TLJ pretty much set up Kylo as an irredeemable top dog bastard, no longer in the redeemable long shot position previously occupied by Vader, but that of the Emperor. And that guy has no interest or susceptibility to redemption by some wannabe Jedi.
It was one of TLJ’s most interesting aspects, but it had to go. Luke’s act on Crait igniting galactic rebellion? Nope, they have to stay as underdogs. Drone controlled Holdo hits all over the place? Well, that one did have to be put back in its box.
I mean, not gonna lie, TLJ has some pretty good ideas, mainly the one where Kylo and Rey were about to flip the finger to both the empire and the rebellion and do their own thing, but again the movie undermines itself by back-pedaling all of those supposed “subversions” at the end…
But then again, it also has some really shitty writting… so the movie just doesn’t work. I doesn’t work as a sequel, it doesn’t work as the middle part in a trilogy, it doesn’t even work as a self-contained thing. This is one case where I have to agree with the sweaty fans because no matter how you look at it, it’s just a bad movie with some cool moments and (wasted) ideas.
That said, if TLJ is bad, the last one is fuckin garbage… so I guess there’s that… “The Last Jedi: At least it’s not Rise of Skywalker”…
I disagree with this, the original trilogy didn’t have a plan, while the prequel trilogy did.
I’m not saying the Sequel Trilogy had to be planned to the Nth degree. I do think it would have benefited from having an overall story arc with each film hitting certain beats to support the larger story. While the MCU started more organically, I would say there is far more planning to keep everything moving in the same direction. As to the quality of the product, your mileage may vary. Nonetheless, it is a very successful system.
I disagree with this, the original trilogy didn’t have a plan, while the prequel trilogy did.
I’m not saying the Sequel Trilogy had to be planned to the Nth degree. I do think it would have benefited from having an overall story arc with each film hitting certain beats to support the larger story. While the MCU started more organically, I would say there is far more planning to keep everything moving in the same direction. As to the quality of the product, your mileage may vary. Nonetheless, it is a very successful system.
A plan may well have helped, I’m just saying it’s not necessary. At the same time, I don’t think the MCU is as planned out as people think. Like with Thanos they decided early on that an adaptation of Infinity Gauntlet was going to be a major event, and then figured out how to fit that into the other movies, mainly by making the McGuffins of various movies the Infinity Gems. But it wasn’t a case of meticulously plotting out how and why the gems will wind up in specific places and these characters will interact in that way. More planning than the sequels sure, but nothing on the scale of, say Babylon 5 or a well-crafted novel trilogy.
EDIT to add: It also occurred to me that in the planning stages of the sequels, Disney were selling these on being the unique vision of up and coming creators who had done something exciting in SF – Abrams with Lost and the Trek relaunch, Johnson with Looper, and Trevorrow with Jurassic World. Part of the whole not planning a trilogy out in advance thing was presumably part of the whole auteur’s vision thing they tried to do.
That may have been the intention but they would still have been best served just picking one of them for all three movies, or else having some sort of Feige-figure overseeing the trilogy as a whole. Struggling to think of any other instance of knowing up front that a trilogy is going to be made in the next few years and not having any sort of broad three-act structure for it in mind.
That may have been the intention but they would still have been best served just picking one of them for all three movies, or else having some sort of Feige-figure overseeing the trilogy as a whole. Struggling to think of any other instance of knowing up front that a trilogy is going to be made in the next few years and not having any sort of broad three-act structure for it in mind.
There aren’t that many movie trilogies designed from the ground up that aren’t adapting books or comics so it’s hard to tell.
True, although if you include those with a first movie that succeeded as proof of concept leading to a trilogy there are things like Back to the Future, the Matrix and Pirates of the Caribbean. For better or worse they at least had a plan for what came next.
Being designed from the ground-up as a trilogy should have given them an advantage when it came to having a plan from the very start. Otherwise why bother designating it as a trilogy? Just make a movie, tell a story, count the pennies, wait a couple of years, throw out another one and repeat ad nauseam.