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This is the thread to talk about Marvel Comics.

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  • #147183

    Imagine the team-up book

    1 user thanked author for this post.
    Ben
  • #147266

    Full July 2026 Marvel Comics solicitations: Armageddon rises, X-Men splinter, and Godzilla invades the multiverse – AIPT

    Marvel July 2026 Solicitations: DNX #1 and more – Comics Beat

  • #147508

    Marvel to launch Midnight Universe August 2026 turning heroes into nightmares – AIPT

    A new horror-driven line reimagines the X-Men, Fantastic Four, and Spider-Man with darker origins and shocking twists.

    Marvel is stepping into darker territory this August with the launch of the Midnight Universe, a new publishing line that reimagines its biggest heroes through a horror lens. Teased last week, the series launches with Midnight X-Men by Jonathan Hickman and Mateo Della Fonte.

    After more than 80 years of stories built on hope, Marvel is flipping the script with a line that leans into fear, transformation, and the unknown. The Midnight Universe kicks off with three titles: Midnight X-Men by Jonathan Hickman and Matteo Della Fonte, Midnight Fantastic Four by Benjamin Percy and Kev Walker, and Midnight Spider-Man by Phillip Kennedy Johnson with artist Scie Tronc making his Marvel debut.

    Each series is part of a shared world, with creators given the freedom to push these characters into far more unsettling territory. In this universe, the X-Men are no longer fighting for acceptance, the Fantastic Four’s discoveries lead to horror, and Spider-Man’s powers come with a monstrous cost.

    “From the original New Universe to two Ultimate Universes, Marvel has a long history of creating and inspiring bold worlds filled with unforgettable characters and fresh ideas that feel new yet recognizable at the same time,” said Editor-in-Chief C.B. Cebulski. “With the new Midnight line, we’ve given some of our most outstanding creators the opportunity to delve into the darkest corners of their imaginations and birth some of the creepiest, most terrifying takes on the Marvel Universe you’ve ever seen.”

    Marvel also revealed the main cover for Midnight X-Men #1 by Dike Ruan, introducing a “Cloaked Cover” approach that partially obscures the artwork. Future issues will keep their full visuals hidden, only revealing the complete image to readers who pick up the book.

    The first wave of stories sets the tone immediately. In Midnight X-Men, vampires and mutants exist in a fragile balance as tensions rise toward war. Hickman, returning to the franchise, said, “I’m so enthusiastic about this project—it’s the most excited I’ve been in years. The conceit of MIDNIGHT X-MEN aligns perfectly with the kind of stories I like to tell. It has a rich, open-ended mythology that equally mixes old and new ideas into something that feels both familiar and original.”

    Midnight Fantastic Four takes a different route, following a scientist whose obsession with unlocking the universe leads to horrifying consequences. Percy leaned into the tone, saying, “If you’ve read my work, you know that I see the world through a dark, disturbed lens. To me, it’s always midnight,” Percy explained. “When Hickman called me, it was from a landline in the basement of an abandoned house with the wires cut. Blood poured from the receiver into my ear. I said yes.”

    He added, “When I imagined this other version of Marvel—a terrifying, poisoned universe—my mind immediately went to the Fantastic Four. This is a title I have always loved, but would never be allowed to write otherwise. Now I could lean into my worst instincts and reimagine their story as one of cosmic, Lovecraftian dread. I am joined in this by the visionary Kev Walker, who is hard at work bringing a new origin story for Marvel’s ‘first family’ to screaming life. I can’t wait to share our nightmares with you.”

    Meanwhile, Midnight Spider-Man introduces a version of Peter Parker transformed into a spider hybrid by Oscorp, as the corporation uses his mutation to experiment further. Johnson said, “The work we’re doing right now on the Midnight line feels like history being made. We’re all bringing creator-owned sensibilities to our projects, we’re redefining boundaries, we’re reinventing these timeless characters in a way that’s never been done. Midnight is nothing like the main line, nothing like the Ultimate line. You will see things in these books that shock you.”

    “You don’t take on a job like reinventing Spider-Man to go halfway,” he added. “I’m leaving it all in the ring with MIDNIGHT SPIDER-MAN and I know Jonathan and Ben are doing the same.”

    Midnight X-Men #1 arrives first, with more details and reveals on the rest of the line coming soon.

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  • #147509

    Midnight-2026

  • #147512

    So, Absolute Marvel?

  • #147513

    For five issues.

    2 users thanked author for this post.
  • #147692

    Marvel Comics Shake-Up: TV Chief Brad Winderbaum Takes on Publishing as Veteran Dan Buckley Exits – Hollywood Reporter

    At the same time, David Abdo will segue from Disney’s music group to serve as general manager, comics and franchise.

    Marvel has shaken up its comics publishing unit.

    The Disney division has promoted Brad Winderbaum, already its chief of television and animation, to head of Marvel television, animation, comics and franchise, Marvel has announced.

    At the same time, David Abdo will segue from Disney to serve as Marvel’s general manager, comics and franchise, reporting to Winderbaum.

    With the new top leadership coming in, that means that Dan Buckley, the longtime Marvel Comics topper, is departing. Buckley will remain at Marvel through mid-2027 to support the leadership transition.

    The leadership change is, in some ways, a long time coming. Marvel Studios chief Kevin Feige added publishing to his portfolio in 2023 and observers have been waiting for him to put his imprint on the comics side of the company. And the change comes after Marvel ceded its position of comics market share leader for the first time this century, losing it to historic rival DC and the runaway success of its Absolute Universe line. DC also dominated the industry’s Eisner Awards which were announced last week.

    According to Marvel, Winderbaum will oversee the creative direction of Marvel’s publishing portfolio, as well as Marvel’s global brand and franchise efforts, in addition to his current role overseeing television and animation. C.B. Cebulski, Marvel Comics’ current editor-in-chief, will report to Winderbaum.

    “Brad’s exceptional creative leadership and David’s deep experience in operations and digital innovation will be a powerful pairing as we begin building out the next 90 years of Marvel’s comic book legacy,” said Feige in a statement. “Brad brings a proven ability to lead creative teams and craft ongoing, episodic narratives that resonate with our fans around the world, while David offers a strong track record of operational excellence and strategic growth. I’m excited for what they’ll be able to do together.”

    Winderbaum has been with Marvel since the making of its inaugural movie, Iron Man. Moving up the ranks, he took on its live-action and animated series, serving as executive producer on all Marvel Studios shows including Hawkeye, Loki season 2, Agatha: All Along, Daredevil: Born Again, X-Men ’97, and Your Friendly Neighborhood Spider-Man.

    Abdo is described as a strategic and results-focused executive with digital expertise and 20-plus years of leadership experience transforming and building media businesses. He was most recently general manager of Disney Music Group, responsible for the day-to-day management of Disney’s global music division.

    Buckley acted as Marvel Comics’ publisher and then president of Marvel Entertainment before having the more recent title of head of Marvel comics and franchise. Feige praised the departing exec for his years of service.

    “From events like Civil War, Secret Wars, X-Men: Age of Krakoa, and the soon to be released Marvel Midnight imprint, to the expansion into video games, television, animation and more, Marvel’s influence on popular culture expanded under Dan’s leadership, bringing our characters and stories to new fans around the world,” stated Feige. “Dan has left a lasting mark on Marvel’s legacy and on the comics industry, and I’m deeply grateful to him and pleased we will have his full support through this transition.”

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  • #147931

    Full August 2026 Marvel Comics solicitations: Spider-Man #1000, Midnight X-Men, and more – AIPT

    Spider-Man #1000, Midnight X-Men, Queen in Black, and more headline a massive month of Marvel comics packed with new launches, major milestones, and universe-shaking stories.
    ________________________

    Marvel Comics August 2026 Solicitations – League of Comic Geeks
    ______________________

    Marvel August 2026 Solicitations: MIDNIGHT X-MEN #1 and more debut – Comics Beat

  • #147937

    Full August 2026 Marvel Comics solicitations: Spider-Man #1000, Midnight X-Men, and more – AIPT

    Spider-Man #1000, Midnight X-Men, Queen in Black, and more headline a massive month of Marvel comics packed with new launches, major milestones, and universe-shaking stories.
    ________________________

    Marvel Comics August 2026 Solicitations – League of Comic Geeks
    ______________________

    Marvel August 2026 Solicitations: MIDNIGHT X-MEN #1 and more debut – Comics Beat

    Damn, Marvel Comics have really gotten expensive! Generation X-23 is the only book priced at $3.99. The base price for a Marvel title now is $4.99. There are some 32-page books priced at $5.99. That is insane! I honestly can’t imagine buying every Marvel comic they put out anymore. I can see people picking and choosing which ones they will buy and skipping the rest. Hell, people are probably spending their money on DC’s Absolute line. I’ve already dropped indie books when they hit $4.99. I guess it only takes a few hits to subsidize the rest of the line.

    Generation X-23 #7
    LOGAN CARVES A PATH FOR THE NEXT GENERATION! Meeting X-23 was shocking enough — don’t miss it when the Generated cross paths with the OG WOLVERINE! But LOGAN’s in a bad way — and only this crew can help him!

    Comic · 32 pages · $3.99

    Captain America #14
    A SOUL FOR A SOUL… Bound together in an unfamiliar war zone, Captain America and Victor Von Doom are after the ANTIDIVINE — a sword powerful enough to destroy MEPHISTO. But someone else also has their eyes on the weapon! Can Steve stop Doom’s first love from destroying Victor as his own soul hangs in the balance?

    Comic · 32 pages · $4.99

    Spider-Man / Hulk: Fire and Brimstone #1
    THWIP-SMASH!

    Legendary writers KEVIN SMITH and ANDY McELFRESH team up with superstar artist R.B. SILVA for the newest high-octane adventure for Spider-Man and Hulk! It’s nonstop action! Side-splitting quips! And… the exorcism of Bruce Banner?!

    Comic · 32 pages · $5.99

    65th ANNIVERSARY SPECTACULAR! It’s the 65th Anniversary of the Fantastic Four, and to celebrate, we’ve got an extra-large, extra-fantastic adventure for you, starring everyone’s favorite adventurers, spanning centuries of history and a universe of scientific progress! The Fantastic Four have been defeated: With their personal arrows of time reversed, they’re careening into the past with no hope of salvation – unless a complete stranger can find out what they need. But even if she does, that will only get them halfway home, because there’s still a threat in the present that’s waiting to kill them – and that’s IF they can arrive there alive! This is one issue you won’t want to miss – because you’ll have to wait 65 years for ANYTHING like it.

    PLUS: Johnny’s mustache saves New York City?!

    FEATURING CLASSIC IMAGES BY JACK KIRBY, JOHN BUSCEMA, JOHN BYRNE AND STEVE EPTING SEEN IN AN ENTIRELY NEW WAY!

    Comic · 40 pages · $5.99

    The Mortal Thor #14
    AN ASGARDIAN MILESTONE: THOR #800!

    The Serpent has trapped Sigurd Jarlson in the worst of all possible worlds for his greatest trial. Now, without even a weapon in his hand, he must prove himself worthy to enter the Realms of the Gods. Somewhere in the city, a man without even a hammer begins the ultimate quest…the quest for Thor!

    Plus: Bonus stories, including a thrilling new tale by Chris Condon (Ultimate Wolverine) & Jesse Lonergan (Drome)!

    Comic · 48 pages · $6.99

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  • #147938

    You’re assuming people remember the books being cheaper.

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  • #147939

    You’re assuming people remember the books being cheaper.

    I’m just trying to imagine someone, especially a parent, picking up a comic for the first time and seeing the $4.99 price tag, then looking at necessities that have gone up in price. A five-dollar comic is a huge ask.

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  • #147940

    Yup. I don’t know how people fund buying full price books.

    1 user thanked author for this post.
  • #147953

    ‘Doomquest’ #1 is a strong start with incredible art and stakes – AIPT

    Doctor Doom is thrown into a massive time-travel epic packed with stunning visuals, Marvel heroes, and enough ego to reshape history itself.

    Doctor Doom may have headlined Marvel Comics’ 2025 event, but 2026 is truly the year of Doom thanks to the upcoming MCU movie and Doomquest. Written by head Fantastic Four writer Ryan North, the twelve-issue maxiseries promises an epic time travel story for the ages. Given the covers Alex Ross has created, it’s fairly clear that the creative team will have a lot of fun with key moments in human history.

    Doomquest opens on a commercial celebrating Doctor Doom. It’s not obvious from the first page, which is a highly detailed full-page splash by Francesco Mobili, but a double-page layout that cleverly follows shows frames angled slightly, which lead to a panel pulling out to reveal it’s been playing on a TV over a market. North’s captions serve as the narration in the commercial, efficiently introducing Doctor Doom if you were somehow unfamiliar. Soon, we learn that even with a full-court press of propaganda, Latveria isn’t prospering as Doctor Doom would like.

    Much like most of Doom’s motivations, North finds one through Reed Richards, who discusses a different kind of time travel in a keynote conversation broadcast on TV. It’s fair to say North knows how to write in Doom’s voice, from his grumpy remark about being refused to be the keynote speaker himself to how he treats his assistant who brings him news.

    As an extra-sized issue, the creative team does a lot to give the story an event-caliber feel. That goes for the stakes, but also the heroes who show up. There are so many, this might as well have been an event book, though once Doom hits the timestream, who knows what threats he’ll face outside of these heroes. Given the cliffhanger, the story is very much going to shift in a big way, which is exciting and should make most come back for more.

    Outside of Doom building a time machine and then fighting the heroes who aim to stop him, there are also some nuanced moments that’ll make you think. Not in a deep philosophical way, per se, but in a way that’ll make you wonder how time travel factors into this opening. In what Reed says at one point, and what another hero does to help Doom, one has to think it’s due to the time travel adventure already taking effect. At the very least, there’s a mystery to unpack there.

    Mobili outdoes himself on the art, with impressive full-page splashes, and captures the many heroes who pop up with gusto and detail. A double-page layout of Doom building his time machine is particularly great, with Doom wearing goggles and working on a gizmo that takes up the center of both pages, and panels running left and right of him, showing all the effort of Doom and his people to build it. The machine itself is revealed in a double-page layout, with an impressive look that’s somehow both cultural and alien all at once.

    If I were to find a gripe, and I’d have to go searching to honestly really find one, it’s how this story feels outside of continuity. The events of One World Under Doom don’t seem to factor into what is happening, nor Chip Zdarsky’s recent run on Captain America. That’s perfectly fine, but without any reference or even nod to current events, this could just as well be an elseworlds story rather than one taking place in the 616.

    Doomquest #1 launches with the scale and confidence of a true Marvel event, delivering a larger-than-life Doctor Doom story fueled by Ryan North’s sharp characterization and Francesco Mobili’s stunning visuals. The issue balances blockbuster superhero action with intriguing time travel mysteries, all while fully embracing Doom’s ego, brilliance, and obsession with Reed Richards. While the story currently feels detached from ongoing Marvel continuity, the ambitious setup and striking cliffhanger make this one of the strongest Doom-focused debuts in years.
    ______________________

    Doomquest #1 launches with the scale and confidence of a true Marvel event, delivering a larger-than-life Doctor Doom story fueled by Ryan North’s sharp characterization and Francesco Mobili’s stunning visuals. The issue balances blockbuster superhero action with intriguing time travel mysteries, all while fully embracing Doom’s ego, brilliance, and obsession with Reed Richards. While the story currently feels detached from ongoing Marvel continuity, the ambitious setup and striking cliffhanger make this one of the strongest Doom-focused debuts in years.

    ➕️ ‘s

    Ryan North absolutely nails Doctor Doom’s voice

    Francesco Mobili delivers gorgeous, cinematic artwork

    Time travel mystery adds intrigue beneath the action

    Cliffhanger effectively promises a bold second chapter

    ➖️ ‘s

    Feels disconnected from current Marvel continuity

    Supporting heroes are mostly there for spectacle

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