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  • #116977

    I’ve not read many suicide notes but I don’t think I’ve ever seen one with such “I am not the one who is owned” vibes. Suicide is a messy and complicated thing but however and whyever it happens it’s clear it does damage to those around the person who does it and it seems Piskor has weaponised that against the people he (allegedly) wronged and… it’s hard to feel sympathetic to that. His note reads very similarly to posts on forums or social media from people flouncing off after being called out on their own bullshit.

    Fucking hell you really are a cunt aren’t you

  • #111565

    Mark Millar and Juanan Ramirez’s Night Club is the Lost Boys meets Kick Ass. It’s a fun high concept – vampires as superheroes – but a bit obvious in execution.

    I understand that it’s volume 1 of 3, so maybe this is just symptomatic of it being the introductory chapter, but it feels very much like the origin movie of a Marvel superhero. But not one of the cool ones, one of the lame ass ones that Sony still have the rights to.

    It’s not bad. It’s even fun in places. But, there’s nothing here you haven’t seen before. I’m not sure I’ll be back for the next round, even at just $1.99 an issue.

    I quite enjoyed it in the end, but the first issue didn’t really grab me

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    Ben
  • #111564

    I see Tom Brevoort is replacing Jordan White as editor on the x Line….

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  • #111467

    Disney’s CEO Just Admitted That You’re Right About the Quality of MCU Films – Collider

    In a rare turn, Iger seems to acknowledge that Disney+ and its demands have negatively impacted the brand’s content.

    Iger signed a contract which will see him lead the Walt Disney Company for a further two years, through 2026. Part of Iger’s remit is going to involve turning around what is rapidly coming a sinking creative ship when it comes to the issue of Disney+ and the negative effects felt due to the company overstretching itself while trying to generate content for its streaming service.

    Iger admitted that the company would be slowing down when it comes to making movies and TV series for its Marvel Studios and Lucasfilm franchises, coming at a time when the company seeks to cut costs when a wide slate of releases have massively underperformed at the worldwide box office.

    More in link…

    Here’s me thinking it was all just misogynists, bigots and racists as well……

  • #111465

    Funnily enough I feel the opposite – that earnestness and heart is part of what is missing from a lot of superhero movies these days. (The Flash tried to go for it with its storyline about Barry’s mum, but it ended up buried/sidelined by everything else that was going on in that movie.)

    I’d much rather a film try and give you a sincere and heartfelt story than all the cookie-cutter Whedonesque one-liners that actively undermine the drama and tension in so many superhero movies these days. It’s a formula that was once novel for pushing back against the clichés of superhero movies, but has now become a bit stale and cliché itself (see the whole “so, that just happened” meme), and rewatching the Raimi Spidey movies you see how much heart can be put into these films when they aren’t constantly packed with self-conscious humour.

    In particular I think Rosemary Harris as Aunt May is just fantastic, in all three of those movies she has scenes and monologues that are really powerful and moving, without the movie feeling like it has to puncture the moment with a gag.

    There’s a real classic feel to the Raimi Spidey movies that I think is going to help them stand the test of time better than a lot of other superhero stuff from the last couple of decades.

    Yeah same. Riami’s first two SpiderMan movies are way up the towards the top of the list of superhero movies for me, with spider-man 2 at the very top.

    I must have watched the first one a dozen times now. Pretty much comic book movie bliss.

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  • #111460

    There’s the negative bit done, for something more positive I read Rick Remender and Max Fiumara’s the sacrificers # 1 .

    It was an excellent emotional read with incredible art and colours. A Righteous Thirst For Vengeance aside, Remender hasn’t quite been up to the standard of his previous work. I hope this is the start of something  very good, certainly a promising first issue, I’m tempted ti read in single issue rather than my usual switch to trade that I do for most image books.

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  • #111459

    I read Knight Terrors First Blood, Knight Terrors Batman 1, Knight Terrors Ravager 1, Knight Terrors Joker 1, Knight Terrors Poison Ivy 1, Knight Terrors Black Adam 1

     

    The first 2 were re-reads as it was a month ago I first read them and wanted to try and get into the event and give it a fair crack when they arrive on the DCI app.

    im glad I didn’t pay money for any of this.
    the first two by Williamson were alright, particularly March’s art on Batman. But the rest ranged from abysmal to mediocre.

    Ironically The Joker was the one I enjoyed most, given that I’m not a fan of Rosenberg as a writer at all, at least on his big two books.

    G Willow Wilson has sadly deteriorated as a writer into the role of lecturer into the ranks with the likes of Tom Taylor. I find this sort of writing unreadable (speaking of which I got about 4 pages into the current issue of the Jon Kent miniseries before quitting – fucking hell Tom Taylor is the most sanctimonious, self righteous fucking twat I’ve ever come across in any medium). She’s at least put some decent thought into this though.

    Jeremy Haun’s Black Adam makes me feel like I could get a job writing comics because I’d never turn in anything as bad as he’s scripted here, not for the first time with him. One to avoid.

    I actually quite like Ed Brisson but i can’t remember anything about Ravager and I only read it 2 days ago.

     

    So far NOT good. With the right kind of creative talent behind it this event could be quite fun despite my fairly cynical feelings about the whole thing.

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  • #111247

    Hhn….Could be interesting.

    In other news DC can’t stop being DC as they announce new omnibuses with stupidly high RRPs:

    Young Justice Volume 1 $150

    Zero Hour $175

    Over in the bat-books, spinning out of Batman: Knight Terrors, comes Gotham War. A crossover event by Zdarsky, Howard and Rosenberg. I am not interested. This chain of books is something DC has really racked up over the last year or so and it’s irritating.  Standard practice sure but also irritating

    Christian Ward’s Batman: City of Madness could be worth a look. A Black Label take on the Court of Owls.

    I was enjoying Zdarsky’s Batman and it was one of the few books from DC I was still getting in print, after this crossover was announced I’ve dropped it.

    I like Catwoman but a crossover with books written by Tini Howard and Matt Rosenborg I can’t be dealing with. Rosenborg’s creator owned stuff is ok but his big two stuff is really bad. Howard is one of the worst writers of this generation.

    I don’t get the decision making at all at DC it’s one step forward two steps back constantly.

    I refuse to financially contribute to this crap any longer.

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  • #111246

    I highly recommend Lower Decks, it’s a bit of a rocky start but by halfway through series 1 it’s firing on all cylinders. It’s still my favourite of the modern Trek shows.

    I’m only in season 2 but I thought  there was some genuinely really good episodes of Lower Decks once season 1 got going

    Some really interesting subjects handled well.

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  • #111101

    Very much enjoyed dead reckoning in the cinema tonight despite the run time being longer than what I think is necessary

    Top action as always, a series of movies that probably don’t get talked about as much as they should

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  • #111100

    Yeah the Tini Howard stuff is very much of the ‘things happen’ school of reason. Not very well thought through or structured. Just stuff happening just because.

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  • #111041

    I am also roughly at this point on these Xbooks, some of which I’ve read before others I have not.

    I’m reading on the app issue by issue by the order they came out, so I’m getting the benefit of reading them close together all in a pretty big chunk, but also not getting bored because I’m jumping from one book to the next.

    I have to say, although there’s nothing outstanding here, it’s a really strong and cohesive line of books. The only one I’m finding a chore is Excalibur. It’s just not very well written or paced and the dialogue is flat.

    X-Men, X-Force, Marauders, Hellions, Wolverine, New Mutants I am very much enjoying both in concept and delivery. Fallen Angels was one of the worst comics I’ve read in the last decade, which is odd because I like the writer. The art really was outstandingly bad though and I don’t think the script was much better.

     

    I’m a bit on the fence about cable I don’t like the young Nathan and I really don’t like Phil Noto’s stiff art or depressing colouring

     

    On the whole though I’ve been flying through these books and looking forward to making my way through them up to present date, although I’m aware of a few stinkers in the line up to come that I might struggle to wage thru

     

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    Ben
  • #110907

    Great news! Wild’s End is getting a fourth series.

    A brilliant series by Abnett and Culbard, it’s an anthromorphic take on War of the Worlds, set at the turn of the 19th century.  The way it had ended felt strangely open so great to see them returning to this.

    Boom are issuing a trade collecting the first three series in Jan 2024, with the fourth series, Beyond the Sea, following in April 2024.

    I’ve picked the first issue up last week, look forward to reading it

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    Ben
  • #110876

    Nah, it’s really good but people just aren’t talking about it here.

    Thanks, I’ll stick with it 👍

  • #110870

    I assume it’s an indication of how bad Strange New Worlds season 2 is that there’s more posts on ranking the attractiveness of the female officers than there is about the show this past few weeks.

    The first season was a mixed bag of awful, middling and genuinely good; to me that showed promise in comparison to post season 1 discovery and Picard season 2.

    Ad Astra is one of the worse episodes of Star Trek I’ve ever seen, to stand out in the era of nu trek is really saying something. Terribly hamfisted melodrama with the thinnest fucking veneer of sci fi/Star Trek imaginable.

    Is the remainder of the season of a similar standard? There’s no point me checking the answer to this online because apparently this episode was great. My assumption is most people have given up watching, so the only people still tuning in are people who can sit thru this sort of stuff.

  • #110817

    https://www.skybound.com/announcements/universal-monsters-dracula/james-tynion-iv-martin-simmonds-universal-monsters-dracula-comic-book-series

    I’ve gone off Tynion as I feel he starts books well then it’s as if he loses interest in what he’s writing, becomes unfocussed and seldom sticks the landing so he’s no longer on my ‘must read’ list, but I’ll check this out.

    I assume this means dept of truth is wrapping up if it’s simmonds on art

    • This reply was modified 1 year, 5 months ago by Chris-S.
  • #110712

    https://subspacechatter.substack.com/p/rip-manny-coto-the-showrunner-who

    manny coto has passed away

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  • #110677

    Saw Last Night in Soho.

    Which didn’t quite work. It’s hard to say why it doesn’t quite come together, it’s maybe just too obvious in some ways and it doesn’t quite seem to know how much of a horror film it wants to be… it was still a good watch and an interesting homage to the London of the sixties, but I was a bit disappointed, probably just because I expect a lot from Edgar Wright’s movies.

    I LOVED the first half of that movie, but sadly it didn’t quite work, which is a shame because it could have been great.

    I felt the CGI and look of the ghosts killed it, it got a bit too silly which pulled me out of the movie.

    After putting so much effort into getting the costumes and sets perfect I don’t understand why Wright would go down the route of shitty effects.

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  • #110673

    Watched the first couple of episodes this morning, so far it’s probably the best of any of the Marvel shows I’ve watched, maybe slightly below Wanda. I know that’s like judging a least smelliest shit competition but it’s watchable.

    Wandavision was good until the last episode which was very messy, so it depends whether Secret Invasion lands well but this feels like a large jump above the other shows in terms of writing and acting.

  • #110653

    I’m probably not even going to bother reading any of Knight Terrors, unless I hear phenomenally positive stuff about it. Even on DCUI. The creative teams are uninspired and I just don’t see the point.

    I will probably make an exception for Waid’s Shazam, but I struggle to give a hoot about any of the others.

    I don’t know if we have discussed this before,  but it seems like a really odd thing to do, this 2 month long event after relaunching Green Arrow, Green Lantern, Superman, Shazam etc

    it can’t be helping sales, it certainly isn’t helping the books get into any type of stride – it makes me glad I’ve now moved pretty much fully to digital on the apps now and it’s just a time investment I’ve made in these books as opposed to financial

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    Ben
  • #110647

    Read knight terrors: first blood (Josh Williamson and Howard Porter) this morning.

    both this and the Batman issue are on the app, DC have made the decision to upload these but not the others, bizarrely……

    Williamson has established himself as a solid but sometimes inconsistent writer at DC. I don’t think he’s ever going to write anything that will go down as a classic but by current big two standards he’s probably near the top of the pile (in previous eras he’d be very much middling). He does an ok job with this, but I think Porter was a bad choice of artist for a horror book. I can see he’s tried to employ a looser style here to try and fit the tone and it looks digital, as a result the art is quite murky and lacks definition and impact.

    The hook of this entire event is that the DC universe is all stuck in their own nightmare worlds, which will spin off into individual 1 and 2 issue stories across various characters. Not very original but it does provide an opportunity for good writers to tell good stories, Sadly the calibre of talent working on the books is very poor (Alex Parknadel, Alex Segura, Dennis Culver, Kenny Porter, Matthew Rosenberg, Josie Campbell, Tini Howard, Danny Lore, Leah Williams is like a who’s who of utter shit comic writers who have helped drag the mainstream US industry into the toilet) so I doubt I’ll be able to find the motivation to read anything outside of the ones written by Williamson, Mark Waid, Jeremy Adams or Dan Watters.

    Mark Waid must be wondering what he has done so wrong in his career to be stuck in such company.

    6/10

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    Ben
  • #110646

    Mark Millar’s The Ambassadors was an enjoyable book. Very much a spiritual successor to The Authority and Ultimates. Grown up superheroes, a bit of extreme carnage, and a sprinkling of pop culture references. A fun read.

    The art on the book, however, was on another level. Frank Quitely, Olivier Copiel, Travis Charest … this was a good looking book! No disrespect to the others, who definitely all brought their A game too, but don’t really compare.

    I’m intrigued to see how this title folds into the upcoming Big Game crossover, and assuming they survive the experience I’d love to see a vol 2 of this book. There’s a lot to like here.

    Yeah I thought this series turned out really well, particularly the origins for the characters were really strong and quite original compared to other superhero characters out there.

    Millar could have created a lot of IP for the big two if he’d hung around there, DC and Marvel are really struggling to create diverse new characters and Millar has come up with about half a dozen in one single issue run.

     

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  • #110147

    That fucking accent……

  • #109980

    DWJ tends to create incredibly dynamic comics that use exaggerated and sometimes quite warped physicality for his characters to create the desired effect.

    So unless he drastically changes his style for this project, I’d expect that here, rather than absolutely rigid adherence to consistent and realistic character models.

    Here are some sketches/commissions he’s worked on in the past.

    Incredible stuff, as per standard for the man. Great guy as well, I can imagine this is a passion project for him as he only makes comics he’s interested in.

    There’s some serious potential for this to be one of the biggest releases image have done in years.

    I know there’s some cynicism at the way they’ve gone about it but sadly with social media noise, most of it negative, you really do need a marketing gimmick to cut through it.

    im delighted for DWJ as I think this will bring him to a bigger audience and happy for industry in general, because it’s been in the shit for a while, about time we had something to talk about since Hickman’s XMen

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  • #109979

    Looks confirmed:

    • This reply was modified 1 year, 6 months ago by garjones.

    That looks great.

    DWJ’s involvement in this has just moved my interest needle from 0 to 100

     

    He’s the most exciting talent to come to comics this past 10 years or so

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  • #109825

    Apparently Wolverine vs Predator is on the way, written by Ben Percy. I’m totally down for that. Sounds like fun.

    Brisson’s Predator has been pretty good so far if you’ve not read it, particularly the first arc with amazing Kev Walker art

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  • #109645

    They are doing the right thing for the wrong reasons (to tick boxes) and get clicks. Changing the sex of a character is the new killing a character off.

    The way to do this is to be serious about it and put your best people on it. Make the books so good that the woke complaints become irrelevant.

    It’s all very cynical which gives credence to those who have a real problem with it; it comes across as false and when the initial hubbub dies down, the passage of time confirms that it was a bad idea. The sales confirm it.

    They’ve done long term damage for very very short term gain and I think that comes from having a lack of experience in editorial positions.

    I’m in two minds about changing the sexuality of existing characters; on the one hand, people come out at any stage in life, so it’s real life. However it clearly pisses off groups of the fan following and a lot of these people have left DC comics and might never come back. And i don’t think they are all bigots as Twitter would suggest, I think a lot of them are just exhausted with the whole thing because they see through it. I can’t make up my mind if I’m speaking for myself there or not. I picked up the Jon Kent book regardless but I didn’t drop it because he was gay, I dropped it because it wasn’t very good. And the Tim Drake thing, the bits I read felt like a different character altogether from the one I grew up reading , but again I’m not boycotting the Tim Drake book because they made him Bi, I’m just not going to pick up a book written by Megan Fitzmartin because she can’t write for shit. I think if the comics are good people will read them, aside from a pretty small minority.

    I went back and tried to read the Jon Kent run again on the app to get caught up on superman continuity before the relaunch and it took me less than 5 minutes to read each of the issues and I spent most of it cringing, not for the gay stuff which I couldn’t care less about, but the dialogue and lack of direction. I can’t remember if I read up to issue 18 or not, it was only a couple months ago and I can’t remember a single plot point. I don’t even know if there was any.

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  • #109625

    peacemaker tries hard 1 (Kyle Starks, Steve Pugh)

    A perfect creative team for this book that really captures the tone of the tv show.
    I laughed out loud nearly every page, it’s maybe the funniest thing I’ve ever read.
    I enjoyed it so much that I’ve picked up the first issue in print and ordered issue 2 which comes out this week from forbidden planet.

    Kyle Starks has been kicking around for a while but he only really grabbed me with his great Where Monsters Lie mini series at Dark Horse, which centres on a community of serial killers, delivering a lot of laughs throughout.

    This is great though

    9/10

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  • #109622

    Shazam 1, Waid and Mora

    It’s a great book for kids. I could give this to my 8 year old with no fears. I could also give it to him because Waid lays down a great deal of exposition to fill the reader in on Shazam and catch them up; there’s a lot to cover and he pulls it off; the powers, who he is, a bit about the foster family and other marvel kids (now depowered – thankfully. The last thing Dc needs now is another fucking family book with a huge entourage) the magic word, the rock, the wizard, Tawny and so on…..For a 45 year old who already knows that shit, it’s not the most engrossing read, but if I was a kid it would probably be great. Waid attempts to appeal to the modern audience by having Shazam broadcasting constantly to social media, and smartly plays the downside of that into the cliffhanger.

     

    The issue should have been double sized. There’s a decent cliffhanger but other than that it really lacks a hook. Make it double sized and keep it the same price, remember DC when you used to give incentives for new readers rather than just expect them to turn up?

     

    The art is terrific. Mora is a beast and is clearly inking straight to roughs and it gives the art a nice bit of energy. You can tell he’s working fast (he needs to with the amount of work he’s churning out) but it’s not to the detriment of the book. There’s some lovely pages. The colours are pretty good as well, Shazam pops off the page with the red and yellow, the

    way he should.

    It’s solidly written, which is more than I can say for most – that’s what you get with Waid though. I have faith it will be a very good series, but for a first issue I’m wanting more. Specifically more plot. Good but not great, but yea this along the lines of the comics DC need to make more of.

     

    7/10

    Adventures of Superman Jon Kent 3, (Tom Taylor, Clayton Henry)

    And this is along the lines of what DC need to be making less of. Writing, art and even the lettering here is horrible. In fact, even Jordie Bellaire, who I consider the best colourist in comics, has turned in some horrible work here, but then Henry doesn’t give her much to work with.

    Here’s the problem: DC know Jon Kent is a shit character. Having 2 supermen doesn’t work, it’s hard enough to produce a good comic for 1 superman, not to mention fitting Supergirl in there.
    Jon worked for a bit at first, giving Lois and Clark a kid, then the whole Supersons stuff that Thomasi wrote was fun. But it always had limited legs.
    Bendis aging him up then presented DC with a huge problem for future generations of writers to deal with, and Tom Taylor making him gay made that even worse. Before you start sharpening the pitch forks here me out:

    DC are stuck with this character now that doesn’t work. It has created a massive problem for the superman line. Making him gay means they can’t retcon and get rid of him, because it will be met with outrage from people on the internet who mostly dont buy or read comics (if they did the book wouldn’t be outside the top 100 selling books). So they have to keep him around and it’s a mess.
    So what do they do………

    Jon finds himself on another universe; clearly a plot device to get him out the main superman book can focus on telling a superman story. ANOTHER multiverse story, one without a shred of originality because Tom Taylor doesn’t have a creative bone in his body. Total snooze fest by a hack writer and hack artist who are going through the motions for a paycheck.
    Other than take his plots from Twitter feeds, Taylor’s other main shortfall is his tell don’t show approach to storytelling. So what we have here is the superman of this universe explain to Jon what the hook of this universe is all about, he should have just dumped this all on Twitter rather than have two floating supermen talking about it. It’s seriously bad comics.

    Why am I still reading this, even though I can’t remember a single thing about the whole previous series? Because I pay for the app and I’m trying to get my head straight in the current continuity.

    I genuinely don’t know who this book is for and I’ll be very surprised if DC do another mini series after this one, unless they are just going to publish them at a loss as a placeholder, doing 6 issues every year or two to avoid negative press. I can’t read any more of this shit though, even for free.

    I’d put an options paper to DC for this character and provide them with the following recommendations

     

    1. Kill the character off

    2. Reboot superman without him

    3. Hire creators who actually have passion for this character to produce something worth publishing, rather than a guy who revels in having fights with toxic people on social media and gears his strips towards that, who clearly doesn’t really give a fuck about the character when he produces this half arsed crap

     

    2/10

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  • #109621

    An interesting development for the Punisher but I seriously doubt it will stick.

    Article about changes with SPOLIERS for Punisher #12

    Before I click this, how big are the spoilers, I’ve been reading this series but I don’t have issue 12 yet.

    it’s very good btw, although definitely divisive

    Massive, don’t read until you’ve read the issue, if at all.  It ain’t that good.

    Thanks Ben 👍

  • #109618

    Hmm, JMS on Captain America:

    https://gizmodo.com/j-michael-straczynski-captain-america-2023-reveal-1850499840

    Plus a mystery six-issue event series to be revealed.

    I’m down for that

    cap has been treated very poorly on the writer front for a long time now, hopefully JMS has a good comic story left in him.

  • #109617

    An interesting development for the Punisher but I seriously doubt it will stick.

    Article about changes with SPOLIERS for Punisher #12

    Before I click this, how big are the spoilers, I’ve been reading this series but I don’t have issue 12 yet.

    it’s very good btw, although definitely divisive

  • #109571

    I enjoyed the first issue of that, I think I might pick up the trade, it was pretty original and an interesting change to have an older protagonist

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  • #109456

    Yeah I enjoyed Wildfire, it’s good to see Snyder take on these shorter form works, keeps him more focussed that the long runs he does which can be quite messy

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  • #109360

    I saw a Top 10 Omnibus in my LCS last week that looks to be everything – the original series, Smax, forty-niners, Beyond the Farthest Precinct and Season Two. I’ve got the trades of the original series but it might be nabbing this and selling the old ones off

    I picked that up, it’s a great price for the amount of stuff that’s in it

     

    theres a Tom strong one on the way too, in next few weeks

    i wonder if they will do promethea as well, which is probably my favourite moore book – I’m still really regretting not picking up the absolutes on that

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  • #109342

    Avengers 1 (Jed McKay and C B Villa)

    Is up on the unlimited app already, it was only released last week. It’s an old fashioned, fairly solid getting the team together issue. Nothing particularly spectacular but it’s clear he’s going for a 90s style Avengers book, underlined by his commentary at the end

    7/10

    Green Arrow 1 (Josh Williamson & ?)

    I was looking forward to this, with Williamson doing some good work recently on the Superman book, the Rogues series and his creator owned Dark Ride (which is a blast).

    I’m a sucker for a GA book but this felt like just a bit of a summary of stuff we’ve read about Ollie a bunch of times (and watched on Arrow) for the parts of the book that actually feature him. The rest of the book is focussed on the extended family, very much like a team book, which is what DC seems to be doing a lot these days, with Batman, Superman and others. I assume this is to address the diversity ‘problem’ of books led by white males, as the more diverse new characters are sadly struggling to carry their own titles. But a team book is not really what I’m looking for with traditionally non team books. I find the act of trying to force a bunch of characters and voices into a 20 page issue can really damage the time spent on actually telling a story, which was the case here. The plot or mcguffin here feels very rushed as a result.

    5/10

    Invincible Iron Man 4 (Gerry Duggan & ?)

    I thought this was very good, the issue this series really gets into it’s groove. There’s a terrific use of flashbacks here to flesh out characters and relationships, which gives the reader a reason to care about a particular character’s death.
    With the partial narrative choice being the lens of Tony’s autobiography, it adds another dimension and makes it interesting to read. Someone is intent on destroying Tony’s life and Duggan does a really good job of setting the mystery up in a way that is very enjoyable to read. Particularly as I’m not a fan of Iron man comics in general, just never warmed to them.

    8/10

    The Vigil 1 (Ram v & ?)

    This is Ram V’s new DC book and an entirely new creation borne out of the Lazarus Planet event.
    Ram is a writer who I had a lot of hope for early on but the second half of his Swamp Thing run and his Detective Comics run really soured me on his writing; really dull, decompressed books trundling along without really going anywhere. He also overwrites; I can see what he’s going for with his Neil Gaiman influenced writing style, but he doesn’t have the words or turn of phrase for it to work.

    I expected very little from this and came away pleasantly surprised. It’s essentially a team book, a group set up to take dangerous technology and artefacts off the board. It’s a decent first issue but there’s no chance this is finding an audience, it won’t be long for this world.

    7/10

    Fantastic Four 4 (Ryan North & Iban Coello?)

    This is a brilliant series that along with a few others made me think the other day that Marvel does have some really competent books that are as good as anything written over the past few decades, it’s just clear that a lot of the problems are down to incompetent editors (I could tell this book had a decent and experienced editor when I read the first issue, Tom Brevvort) and the number of books stinking the place out overall by terrible writers, which gives the impression the entire line is a mess when you throw in the constant events and reboots.
    However, the apps make it possible to navigate the garbage to the good stuff without throwing away hard earned cash every month to do so.
    This book is a throwback, like most of the books Marvel are doing well these days, with this one taking a bit of a done in one approach. Telling a really solid story within the individual issues with an overarching plot sewn through it. It’s rare we see A, B, C, D plotting these days, particularly with new writers who don’t even seem capable of producing a single A plot issue with consequences, rather than a series of things that just happen while they lecture the reader at a surface level on subjects or trends taken from their latest Twitter feeds, but this has some genuinely well thought out writing that feels like the writer has put a lot of time and effort into.
    North also gets the character voices absolutely spot on.
    Don’t let this run of FF pass you by folks, it’s sure to go down as a classic, made all the more appealing early on by its fairly inventive opening structure.

    8/10

    • This reply was modified 1 year, 7 months ago by Chris-S.
    • This reply was modified 1 year, 7 months ago by Chris-S.
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  • #109340

    I watched and very much enjoyed the first episode of Fubar

    Yes, it’s cheesy in places and pretty rough round the edges but it’s good fun, some decent humour and banter and there’s tremendous chemistry between Arnie and his daughter and also with his ‘sidekick’ Barry and the rest of their team.

    2 users thanked author for this post.
  • #109339

    I’m not a fan of kickstarters but I couldn’t not back this.

    Same here. Ive backed load of overpriced mediocre comics there in the past but occasionally a gem will pop up on it. (Last thing i backed before this was the excellent Gamesmaster hustory book).

    😀 same

    prior to that it was Rok of the Reds, I think

    1 user thanked author for this post.
  • #109331

    Here’s a short interview with my local paper

     

    https://www.greenocktelegraph.co.uk/news/23546675.john-wagner-judge-dredd-bogie-man-growing-greenock/

    1 user thanked author for this post.
  • #109329

    https://www.kickstarter.com/projects/wagnerrok/the-bogie-man-the-incomplete-case-files

    Hit almost double its target in the first two hours.

    I just came on here to post this same Kickstarter – I hope it does great. Such an underrated book.

    I’m not a fan of kickstarters but I couldn’t not back this.

    1 user thanked author for this post.
  • #109323

    I picked this up on recommendation from a friend, and I’m glad I did as it’s an excellent read.

    Set in early 20th century New Orleans, it’s a book that revolves around music and musicians but tells a story with much broader resonance than that.

    There’s a lot to take in here across the characters and subplots of the book, but overall it really feels like a comic that actually has something to say, with characters that feel real and an engaging story to tell.

    I love the way the art and lettering evokes the atmosphere of the locations and the effect of the music (which I think is pretty hard to convey in comics). It really captures that feeling of being transported and transformed by music, for both the listener and the player.

    Plus there are some really nicely executed subtle storytelling tricks here – for example shifting between two different conversations/timeframes that intersect and together give you a complete picture of what’s going on. It’s elegant and unshowy but really smartly done.

    We talked about the cost of comics in another thread: this is a $5.99 book, so not cheap, but unlike most single issues this actually feels worth the money. There’s a proper level of craft here and you get a full and complete experience from this issue. Plus the production values (this is a smart squarebound comic) and the extras are really nice.

    It’s just a quality package all round, and on the strength of this I’ve immediately ordered issue #2.

    Yeah it’s terrific !

    1 user thanked author for this post.
  • #109322

    I have high hopes for the new Abnett series.

    Same, saw the as for it again today, a new Abnett series is always exciting

    1 user thanked author for this post.
  • #109295

    I’ll keep you posted about the next batch of strips if there’s anything worth seriously sticking around for.

    2 users thanked author for this post.
  • #109273

    Yes. That’s where I post them, Chris. I rarely read my physical copies that quickly beforehand either.

    That reminds me. I’m really surprised that Marvel haven’t yet followed DC with a premium one month later (or quicker) tier. Especially now that their ComiXology store front has shut down. I’m guessing it’s only a matter of time.

    Thanks Vik

    Apps are now the equivalent of a weekly trek to the store for me now; I check MU every Monday and DCI every Tuesday to see what is uploaded.

    I wonder if Marvel are testing the water with the early releases of the likes of Avengers # 1 and GotG # 1 going up early in recent weeks…..

    1 user thanked author for this post.
  • #109267

    Question – given changes in a lot of our reading habits since we were all wednesday warriors – do 1 month old and 3 month old reads which are uploaded as new on the dc infinite and marvel unlimited apps count as ‘new’ enough in the context of this thread?

  • #109266

    Update – it sold today for £46 plus just under fiver postage – some other poor bastard is getting robbed but robbed about 33% less than I was

     

    Still, they’ve saved £25 on the Amazon price

    4 users thanked author for this post.
  • #109247

    I really hope you two are joking, because if you’re not it’s a seriously fucking shitty attitude towards working people even if you don’t like their work.

    That sounds like a line from one of their scripts

    So you’re literally taking the position that workers don’t deserve a living wage unless you personally approve of their work?

    No Lorcan, I’m literally having a laugh

  • #109243

    Marvel don’t know the meaning of too far.  They know they can charge more for Hickman’s stuff – see the prices on his X-books output.  But there they pushed it enough to get more cash without going so far as to set the price so as to deter purchase in the way a $9 issue would.

    Then again, it’s perhaps not so surprising given how Marvel have gone all in on Omnibuses and have gradually jacked the prices up on those, following DC’s lead.  I’m pretty certain their rate of Omnibus output is far more than their customer disposable income.  I’ve just about exited DC omnibuses, with Marvel following by mid next year, which will see very few left.

    I bought the planet of the apes omnibus

    assumed it was the full doug Moench run

    it arrived and it was the size of a standard hardback

    Issues 1-11

    its £72

    Oof! Did you send it back?

    I’d preordered it as part of my monthly order

    probably my own fault to a degree for not doing my research

    I’d been picking up all my gaps on Doug Moench’s stuff over the last couple years and this felt easier than trying to hunt down the single issues

     

    ive read it and listed it on eBay for £45, but even that is overpriced and there’s understandably been no takers

    1 user thanked author for this post.
    Dan
  • #109242

    I really hope you two are joking, because if you’re not it’s a seriously fucking shitty attitude towards working people even if you don’t like their work.

    That sounds like a line from one of their scripts

  • #109201

    The people writing current Star Trek should have their pay cut

    1 user thanked author for this post.
  • #109200

    Marvel don’t know the meaning of too far.  They know they can charge more for Hickman’s stuff – see the prices on his X-books output.  But there they pushed it enough to get more cash without going so far as to set the price so as to deter purchase in the way a $9 issue would.

    Then again, it’s perhaps not so surprising given how Marvel have gone all in on Omnibuses and have gradually jacked the prices up on those, following DC’s lead.  I’m pretty certain their rate of Omnibus output is far more than their customer disposable income.  I’ve just about exited DC omnibuses, with Marvel following by mid next year, which will see very few left.

    I bought the planet of the apes omnibus

    assumed it was the full doug Moench run

    it arrived and it was the size of a standard hardback

    Issues 1-11

    its £72

    1 user thanked author for this post.
  • #109188

    Yeah ‘fuck that’ is the correct response to that nonsense

    4 users thanked author for this post.
  • #109179

    Jimmy Saville as The Mad Paedo Hatter

    1 user thanked author for this post.
  • #109178

    Yeah there’s been a few $4.99 titles sneaking in and it’s another reason why im getting quite disillusioned

    In most cases they are not worth it. Many times it’s the main strip with a back up by creators I don’t like and I’m not paying the money for that shit

    its also why I won’t be picking up the likes of the brave and the bold. They’ll be about 12 pages of Tom King for the first 6 issues then the rest of it is just a lottery.

    Many of these books feel quite directionless with writers who are happy to chuck out any old crap for a paycheck.

    i tried a lot of the Lazarus Planet books on DC Infinite and it was very grim.

    3 users thanked author for this post.
  • #109165

    Ten years ago this past February, I read my last Marvel comic. My tastes had changed to point where I simply didn’t care for their output anymore. I think the true tipping point for me was the Fear Itself crossover event in 2011. I had already been reducing my purchasing but this accelerated it. It was just bad and so pointless. Its worst offense was that it had major deaths that were undone in some epilogue issues. The whole thing was a pointless cash-grab. I think it was one of the most cynical events ever made. I remember just dropping books left and right after it and not wanting to bother with the follow-up books for the event.

    In regards to readership, I think @GARJONES has pointed out before that the market has actually been growing. I am not sure if that is still true.

    The comics market is growing but marvel and DCs audiences are shrinking. Manga is inflating the sales figures hugely

    3 users thanked author for this post.
  • #109134

    It’s a great (although incredibly transparent) bit of marketing from Marvel. Bringing huge attention to a character that has just had a reasonably successful TV series, is soon to star in a big cinematic release, which coincidently is written by the same guy writing the comic in which she was just killed. Well played.

    I don’t think it’s good marketing at all Vik.

    They’ll get a short term bump but it will do more damage than good long term, fans are sick of this shit.

    it’s not the death of the character that I care about, in fact I doubt many people care about that character tbh, it’s the level of cynicism that drives every decision this company makes. Even this run of SpiderMan itself has had gimmick after gimmick.

     

    it’s exhausting

     

    2 users thanked author for this post.
  • #109133

    And having dropped amazing Spider-Man, saving me approximately £100 per year, I get to add Daredevil to the list, another £50 saving.

    thanks Marvel!!!

    Ahmed hasn’t earned a run on Daredevil, everything I’ve read of his to date has been rough as fuck.

    Another one for the Unlimited app if and when I get round to it, and with the Punisher & The Excellent ending with issue 12 that takes me down to Predator and Ghost Rider as the last 2 remaining Marvel books I’m reading in print.

    im picking up maybe 2-3 DC print books a month now too, so between Marvel and DC my monthly comic expenditure has dropped from over £200 a month 2 years ago to less than £100. With cover prices going up I should be sitting at about £300 a month.

    I much prefer reading physical copies but I’m trained now to read digitally on the two apps because neither of them are producing much that feels like essential reading or something I need to own.

    I hear the same stories all over, it must be a matter of time before there is a huge change (ie licensing the characters out) at one of the big two because I doubt they can go on like this.

    3 users thanked author for this post.
  • #109132

    Marvel are about to hop on and floor the controversy train’s pedal to the max with Amazing Spider-Man 26 out this week.

    It’s easy to find online so no need to post it here.  Suffice to say it sounds a truly stupid, tone deaf  move, but it’ll get them attention they don’t deserve.

    I was enjoying the earlier parts of this run but the whole thing has descended into a messy, meaningless cash grab from Marvel who are valuing short term gain over long term. Those working at marvel clearly dont care about the long term damage they do, knowing they won’t be around to worry about it, as readers continue to leave in their droves. It’s a bit like how we continue to massacre the environment for future generations.

     

     

    2 users thanked author for this post.
  • #109131

    Glass Half Empty – Rachael Smith

     

    This was waiting for me when I can in from work last night and I immediately read it after putting the kids to bed.

    All of Smith’s books manage that delicate balance of getting the humour and darker moments spot on, which probably why I find them so therapeutic and cathartic.

    This is no different, although it’s a far more targeted book, that really zones on on loss, alcoholism and grief and specific to Rachael’s own experiences, but no less relatable.

    It’s a cliche to say it but this will flip flop you between tears and laughter, often in the space of the same breath. it’s genuinely heartbreaking in places – maybe some of that depends on personal experiences, I’m not sure.

    It’s fitting that the subject of addiction is tackled here, as I’m addicted to her work – having read it the day it arrived in one sitting and upon finishing I just wanted to know when the next one was coming.

     

    1 user thanked author for this post.
  • #109021

    Netflix is up to its usual tricks: this time, it’s Lockwood & Co. that’s been cancelled.

    https://variety.com/2023/tv/global/lockwood-co-second-season-canceled-1235610948/

     

    It’s incredibly frustrating and you get to the stage where there’s no point in getting invested in any Netflix show.

    The biggest irritation for me is that the vast majority of the content on Netflix is utter shite. They bury the good shows under all the fucking crap and they either don’t seem to realise or care to acknowledge when they have a good show on their hands, something work marketing. That to me suggests a lack of passion for what they are doing.

    They market the biggest pile of guff to the same lengths as the quality product, then cancel it after 6 months as if they are surprised it failed. The only reason I knew what Lockwood and Co was, is because I read SFX and Starburst magazine every month and saw it was Joe Cornish. Your average punter isn’t doing that.

    It’s also disheartening to look at their top 10 lists and see the dumb shit and reality tv is what people are watching over quality programming, so maybe we are just getting what we deserve as a society when the thick as fuck mainstream dictate for everyone.
    Netflix is bordering on ITV 2 levels of programming at times.

    Look forward to these platforms being full of badly written melodrama and Love Island type braindead garbage as they cater to this audience combined with the writers strike.

     

    5 users thanked author for this post.
  • #108404

    Does it work better if not familiar with Swamp Thing and other previous Lemire runs?

    I would say it would Ben.

    it would be much fresher and more interesting, whereas for me it felt a bit like a retread.

    In fact it could be very enjoyable for those who have not read this stuff previously.

    There’s a great atmosphere to the book which forgot to mention.

    1 user thanked author for this post.
    Ben
  • #108399

    I read this in singles, but probably the best place for it as the collection is due.

    swamp thing – green hell

    lemire & mahnke

    After I heard issues 2 and 3 were delayed I held off reading 3 until they had both arrived and read all 3 together.

    Overall, it was alright. There’s a lot to like about it but it felt a bit lightweight and familiar in the end.

    Mahnke’s art was carrying it through, but sadly the art on issue 3 is noticeably rushed and lacks the same degree of wicked detail of the prior issues, issue 1 being the strongest

    With regards the script it has a number of downsides. Whilst pleasant enough to read and by no means a badly written comic (all the basics are done right, which alright gives it a leg up over most current DC output) there’s less of a plot and more of a case of Lemire hitting all the touchstones he wanted to hit;

    It feels like his goodbye to the characters (and their supporting cast) he wrote previously; Swamp Thing, Animal Man, Constantine – and is often the case with the current crop of writers, even the good ones, instead of doing something new it’s mostly a tip of the hat to previous writers of those characters. This is all fine but it’s like a compilation of old hits as opposed to a new album

    Lastly, and I think this is a mistake that’s been made for the last 10-15 years on Swamp Thing and Animal Man books, Lemire dips into the whole ‘green’, ‘red’ and ‘rot’ stuff.

    I find these concepts beyond tedious at this stage. They were never particularly good, actually pretty ridiculous. Something Ram V took to the nth degree with his whole  ‘parliament of gears’ bullshit in the last Swamp Thing run. Talk about jumping the shark.

     

    So whilst this is an enjoyable book and I’m glad I picked it up, I’m not sure it’s something I will keep to read again. Had Mahnke’s art maintained the high standards of the first issue throughout, I’d maybe feel differently.

    1 user thanked author for this post.
  • #108397

    I’m interested in all of those, as I’m in deep on the JSA, but I’d rather Johns was writing them.

    That said Venditti is capable of decent books at times (Hawkman was good) and Jeremy Adam’s is one of the better new writers to emerge at DC since Future State.

    Tim Sheridan is pretty hopeless though, I don’t really understand DC (and Marvel) continually giving work to folk whose books tank both critically and commercially. I assume he’s cheap.

    I’ll read them all on the app, which DC has pretty much trained me to do since last year, with the odd exception.

    • This reply was modified 1 year, 8 months ago by Chris-S.
  • #108335

    Huh, the Dungeons & Dragons movie was surprisingly fun…  Just a nice self-contained fantasy adventure with a lot of really neat visual tricks… and yes, great use of the Portal gun/stick in a movie… I bet Valve ain’t too happy about that shit =P

    IIRC the movie flopped quite badly… it’s a shame because it’s actually pretty good, but honestly I’m not sure that was a good starting point for a franchise anywyas, it really works well as a self-contained story, no need for a sequel, so there’s that… though I suppose the studio ain’t too happy about that one.

    I took the kids to see this earlier in the week and I agree it was enjoyable. Surprisingly so

    1 user thanked author for this post.
  • #108220

    Hopefully they do a better job of it than this awful milestone 2.0 relaunch in the comics

  • #108190

    Yeah, DWJ is the most exciting talent to hit comics in years and every new series offers something that feels fresh and new. Can’t wait to see what he does next.

    This

    1 user thanked author for this post.
  • #108156

    Power Girl Is the Superman Family’s Only Hope in New Ongoing Series

    I attempted to read that back up in Action Comics, it’s god awful.

    Second thing I’ve read from Leah Williams and it will be the last.

    This ‘ongoing’ series will be lucky to see double figures.

  • #108155

    That’s a pity, I could see King and Gerards working well on a Dr Fate series and it’s a character I’ve always really liked.

  • #108153

    Reading X-Factor 3 (dawn of x) this morning …..I think dropped it after issue 2 last time as I don’t remember reading this one. It’s quite a nice character driven smaller story, which was much needed across the line at this stage.

    One thing that’s stuck in my craw a bit with the whole Krakoa thing is that they automatically assume that EVERY mutant would just up sticks and move there. ‘Just like that’. Like it’s not a big decision to move to another country let alone a mutant island that will be a target for the entire time you live there.
    What also annoys me a bit is the cult aspect. Basically taking kids away from their parents. They dealt with it a bit in the XMen/Fantastic Four crossover, but this notion that Franklin is a mutant so he should just leave his fucking family behind, a family who love and care for him and who have treated him great his whole existence.

    You’d kill any fucker who came for your kids like that.

    • This reply was modified 1 year, 8 months ago by Chris-S.
    1 user thanked author for this post.
  • #107953

    I’m finally watching Lovecraft Country. It’s good. Plot moves far quicker than I would’ve expected it to.

    Interested to see what you think towards the mid to end episodes

    I loved the first ep, really liked the next 2 or 3, then I thought it became a real mess

  • #107952

    😂 you’re a gent, thanks Dave

    1 user thanked author for this post.
  • #107942

    Shit man I don’t even know how to fix that 😂

    1 user thanked author for this post.
  • #107941

    I’ve not read Doom Patrol yet (I think it might be up on the DC app this week) and I never picked up The Forged – but I’d Co-sign all of that.

    Traveling to Mars is top of my own list for the year so far (which I’ve been compiling as the year goes, rather sad of me – here’s my current top 10, not including stuff I’m reading in trade)

      <li class=”li1″ style=”margin: 0px; font-stretch: normal; font-size: 17px; line-height: normal;”><span class=”s1″ style=”font-family: UICTFontTextStyleBody;”>Travelling to Mars, Russell & , Ablaze </span>
      <li class=”li1″ style=”margin: 0px; font-stretch: normal; font-size: 17px; line-height: normal;”><span class=”s1″ style=”font-family: UICTFontTextStyleBody;”>Junkyard Joe, Johns & Frank, Image</span>
      <li class=”li1″ style=”margin: 0px; font-stretch: normal; font-size: 17px; line-height: normal;”><span class=”s1″ style=”font-family: UICTFontTextStyleBody;”>Superman: Space Age, Russell & Allred</span>
      <li class=”li1″ style=”margin: 0px; font-stretch: normal; font-size: 17px; line-height: normal;”><span class=”s1″ style=”font-family: UICTFontTextStyleBody;”>Local Hero, Fleecs & Seeley, Image</span>
      <li class=”li1″ style=”margin: 0px; font-stretch: normal; font-size: 17px; line-height: normal;”><span class=”s1″ style=”font-family: UICTFontTextStyleBody;”>Gotham City: Year One, King & Hester, DC</span>
      <li class=”li1″ style=”margin: 0px; font-stretch: normal; font-size: 17px; line-height: normal;”><span class=”s1″ style=”font-family: UICTFontTextStyleBody;”>Danger Street, King & Fornes, DC</span>
      <li class=”li1″ style=”margin: 0px; font-stretch: normal; font-size: 17px; line-height: normal;”><span class=”s1″ style=”font-family: UICTFontTextStyleBody;”>The Ends, Lapham, Bad Idea </span>
      <li class=”li1″ style=”margin: 0px; font-stretch: normal; font-size: 17px; line-height: normal;”><span class=”s1″ style=”font-family: UICTFontTextStyleBody;”>Fantastic Four, North & Coello, Marvel </span>
      <li class=”li1″ style=”margin: 0px; font-stretch: normal; font-size: 17px; line-height: normal;”><span class=”s1″ style=”font-family: UICTFontTextStyleBody;”>Predator, Brisson & Walker, Marvel</span>
      <li class=”li1″ style=”margin: 0px; font-stretch: normal; font-size: 17px; line-height: normal;”><span class=”s1″ style=”font-family: UICTFontTextStyleBody;”>Damn Them All, Spurrier & Adlard, Boom</span>
    1 user thanked author for this post.
  • #107916

    Hawk The Slayer

    Do I know the film? No.  Does it matter? No. I bought this for four words – Garth Ennis. Henry Flint. That’s a creative pairing I can’t say no to.

    The book also gets the reader up to speed on what happened in the film, then spins its own tale, including a very neat take on resurrection.

    Flint’s art is excellent, whether it be quiet, character sequences or battles and carnage.  The story rattles along at a good pace and concludes well.

    It’s nothing revolutionary, it’s not the most stunning comic you’ll ever read, but it is a damn good time.

    Yeah I thought Ennis and Flint did a really good job of this little oddity, like you say it’s a lot of fun.

    Ennis has hit that point of his career now where he is churning out hit after bit, it’s very impressive and he’s in a great place creatively.

    As much as I love his earlier stuff, he’s really matured as a writer and a bit like John Wagner he’s one of these odd cases where he only seems to get better as he gets older.

    6 users thanked author for this post.
  • #107868

    Caught up on the last 3 issues of 2000ad

     

    The Dredds were decent, Durham Red is a good action strip as it has been under Worley and Willsher

     

    I skipped both The Order and Enemy Earth. The former is pretty much impenetrable now, the cast is so big and it’s been going on for over a decade. The latter is an embarrassment of writing and art and should never be near 2000ad.

     

    Rogue Trooper is excellent, both writing and art. I like how theyve captured the tone and look of the Finley-Day strips, Goddard is channeling Mike Western here. And the high concept works so well, it’s not what I was expecting at all, but probably should have !

    3 users thanked author for this post.
  • #107853

    “The Boroughs” – Netflix Announces New Supernatural Series from the Creators of “Stranger Things”
    https://bloody-disgusting.com/tv/3759208/the-boroughs-netflix-announces-new-supernatural-series-from-the-creators-of-stranger-things/

  • #107851

    https://bloody-disgusting.com/comics/3758064/the-ribbon-queen-horror-comic-garth-ennis/

    new Ennis & Jacen Burrows from AWA !!

    4 users thanked author for this post.
  • #107728

    Yeah I thought it looked pretty good

  • #107709

    Yeah. I often have to remind myself that I have physical comics to read too. A rather alarming and growing stack of them.

    I never had this problem with ComiXology – probably the reverse in fact where my digital to read pile grew exponentially, and I still haven’t read all of those even though I can’t remember when I last bought something over there.

    But, with the Marvel and DC subscription services I’m always on them. Reading new releases and catching up on older titles that I missed or overlooked originally. DC Infinite Ultra has been a game changing experiences for me as a reader.

    Same with me with Ultra

    im only picking up 3 or 4 physical dc books now

    Ill usually try the 1st issue of everything on Ultra, and with the small 1 month gap of uploading after the release date, I feel like I’m as current as I would be if I was reading them all in print,  as I get my books delivered monthly anyway

  • #107704

    Catching up with Percy’s Wolverine, I’m shocked that Marvel actually went ahead and published this. It’s really fucking dark, with arguably one of the X-Men’s biggest characters going full on bad guy. I quibble about how this character could have fallen so far, given he was the voice of reason so often in the past, and I think they’ve already telegraphed how this story will ultimately end, but the journey there is horribly fascinating. Gruesome and ugly, but you can’t turn away. I blitzed through 7 issues (#26 – 32) of this back to back this afternoon. Eager to see what happens next.

    I’m currently making my way through all the x-books, starting from house of x/powers of x. I know there’s a lot of guff to come but Percy’s XForce and Wolverine books are two that I’m looking forward to reading.

    The Marvel Unlimited and DC Infinite apps are great, to the extent where last months box of comics are still sitting in a pile untouched as I’ve pretty much just been reading on the apps for the past 3 weeks.

    2 users thanked author for this post.
  • #107656

    Yeah I almost feel like they should relaunch X-Men as a franchise completely separate to the MCU. The world of mutants is already fairly ‘busy’ in its own right, and I also think it probably works better when there aren’t a ton of other super-powered (non-mutant) people in the universe to muddy the waters.

    Honestly, taking inspiration from Morrison’s run and having the mutants be a counter-cultural and social force beyond just the traditional ‘hated and feared’ approach would be a great way to develop things.

    The problem is that the last couple years have shown that Disney/Marvel don’t have the right people in place to do something with the X-Men that’s not heavy handed.

    I know where they are going with the first XMen movie before it’s even written.

    It will be a lecture.

    The numbers and reactions speak for themselves. Marvel continues on a downwards curve and it’s difficult to see any evidence that indicates that this is going to change any time soon. Maybe they need to hit rock bottom first.

    However, The Marvels, for all its delays, rewrites and reshoots, still looks awful. This is going to be a phenomenal flop – Maybe that flop is what they need to start taking the business of making tv and movies seriously again. It could turn out to be the best thing to happen.

    But they’ll maybe need to do a Warner brothers and pull some stuff from their upcoming slate.

  • #107611

    15 Marvel Comic Covers That Aged Poorly

    Jesus

    Why did I click on that fucking bullshit?

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  • #107610

    Thanks for sharing Sean.

    I don’t want to tempt fate, but are DC very slowly getting their house in order?

    Both of these sound good, although I’ve pretty much now moved to reading in digital after a  couple of grim years from DC so I’ll probably hold off and read them on the app a month after they come out.

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  • #107609

    I recommend Pete Milligans’s AWA books – Sacrament, Absolution and American Ronin

     

     

  • #107486

    If they only made one season of this then Bezos would look like a failure, there’s no way he’s not putting up the cash to save his blushes

    I have no doubt he will try and address what he perceives the reason to be for it’s failure, but whether or not he is actually able to rescue the situation will be based on the people that are brought in to run, write and direct.
    I’ve not followed any of it closely but I assume those two guys he hired to oversee the show have been given the bullet?

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  • #107466

    Yeah, I was one of the people who never completed it. I think I got partway through episode 2 and that was plenty. The kids were bored out their minds too and they loved even the poorer hobbit movies and were extremely excited to watch it.

    I don’t know anyone offline who finished it.

    For the most expensive show of all time there’s no getting away from it being a complete and utter disaster, whether you enjoyed it or not.

  • #107465

    SOLD !!

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  • #107411

    @ben

     

    the good thing is the next set of issues of love everlasting have been coming out so hopefully won’t be too long a wait for the next volume

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    Ben
  • #107399

    Yeah, the early episodes are quite weak. I can’t say the show gets great but it does get pretty good for a light sci-fi. Episode 7 was the first one that had a notable upturn in quality and felt like it could have been from the original show (which certainly had its share of clunkers too). I think that was the first they produced since getting picked up for a whole season, so they likely started fine tuning things around then.

    Agreed it was great to see Ernie Hudson again.

    Thanks, that’s not too far away, I’ll persevere 👍

  • #107393

    The marvel shows just aren’t my bag, I have not finished any of them since Wandavision – but I think that Secret Invasion looks terrific. I’ve got high hopes for this one.

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  • #107392

    Saw the finale of season one of the new Quantum Leap. Overall, it wound up being just okay. It starts off very shoddy, steadily improves but winds up succumbing to the same flaw as most time travel stories in that nothing can actually be explained in a way that holds up to scrutiny. That renders the season-long story arc focusing on the Project characters and the mystery they’re trying to solve rather unsatisfying. However, when the show just focuses on the Leap of the week it can definitely work. Without spoiling anything the episodes on the Indian restaurant, the country singer, the priest, the boxer and the transgender kid were really enjoyable episodic TV (some episodes aim for more elaborate stakes and the show again struggles to handle the excess). I hope the show focuses more on that side of things for season two. Kudos also to Raymond Lee for his performance as Ben, the leaper. He’s a perfect blank slate, which is precisely what the role calls for.

    Surprised that this has still not been picked up for broadcast in the UK by any service yet. Firestick + VPN + Peacock certainly helps.

    Do you know which episode number roughly it starts getting better?

    I’ve got to part of the way through episode 5, but it’s taking me 2 and 3 goes to get through each episode as I’m finding it borderline unwatchable. I’m trying to persist in the hope that I find my way home it gets better, as QL was such a big show for me growing up.

    Just to qualify a bit with my complaints –
    I find Raymond Lee to be generally fine and I’m delighted Ernie Hudson is in it, so it’s not really the casting that’s the problem for me. It’s more how bland it is, some really uninteresting writing and it’s a bit too on the nose already.

    Did you feel that about the earlier episodes and notice an uptick?

  • #107260

    I don’t have the issue yet and I already know that’s exactly what I will think of the 5 strips

    I have not enjoyed anything Cavan Scott has written and I hate Luke Horseman’s art.

    The Order is quite a difficult series to follow. It’s also run longer than it should have.

     

     

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  • #107249

    (My copy hasn’t arrived yet, so I’m guessing it will be Monday/Tuesday). I’ve still not read last weeks regened issue, I’m not sure I’ll even bother to be honest. It’s a chore every time.

  • #107248

    Subscribed to 2000AD in hard copy today, starting with Prog 2326 for Garth Ennis on Rogue Trooper. Very exciting.

    Does anyone else subscribe? When do physical copies usually arrive through the post?

    Yeah I have a sub to both 2000ad and the Megazine

    The copies often arrive on a Saturday. They usually get here a few days before they hit the shelves.

    Glad you’ve come on board I hope there’s a few strips you like.

    2000ad can be a bit of pot luck just now, usually depending on the writers.

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  • #107247

    Much like Chris, I haven’t been the biggest fan of Josh Williamson’s work beforehand, but Superman #1 was certainly a fun debut issue. Everything old is new again, with a fresh coat of paint on a familiar status quo – the Daily Planet, the MSU, “Lex”-Corp, etc. It’s comfort food with a twist that makes you want to come back for more. Tonally very much in line with Taylor’s Nightwing or Waid’s World’s Finest.

    I don’t think I have seen Jamal Campbell’s art beforehand, but it’s lovely here. Really works with the classic Americana vibe of the book, but also deftly switches tone at the end when things get darker. Good stuff :good:

    Have you read Williamson’s Flash run Vik?

    Im sure I’d started it then dropped it, but I’d been hearing some good things about that and  Jeremy Adam’s Run, so I decided to go back and check it out.

    One or the great things about the DC app is being able to check these things out on a whim with no additional cost other than your time.

    I’ve read the first 10 issues and I’m going to stick with it, it’s better than I remembered. The art isn’t really to my tastes and there’s a lot of fill ins so the book feels very inconsistent artistically. However the writing is pretty solid, there’s a good mix of A, B, C and even D plots as you have the dynamics between Barry, Iris and both Wallys. A bunch of new speedsters. A potential love interest who becomes a good plot element. Some intrigue around the whereabouts of the Rogues, a good guy gone bad – all faulty basic stuff but he juggles it in a way that while not particularly new or exciting does make for solid superhero comics.

    I’m not sure why I didn’t really like it before but I suspect my bar has been lowered in recent years by a lot of DC and Marvel’s output being quite poor.

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  • #107051

    @ben Campbell is the new Superman artist on the ongoing just launched with a new number 1, written by Joshua Williamson

    I feel his art was a bit more ‘stripped back’ in the first issue than some of his previous work but it’s still very good.

    I enjoyed that first issue a lot more than I expected to

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  • #107021

    House of Slaughter I think was what ultimately played a big part in me abandoning SIKTV altogether.
    I thought the writing on the first arc was very poor and the second arc was a bit better technically but it still failed to engage me.

    I think that compounded the feelings that I was regularly having on the main title that Tynion was really dragging things out and milking the concept, one that wasn’t originally intended to be a long series. I think i stopped reading around issue 22.

    I might go back to it one day but put all the issues on eBay (with the exception of issue 1). Got a good few quid for them as well if anyone is inclined to do the same at some point.

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  • #107010

    I watched the first two episodes of Evil, which seems like a pretty good show.

    Also, hey, It’s Michael Emmerson! That’s awesome, I absolutely love him. Can’t understand why he isn’t on every fucking show on TV.

    I love that show. Good chemistry between the main actors and the episodes are inventive and fun.

    I also love that xfiles influenced format, keeps things interesting from week to week even with the overarching plot.

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  • #107009

    Not sure it’s for everyone but I picked up Tom King and Elsa Charretier’s Love Everlasting volume 1 off the strength of the first issue.

    I think it’s quite ambitious from King and it’s going to divide readers but I thought it was great.
    I’ve certainly not read anything quite like it before.

    I like how he varies the structure of the issues, I found his approach kept things from getting stale and made each issue its own thing. Issue 4 was a particular highlight although I enjoyed all of it.

    It’s best diving in cold, which is what I did in the first issue so I wouldn’t want to say too much about it.
    Elsa Charretier’s art is terrific. It evokes Darwyn Cooke here and she’s a much better storyteller here than in November, where at times I struggled to work out what I was looking at.

     

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  • #107007

    Yeah, once I took my time with Vex it was fairly straight forward. I’m a big fan of Michael Carroll so I knew it was worth persevering with. Although I’m lost again in this 3rd volume 😂

    Broxton’s art is definitely the star of the show on Hope……I’ve enjoyed some of Guy Adam’s other stuff so I’ll come back to it.

     

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