What have you been watching lately?
You Have Been Watching
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Joker
I lasted 40 minutes then gave up. Absolute shite.
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Watched The Matrix for the first time in about 20 years. Surprising absolutely nobody with the revelation that it is still excellent. What does seem odd is that it is leaving Netflix in the next week. Seems weird they would let that slip with the sequel so close to release.
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Watched The Matrix for the first time in about 20 years. Surprising absolutely nobody with the revelation that it is still excellent. What does seem odd is that it is leaving Netflix in the next week. Seems weird they would let that slip with the sequel so close to release.
It’s possibly because it’s owned by Warner and they want it exclusively on whatever their streaming platform is called now ahead of the sequel’s release
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Yeah I didn’t think it was as good as they’re hyping it to be… but that’s probably because I’m older and I’ve seen plenty of stuff like that… though I can see why a younger audience or people who ain’t as steeped into media like me would find it more riveting.
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I just tried watching two adult animated series on Netflix.
Q-Force: This show is about a group of LGBT+ spies. The first episode is all set up and drags from it. I gave the second episode a shot and it wasn’t much better. The humor really leans heavily into stereotypes but doesn’t do anything interesting with it. I won’t be watching anymore.
Chicago Party Aunt: I only got halfway through the first episode. The lead character Diane, party aunt, is way beyond annoying. I couldn’t watch anymore. Avoid this series.
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Fast ‘n’ Furious 9
Sure, I’m pretty certain that isn’t how magnets work. That guy was definitely dead. No way can you do that and survive, nor that, definitely not that.
And yet it’s so much fun. It has Helen Mirren bombing around London at high speed, and that’s not the only crazy sequence here either. The character ensemble works very well, everyone has a fair amount of space and it just goes along at speed.
I liked this far more than 8.
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Watching the new season of Movies That Made us, starting with the Coming To America episode.
After the last season was a bit too pisstakey and pleased with its own jokes, this is back to the style of season one – just a good solid making-of with plenty of anecdotes I wasn’t aware of.
Looking forward to watching the Aliens and Robocop ones too.
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pisstakey
In the US we spell “pistachio” differently.
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Succession S03E01 – it’s good to have this show back!
We foolishly didn’t revisit the last season or even just the last episode of season 2 so I’m sure we missed some details (it’s been over two years!), but managed to follow all the important stuff. Still very quick, very smart, and very funny. Looking forward to the discourse via Twitter and Podcasts.
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Finished season two of Ted Lasso. It was fine. Always pleasant to spend time with these characters and good for a laugh or two, yet it never hit the heights of the first season. The first time around they had the core storyline of Rebecca using Ted to tank the club to get back at her ex husband, with Ted deliberately using his aw-shucks persona to hide an astute wit. This time around they had no clear arc for the season, although they certainly packed in a lot of half baked ideas that could have carried it, while Ted himself was basically just a passenger. They’ve got things set up well for a third and final season but we’ll see how it goes. It was funny seeing which Premier League club they picked to be the big bad next time around. Who’d they piss off?
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It was funny seeing which Premier League club they picked to be the big bad next time around. Who’d they piss off?
It must have been an interesting conversation to have.
“Hello West Ham? Warner Bros here. We were wondering if you’d be ok with us giving you a fictional owner and manager for the next season of our show. Yes, Ted Lasso, the feel-good comedy on Apple TV+. You are? Excellent. Oh btw they’re evil, ok thanks bye!”
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It was funny seeing which Premier League club they picked to be the big bad next time around. Who’d they piss off?
It must have been an interesting conversation to have.
“Hello West Ham? Warner Bros here. We were wondering if you’d be ok with us giving you a fictional owner and manager for the next season of our show. Yes, Ted Lasso, the feel-good comedy on Apple TV+. You are? Excellent. Oh btw they’re evil, ok thanks bye!”
If only they had been able to wait a few more months for the Newcastle takeover…
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I watched ‘Yesterday’ with the Mrs.
It’s funny as it’s a twist on a recurring dream I used to have but with time travel where you go back a year before any great musical movement and ‘invent’ it yourself.
All in all it’s a pretty well done version of the typical British rom-com albeit less middle class and white than Richard Curtis’ template tends to prefer, which is nice.
There is one bit I loved though. I’ll blank out for spoiler reasons.
They hint all the way through that Jack is not the only guy that can remember The Beatles, with a Russian fan in the crowd and a suspicious lady in Liverpool. It’s ratcheted up as a potential big confrontation and they end up just thanking him for bringing the songs they love back as he has musical talent and they don’t. I always like when in a very predictable genre a little bit comes up that subverts, even just a little bit.
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Yeah, I liked Yesterday (including that bit you spoiler-tagged). I was expecting it to be overly schmaltzy and sentimental but you have to credit Curtis as he has good judgement to know just how far to go with that stuff without the audience starting to feel that they’re being overly manipulated (see also his Doctor Who episode). Although I guess mileage varies a bit on that.
Lots of good, sharp gags too. One of my favourite little bits from the movie involves the non-existence of a certain other band that was heavily inspired by the Beatles, which got a laugh from me and worked well as a nice throwaway gag.
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I binged the first two seasons of Succession last year and absolutely loved them. I’m going to try and let the new episodes pile up a bit before I start on them.
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Watching Abar, The First Black Superman
https://archive.org/details/abar_the_first_black_superman_1977
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We finished Only Murders In The Building tonight. It was a fun series and decent throughout but faltered a little bit towards the end. Not sure whether multiple seasons is a good idea.
But it’s hard to resist Steve Martin and Martin Short being so likeable silly so I’m sure I’ll be back for more.
I enjoyed it too. Although did Disney+ put two episodes up together for the last week? It said “series finale now live” or whatever on the front page, but despite watching weekly, I had ep 9 and 10 available. So either they put up two or I missed a week at some point without realising.
Yeah, D+ were a week behind the US all though the run, but I think they realised with all the spoiler-y articles out there after the finale aired in America they should probably put it up early.
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Watching Abar, The First Black Superman
https://archive.org/details/abar_the_first_black_superman_1977
Did you see my post in the Marvel Movie and TV thread?
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Watching Abar, The First Black Superman
https://archive.org/details/abar_the_first_black_superman_1977
Did you see my post in the Marvel Movie and TV thread?
I did.
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Finished Squid Game last night. I enjoyed it, but it was definitely predictable. Even the two “twists”, or whatever you want to call them, in the last couple of episodes were pretty obvious. Still, it was a well produced and acted series that did a pretty solid job of amping up the tension even when the ultimate outcomes weren’t really in question.
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Finally found this on YouTube:
One of the rare instances where they, the performer, are a better comedian (by far) than they are an actor/actress.
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Not entirely sure why but I watched The World Is Not Enough for the first time this century. Pleasantly surprised that it was a lot better than I remembered! I haven’t really spent much time with the Brosnan Bond movies and had forgotten about some welcome appearances like Robbie Coltrane and John Cleese. Brosnan himself walks a very fine line between Dalton’s seriousness and Moore’s tomfoolery, which is a rather tricky thing to do. In retrospect, I should give Brosnan more credit for his Bond than I had done before. The plot was pretty solid too, rooted in something at least vaguely credible, not too outlandish and with a decent twist. It also allowed for Bond to actually do some spy work rather than just bluntly forcing his way to the boss. Speaking of which, Robert Carlyle was all sorts of fun here and his final scene with Brosnan was surprisingly touching. Even the most memorably foolish part – Denise Richards as a hotpants-wearing nuclear physicist named Christmas Jones – was not entirely awful and almost saved by the final line of the movie.
I seem to recall this movie came out during the peak of the Austin Powers buzz and suffered as a result of people being unwilling to take an actual Bond movie as “seriously” as they once had – or maybe that was just me. In any case, it was a fun couple of hours.
Great theme song too. Shirley Manson should belt out a few more numbers in that style, it certainly suits her voice.
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For whatever its worth, the adjusted-for-inflation chart on Wikipedia has TWINE as the lowest grossing of the Brosnan movies, although they are all solidly above the Moore/Dalton efforts from the ’80s.
The 80s, for all people of our generation love to enthuse about childhood memories of cinema, is the least successful decade for box office in history. The BFI rather handily record total number of tickets sold so you don’t have to make inflation adjusted estimates.
1984 – the year Ghostbusters, Karate Kid, Beverly Hills Cop, Temple of Doom and Gremlins hit UK cinema is the least successful year since the 1920s to today of the getting bums on seats.
(To be fair a lot of that is structural, they were moving from single theatres to a multi-screen option but it is true and makes me take 80s receipts on Bond with the industry in context).
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So I watched Army of Thieves, completely forgot that was coming out, and… I dunno, it’s nothing special, but it’s just super solid. Solid cast, solid acting, very good cinematography and direction and VFX and everything else… the story is just there, nothing too unique about it, but it IS fun, so there… Perfectly good solid movie, nothing worth getting excited about though. I guess that’s like a perfect streaming service movie…
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Finished up Hulu’s Only Murders in the Building last night. Good concept, great cast of people who know their way around comedy, lots of twists and surprises. And most of the episodes ran about 35 minutes, so not a lot of useless filler. I’m happy to learn there will be a second season in 2022, with the three stars already confirmed. Recommended.
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Last Night in Soho: Pretty good, which is slightly disappointing for an Edgar Wright movie.
The performances are great, and there are some lovely set pieces, but some of the plot twists are very obvious, and some of the creative decisions didn’t work for me. The whole thing with the predatory men as faceless ghost-zombies starts as effectively creepy, then devolves into a CG-looking mess, losing a lot of the style and personality that made it work earlier. The love interest character is so underdeveloped I’m not sure his name was even mentioned until ten minutes from the end.
Could have been better, and I’m glad to see Wright trying something different, even if it didn’t entirely work for me.
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The Final Girls
Three years ago, Max’s mum died in a car accident. Now Max has reluctantly agreed to attend a screening of the campy 80s horror movie her mum starred in – Camp Bloodbath (based heavily on Friday 13th) – on the anniversary of her mum’s death. For some reason, a fire starts in the cinema and the only way out for Max and her friends is to cut through the screen, which somehow sends them into the movie.It’s quite a nice premise and the film has some decent jokes and endearing characters. It’s let down a bit by its commentary on horror movies being rather familiar and sub-Scream. Also its pacing is a bit wonky and it’s heavily over-directed towards the end. But it’s an enjoyable comedy-horror.
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I know I’m years late on this, but man, Succession is really good isn’t it? We just started it a couple of nights ago and we’re already more than halfway through the first season. Such great drama and such an excellent mix of characters and dysfunctional family dynamics. Plus the music is ace.
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I know I’m years late on this, but man, Succession is really good isn’t it?
So was I, and others I know. Don’t know why I resisted so long when people I trust were telling me to try.
I don’t remember the point where I was “all in”, but I kept it on and then couldn’t live without it.Funny story, but Kieran Culkin was invited to read for the part of cousin Greg.
Culkin’s manager passed along the pilot script to Succession in 2016. As the story goes, the casting director wanted him to read for the bumbling Cousin Greg (which went to Nicholas Braun). Culkin instead put three Roman scenes on tape and sent them in.
I couldn’t imagine Roman or Greg played by anyone else.
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I know I’m years late on this, but man, Succession is really good isn’t it? We just started it a couple of nights ago and we’re already more than halfway through the first season. Such great drama and such an excellent mix of characters and dysfunctional family dynamics. Plus the music is ace.
It’s also often under-appreciated that it’s funny.
I was sold at the end of the first episode, where you expect Roman to be the nice one – turns out there’s no nice one! And that’s okay!
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Yeah, it’s very funny. Roman gets some great material but some of the other slightly subtler stuff is excellent too (Alan Ruck is wonderful in this).
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Finished my rewatch of The Good Wife, which mostly held up really well. I didn’t remember the later seasons all that well, and was surprised how strong they were. The fifth season, with Alicia and Cary starting their own firm, is the best of the series, with a good mix of the political and legal sides of the show.
Some of the extended storylines in the later seasons don’t work: in Season Six, we know Alicia isn’t going to ever become State’s Attorney, as it would mean the show couldn’t use her as a lawyer, and in the final season, we know Peter’s presidential campaign isn’t going anywhere (though the Alan Cumming vs Margo Martindale scenes make it almost worth it).
Season six also has the problem where Julianna Margulies and Archie Panjabi refused to be in scenes together, so they only ever speak on the phone. It’s in Season five too, but as the characters aren’t working together it’s easy to not notice. Watching through this time though, it’s jarring because of how much time the early seasons spend on their friendship. It’s a very odd situation, especially as nobody has ever said anything about what happened between them.
One slightly off thing I noticed this time around is how often they did episodes with storylines relating to Israel and Palestine, almost always in a way that’s sympathetic to Israel, and several times pro-Palestine characters turn out to be linked to Hamas. A lot of it is in the political storyline, where Alan Cumming’s character bristles at the mention of anything slightly pro-Palestine, but it comes up in cases the firm takes too. It’s a weird blind spot for the show.
Now on to The Good Fight, which I’ve previously only seen the first three seasons of. I assume this show will already feel more dated, given how much of it focuses on present day, real world politics. Even when doing a storyline about a presidential campaign, The Good Wife only ever mentioned Trump once, as far as I can recall.
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Sooo… I was watching the latest episode of Foundation (episode 8), and there were a LOT of Dune-like things in it… that whole episode really made me think of Dune where the previous ones didn’t really… Now, I know the Foundation books predate Dune, but I also know the TV show has changed a lot of stuff… So I was wondering if those Dune-like elements are in the book or if they’re part of the show changes. Anyone here has read the novel?
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Just back from seeing Oasis: Knebworth at the local cinema, my first cinema visit since January 2020 (Little Women).
It was a “gold class” session, only my second and wife’s first – it is nice to have more room, wait service, and recliner seats. There were only 5 of us in the session. Good little documentary, only for the fans though – can’t imagine a casual listener or non-fan enjoying it (unlike the Supersonic documentary which I’d recommend to anyone).
The big thing with the film is that it’s fan-centric – voice-over snippets from fans (and staged re-enactments) who were there at the time, or who missed out on tickets and listened to the show on the radio accompany the entire runtime, and there’s no uninterrupted songs (but the whole thing – both nights’ gigs – will be released on CD and DVD/BR later this month).
But it was nice to see such a joyous, communal event, pre-internet, pre-mobile phone in a widespread sense – and unlike later in the band’s career the crowd was pretty evenly split gender-wise.
It’s still breath-taking to see the scale of the crowd – this band go from playing to 12 people in a pub to only two years later 250,000 people over a weekend. They arrive by helicopter and don’t look fazed at all surveying the crowd from above, Liam’s only 24 years old.
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Got into a pretty good bedtime routine with my eldest. Just before she hoes to bed we watch two episodes of Teen Titans Go. It’s brilliant. Fast paced, wildly anarchic, and plenty for adults and kids a line to enjoy. Recent highlights have to be the Christmas Carol parody about Black Friday and a bottle episode set in an actual bottle. I think I’d watch this even if i didnt have kids.
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Teen Titans Go is without a doubt one of the best perks of being a parent.
Did you see the film version yet? It’s fantastic. Genuinely one of my favourite superhero movies.
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Not yet. It doesn’t appear to be on any of the streaming service we subscribe to. I was thinking of renting it for the weekend though.
Well worth it. We saw it at the cinema and still had to buy it as soon as it came out on DVD. It was on pretty constant rotation in our house for a while.
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so, Succession…
Let me say, I have always liked Adrian Brody in many things (even if some did not see — ‘Predators’), but I honestly fell in love when he scared the fuck out of me in Peaky Blinders (when he’s in the room alone with Tommy Shelby).
Now that he’s made his appearance as a major (?) stockholder (did he say 4%?), well it feels like the pin was pulled off the grenade.
And only one episode but I think he can switch sides, multiple times.
I haven’t even picked my side as I just love the chaos, but interesting how I react when stimulus is introduced (I didn’t know I felt that way!).And we still haven’t seen Alexander Skarsgård yet.
I don’t think a season 4 is confirmed, but there has to be.
No matter what I want, this high quality series has to drive towards an end, and it feels like there is no going back now.
I hope whoever is driving this bus has it mapped out perfectly, to smash it good and proper at the end!Oh, almost forgot. This was pandemic delayed, so are we still in 2019? or early 2020?
Who’s “The President?” Is it Trump? (He’s referred to as “The Raisin”)
And is this going to be a thing?Note: If you haven’t watched, you can’t just join in, start at the beginning.
You’ll be glad you did.
Kinda based on the Rupert Murdoch family, plus Conrad Black, and other white-trash as well.
I know, that wasn’t the greatest selling point for me either.
But when you give it the chance…1 user thanked author for this post.
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Barb and Star Go To Vista Del Mar
I didn’t know anything about this before watching it. I thought it was going to be some mumblecore indie thing that I’d probably turn off after 15 minutes.Instead it’s much broader, with an albino Bond villain (played by Kristen Wiig) planning to destroy an entire Florida town with genetically engineered mosquitos. A town where middle-aged singleton best friends Barb (Bridesmaids writer Annie Mumulo) and Star (also Wiig) happen to go on holiday.
The second surprising thing about this is that it’s not based on an SNL sketch. The way it extrapolates its characters out from a cosy, small town set-up into something larger and more exotic feels just like a typical SNL movie.
And yet, despite that comparison, it’s both not an SNL thing and it’s actually pretty funny. Ridiculous without being rubbish, which is hard to achieve these days, it seems. You don’t realise it yet, but you need to see Jamie Dornan doing a music video style number addressed to some seagulls.
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I noticed it’s got Downton Abbey in amongst its boxsets, which is strange. Surely ITV would have all domestic rights to that?
No, Downton was produced by Carnival Films, which is owned by NBCUniversal: https://en.wikipedia.org/wiki/Carnival_Films
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Wow, that ‘Cock just popped up outta nowhere.
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Ahead of seeing the new one on Thursday, I watched Ghostbusters the other night (still excellent) and then Ghostbusters 2 tonight.
GB2 gets short shrift from some people, which it doesn’t really deserve. It’s certainly not a bad film, but it’s not a great one either. They really made some poor choices though.
Having the team forced out of action since the previous film just feels a bit like a cop out, just like it did in Dark Knight Rises when you find out Batman retired after his second case. Not only does it force the film into an extended redux of the setting up the business phase of the first one, but it just feels out of step with what the audience would have expected. Though certainly not exclusively a kids movie, there was a big child audience for the film, built up over the interim by the Real Ghostbusters cartoon. While I’m certainly not saying it should have been in continuity with that, it should have been more aware of the expectation and mood its existence created. Although I suppose you could argue defeating Gozer got rid of all the ghosts, there’s not really anything at the end of GB1 to suggest the business ending (whatever the reason) so it’s a really strange disconnect to go “they’re a passed fad kids party entertainers now” (especially as the kids all chant for He-Man, which was dead by 89, while RGB was popular.)
I think they should have taken more of a cue on characters from RGB. Winston still feels a bit like an outsider at times, rather than the equal he is there, but it’s the way Janine is defanged and palmed off on Louis – her interest in Egon conveniently forgotten – that feels like the biggest disservice. She’s really a shell of her former self here.
The other issue with them having been out of business is that most of the interesting stuff of them being Ghostbusters and actually catching ghosts is relegated to a montage again. The core of the Vigo story is solid and the slime river is a great visual, but ultimately it gets too weighed down in Dana being the unluckiest woman in New York and her heavily eventful relationship history (a failed significant relationship with Peter, a failed marriage and a pregnancy all in five years). It feels too much like a retreading of the first film there too. I think there would have been a more interesting role for Dana as Peter’s partner/wife rather than the one that got away for vague reasons.
I think the weirdest thing about the movie though is the music. It’s not necessarily bad – though it suffers for the lack of Elmer Bernstein’s score (not muxh they could do there – supposedly he was really pissed off they added in some pop songs to the first film, so likely wouldn’t have come back) – but it’s almost entirely scored with pop music and ends up a time capsule of a short period of hip-hop/RnB. I guess it’s maybe not that unusual – it’s only a few years before TMNT with its Turtle Power rap and MC Hammer doing the Addams Family theme – but it feels slightly at odds with how, well, white and unhip the film is.
Oh and it’s a bit odd they made those dark grey jumpsuits, used them in a lot of the promo shots and then only wore them in like two shots.
Anyway, some fun moments and a chance to catch up with beloved characters means it’s far from a terrible way to spend ~90 minutes. Which is all I’m really hoping for from the new one.
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I saw Ghostbusters 2 before I saw the first one and as a result I’ve always really liked it. The first one is better but the second one certainly isn’t bad. Plus Vigo is a great scary presence in the movie.
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Yeah, if there was a kid who was still into He-Man in 1989 there’s no chance he would be able to get that many kids to his birthday party.
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Also, I think the whole Statue of Liberty bit is great. I know a lot of people wrote it off as a rehash of the Stay Puft man but I don’t think it comes off like that at all, I think it’s a really fun sequence.
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Janine is defanged and palmed off on Louis – her interest in Egon conveniently forgotten – that feels like the biggest disservice. She’s really a shell of her former self here.
There is an interesting aspect of this included in the movie. When Louis gets dressed up in the Ghostbusters gear and Janine zips him up, obviously very turned on by it, the name tag on the suit says Spengler. He is clearly a stand in for Egon in her eyes.
There are also some other indications that this is a relationship of convenience for Janine, such as when they are watching a movie and Louis won’t stop talking so she tries force feeding him popcorn in a vain attempt to get him to stop.
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I watched the first episode of Cowboy Bebop, and it was OK. It’s basically an adaptation of the fist episode of the show, stretched out with an intro for Spike and Jet that lifts bits from here and there, most notably the intro to the movie, and has them meet Faye during the main plot. It’s wrapped up in more of a central arc for Spike and Vicious’ feud to boot.
Faye is the best thing about this episode, she gets a ton of great lines, and Daniela Pineda’s smart-ass portrayal works really well. Everything else runs the gamut from functional to very good – John Cho and Mustafa Shakir work well as Spike and Jet, Shakir is doing a pitch-perfect Beau Billingslea impression. The biggest problem is probably the look and feel of the show, where it’s trying to be a live-action anime and just not getting it right. There’s choices when it comes to staging and editing that would work better with the visual language of anime. And the effects give the whole affair a kind of unworldly feel in a bad way. They’re very reminiscent of every time Asian cinema has tried to do a big live action tentpole movie, like Space Battleship Yamato, Space Sweepers or The Wandering Earth. I’m gonna keep watching but it’s nothing too special yet.
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I watched the third and fourth seasons of A.P. Bio, which were really good, and a nice improvement over the earlier episodes.
The main difference is that they’ve wisely moved away from the original premise of Howerton’s character trying to get back to Harvard and get revenge on people from his past, and just made it a series about a wacky school with lots of wacky characters. It’s not quite as weird or good as Community, but there’s definitely a lot of similarities there (and one shared supporting cast member in David Neher, Community’s Todd).
They’ve figured out how to use the supporting characters, especially Patton Oswalt and Paula Pell, as well as the other teachers. The students in the titular class don’t get quite as much to do as in the early seasons, though there’s always a few fun group scenes in each episode.
I was wondering how they would justify keeping a show ostensibly based around a single high school class for several years without the students moving on, but the S4 finale reveals that only a few months have passed in the entire run of the show (about 40 episodes). This doesn’t make much sense, but it doesn’t need to. All of the actors playing teenagers were already in their twenties when the show began, and they don’t seem bothered about them aging when barely any time is supposed to have passed.
There’s been no word on a S5 renewal yet, but I hope it happens; it’s not like Peacock has a lot of content.
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