(No stickers, please.)
Here’s where we can discuss the new books that come out each Wednesday.
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wish I would pick up books every Wednesday :)
I have not done that for years… I now collect them once every 2 or 3 months.
Well, it’s Wednesday – the first New Comics Wednesday of the new board.
What’s everyone picking up?
Looks like Powers of X #5, Criminal #8, and Batman Curse of the White Knight #3 for me. Pretty good week!
That Captain America cover looks good. Is anybody reading the Coates run?
No stickers??? And on the first Wednesday of the new board.
I picked up Action Comics #1015, Batman: Curse of the White Knight #3 and Powers of X #5 this week. Looking forward to reading tonight.
I’m going to grab the Harleen book as well I think.
Quiet week partly because I’m waiting on my LCS to get in missing issue of Angel.
White Trees 2 – I reviewed the first one and felt it didn’t do enough world building for me. Having read the complete story I remain unconvinced I’d return for future stories.
Light week, just powers of x 5 and justice league dark 15.
JLD #15 Tynion is ramping up the story here. Circe is adding to her Injustice League dark while continuing to create trouble for JLD. WW finally realizes it is Circe causing their troubles but is too late to catch her before Circe leaves her island prison. I love the story he has been telling here but it is not new reader friendly so I would suggest waiting for the trade.
Just finished reading Batman Curse of the White Knight. I’m not feeling this as much as the original but there are enough twists that keep me interested. The art is gorgeous and I love Murphy’s rendition of Batman/Bruce Wayne.
Not yet, but it’s getting an OHC next year. I’ll give it a look then. I’m not convinced Coates is a monthly comics writer, his BP reads far better under supertradewait rules.
Trying to repost this. Maybe if I add some text.
Action Comics #1015 – After what felt like a bit of a hard turn at the end of the last issue and beginning of this issue, things start to dovetail near the middle of this one. Initially Naomi feels shoehorned in to this issue but we get back into Superman’s conflict with Red Mist and Naomi may be a potential help there as the issue ends rather abruptly. With this and Leviathan kind of going on in the background, it feels a bit like too many plates spinning right now but I think Bendis can pull it together.
Batman: Curse of the White Knight #3 – Thus far, I’m not enjoying this as much as the previous book mostly due to the Joker going back to standard characterization. There’s still a lot to love here. Murphy’s art is incredible and this is probably my favorite interpretation of Harley Quinn. I also thought the fight with Azrael at the end of the issue was pretty great and really turns the book going forward. Curious to see what Murphy has planned here.
Powers of X #5 – The 1-2 punch of House and Powers of X continue to be the books I most look forward to reading week in and week out. this issue is no exception. This issue largely covers a lot of the set up for the two big revelations last issue along with a furtherance of the X^3 timeline. It’s interesting how the issue continues to discuss a consciousness (Mind) in a body (Husk) that is not their own and then goes on to discuss that Professor X has moved his own consciousness with a previous copy twice. Are there things he has purposefully forgotten? We are still yet to see Moira in the House of X timeline but we do get a mention of “Moira’s No Place” and something about Forge powering Cerebro with a “Krakoan No-Place vent”. I’m also beginning to wonder if the X^3 timeline is from Moira’s 6th life where she talked mutants into siding with the machines against humans and that’s why they seem to be working together in that future. The highlight of the issue was probably Namor’s cameo. Looking forward to the last two issues of this series and where it leaves things for the start of the new era of X-Men.
The opening four pages of the latest 2000AD show why even as he enters his 70th year John Wagner is still an absolute comics master. (Playing this vague to avoid spoilers). Many writers portray Dredd as robotic and emotionless but, over the past ten years or so, character creator Wagner has subtlety hinted at what he feels through tiny snippets of dialogue and giving artists like Colin MacNeil cues for minor things like the clenching of a fist, the placement of a hand or the slumping of shoulders. Highlights like this only go to show that this writer-character pairimg still has potential even into its fifth decade in the comic.
It’s that day again. What’re you picking up? What’re you reading? What’re you enjoying?
Looks like a big week with Green Lantern #12, Justice League #33, Legion of Superheroes: Millennium #2, Superman: Up in the Sky #4, Space Bandits #4 and House of X #6 today.
I’ve been reading it. It’s been decent, but not great. I see what Coates is trying to do in using CAp to reflect America today, but it’s a little too heavy-handed.
Two big finales this week with Green Lantern #12 and HoX #6.
I’ll also be grabbing Space Bandits #4.
So in Superman #15 all these diverse alien races are getting together in peace an unity and the LSH appear from the future and go “Hey guys, we’ve come from the future to tell you this unity thing works out great, look at us, we’re all peaceful and united and stuff.”
And the Khund look at them and say, “What, no Khund in the future?”
And the wise old Thangarian leader says, “You’re saying that … in the future all races come together into a Legion of Super-Heroes but you don’t allow any Thangarians in?”
Meanwhile, Zod is telling Superman that he’s going to start up a new Kryptonian utopia, but I don’t know why, because he can already see there are no Kryptonians in the future.
And the Dominators say “Ssssss…” oh, who the sprock cares what the Dominators say, they’ve already walked out of the peace conference in disgust and planned a way to conquer the galaxy and prevent this sorry-ass lamely-plotted future from ever coming about.
Apparently I can read this exact same story again in Supergirl #33 if I want to, but I’ve already lost the will to live.
Green Lantern #12 – I had such high hopes for this book in the beginning. It seemed like Morrison was really doing something different with each issue being a bit standalone but also connecting into the larger plot. However, it all just descended into a morass of his usual tropes as he tried to connect all the dots. I can’t say I’m interest in Blackstars.
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House of X #6 – Hickman has built this book in a very interesting way with a lot of what happens in this issue being what kicked things off at the beginning of the series. I’ve really enjoyed it all especially the way the council for ruling on laws for a mutant nation were set up in this issue. It still leaves me a bit uneasy as Xavier’s actions here are usually what we have been taught are the actions of a villain in this universe. I’m curious what will happen in the final issue of this duology. Interestingly enough the Krakoan text at the end of the issue reads, “House of X”. So maybe the last issue of Powers of X will connect the two more and finish setting up the new status quo.
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Justice League #33 – Really loving this story now that it’s good and going. There is some fun stuff in this issue like the Monitor, Ant-Monitor and World Forger combining to form the Ultra-Monitor to fight Perpetua. The multiple cliffhanger endings were pretty great again too.
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Legion of Super-Heroes: Millennium #2 – Still not clicking with this book. The bit with Booster Gold was pretty cool and the art on a couple other parts was really good but I can’t say I’m any more into Rose/Thorn than the last issue. I’ll probably pick up the first issue of LOSH just to give it a shot but I don’t have high hopes.
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Space Bandits #4 – No one writes a penultimate issue like Mark Millar. I love the twists and turns. The only thing I didn’t care for was how quick Thena fell for her old partner again. I can’t wait to see how it all wraps up in the next issue. This is going to be good.
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Superman: Up in the Sky #4 – Thus far, this series has been a great set of vignettes that really show what Superman is about. The bad part is they don’t hold together too well as a continuous story. Maybe this works better in the Walmart anthologies that they were originally made for where there is just one story. With two stories per issue, the strings show a little more. Hopefully, it can all pull together a bit better in the last two issues.
Also posted in the Independent comics thread
https://www.previewsworld.com/Catalog/AUG192061- link to Seven Days by Gail Simone at Lion Forge.
Some Months ago Gail was named Chief Comics person at Catalyst Prime, Lion Forge’s superhero division. Last week, her first comic from them came out and it was impressive. It is an event comic that is going to reorganize the entire Catalyst Prime Universe. It has a gorgeous Sejic cover and the interior art by Jose Luis was very good as well. Simone’s dark sensibilities are on display here and the story flows well until it gets to its gruesome punchline. I am familiar with this universe but I think Gail does a good job of introducing the various characters.
Glass Hood
I was looking forward to this comic a lot, and it didn’t disappoint.
I’ve said for a while now that my favourite Garvey book has been Red Rocket Comet, which used two very different artists to tell a story across two time periods: one, a retro superhero era with bold, colourful art to match; and the other a modern-day setting with much more realistic, black-and-white art, to suit the more grisly and disturbing elements of the story.
In that sense, Glass Hood is a spiritual sequel to that earlier book, reuniting Garvey with artists Grayham Puttock for the present-day scenes and Michael Rea for the arresting cover, and bringing Stefano Pavan into the mix for the retro flashback sequences.
And again, it works really well.
This is a slightly different kind of story to Red Rocket Comet, but the tone is similar and I love the contrast between the two art styles. There’s a bleakness at the heart of the story that’s carried perfectly by Puttock’s work (and alleviated only by spotting a certain British comedian seemingly used as photo-reference for one supporting character, which made me laugh) and many of these pages are beautiful and detailed in their own right.
And Matt’s writing is again excellent, letting the story unfold in an unhurried yet always compelling way. As we get drawn into the story of the two main characters we explore some pretty difficult moral territory, and I love the way that our feelings towards the leads change and evolve as we find out more about them.
This is Garvey at his best – yes, there might be fewer silly jokes and gags, but that’s replaced by genuinely mature and considered writing that hits the spot it’s aiming for perfectly.
A comic to be proud of.
Thanks for the lovely review, fella!
So glad you liked your it!
I’ve got a wee Garvey-verse bundle on order. Looking forward to Glass Hood the most.
Struggling a bit to get to grips with the new site, but I wanted to put up some comments, in particular on <Gotham City monsters>.
Steve Orlando has been a source of frustration for me, a few years back. He showed signs of being more coherence during his JLA run, but he couldn’t quite match his ideas with a compelling narrative and strong direction on an ongoing.
However, he had back to back brilliant books in the six issue <electric warriors> mini series and the still running 12 issue <Martian manhunter> Maxi series. Both of which are excellent.
I think limited series exploring more obscure properties are the way to go for Orlando, who is clearly very talented but maybe needs a guiding hand.
The limited nature of those books seemed to help him out form around his ideas and structure them better.
He has followed these up with another winner, in <Gotham City Monsters> which is sure to go under the radar. maybe he need to up his social media presence.
The first issue is a classic ‘getting the gang together’, but with a twist. the gang consisting of I Vampire, Frankenstein, Killer Croc, Orca, Lady Clay, is very smartly tied up at the end and brought to a theatre where only Frankenstein seems to fully understand what is going on.
The events are taking place while everyone else is distracted by the big events happening in the DC Universe, which is a an ideal way to give these character a bit of limelight.
Like all of Orlando’s work, this is best read slowly. He doesn’t hold the reader’s hand and he’s not one for exposition. Also there is great care given to present the status of each character and for some world building, not to mention the brilliant dialogue, most of which comes from Frankenstein ‘I have no soul to smelt’. There’s a lot to savour here that could be overlooked if not given the due care and attention it warrants from the reader.
Having learned my lesson from reading Electric Warriors 1, and dismissing it, only to come back and read through more deliberately, Orlando’s work is not something to be breezed
through.
He seems to love DC’s obscurities, and treats them with care, which is great news for folk like me who love them too.
The art from Amancay Nahuelpan is superb, some great designs, really clear storytelling and together with colourist Trish Mulvihill, perfectly captures a really dark, violent and horror tinged atmosphere.
At 6 issues I’m looking forward to this being another nice, tight and involving mini, laced with surprises. Great stuff.
Another DC obscurity worth checking out is the 12 issue maxi series from Jeff Lemire and Keith Giffen, <inferior five>, Jeff Lemire is probably the most consistent and productive writer in comics just now, team him up with Giffen and this does not let down.
Picked up a bunch of new horror comics this month, excellent first issues for <the plot> from Vault and <you are obsolete> the second new horror series from Aftershok that tackles mobile phones and social media after the brilliant <bad reception> from Juan Doe.
<Pandemica> issue 1 (IDW) by Jonathan Mayberry is a bit clunkily written with poor lettering, but it’s worth a look.
Not worth a look is the rather bland and shallow <Vampire state building> which reads like a failed movie pitch with a script that has been given very little work to translate it to comics. Not even Charlie adlard on art can save this incredibly bland and cynical high concept effort to do a 30 days of night. The characters are paper thin and the dialogue sounds like something from a CW show. Pass.
I also read the 3rd issue of Vampirella from Priest and as much as I enjoy the writer and some of it is pretty interesting I just don’t have enough investment in the character to read on.
What’s everyone picking up?
Powers of X #6 is the big book of the week for me, but I’m also really excited for the new Ellis/Hitch Batman’s Grave #1.
Then Blade Runner 2019 #4 concludes the first arc of this title, and Spawn #301 spins out of the big anniversary issue last month.
The Batman’s grave feels very old fashioned, the dark, gritty Batman comes across more and an anarchism than edgy. There’s a real 00’s comic feel, which may be intentional, but it’s doing nothing for me.
Also, the state of that Batmobile
Batman Universe however is still a load of fun but I’m not sure Hal is meant to be that clueless….
I’ll be picking up the latest issues of Coffin Bound and East of West, and the hardcover of the Mike Mignola series Baltimore Vol 1
Edited to add that I also picked up a pack of little Halloween comics to hand out to trick-or-treaters; this year, I got them Archie’s Madhouse Magic from Archie Comics.
Looks like Batman Universe #4, Event Leviathan #5, Superman #16 and Powers of X #6 for me. Looking forward to all of them especially Powers of X. I read the preview for Batman’s Grave and will probably wait for trade on it.
I kind of miss the photos of this week’s comics with the little price stickers on them. Can you bring them back, Gar?
The shop stopped bothering to post them on Facebook a while back, with the odd exception when they feel like it.
So instead this collage comes from our pals at the Big Bang in Dublin.
I typed up a long post than this but it’s disappeared
Basically the Deaths Head mini series is shit, don’t waste your money
Hahahahah – excellent. Now Chris, you got stop this equivocal stuff, come on, tell how you really feel about it.
The Batman’s Grave has started well. Ellis has kicked off a nice mystery and done something quite unusual for him in writing a story that seems paced for the single issue as well as the trade. And there are some great lines and scenes here in general (boozy Alfred!).
Hitch’s art is great too – the borderless white-gutter panels remind me of his FF and AGP era a little bit. There are some cool visual concepts here like Bruce’s virtual-crime-scene room, and it feels like Hitch is drawing from the recent movies with stuff like the Batmobile and his Affleck-esque Bruce Wayne.
Looking forward to #2!
Affleck-esque Bruce Wayne
That peaks my interest.
Batman: Universe #4 – Still really enjoying this book. Some have described it as more Brave and the Bold than just Batman and I think that is accurate. There are portions that obviously seem contrived to move Batman from one place to another while teaming him up with various heroes/groups in the DCU but it really works for me. The episodes are obvious but hang together a bit better than Superman: Up in the Sky. Each story doesn’t seem to need to bang on about the fundamentals of the character as loudly. I’m really curious what the endgame is for this book is but I’m really enjoying the ride.
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Event Leviathan #5 – With this penultimate chapter, we are getting a clearer picture of what is going on. The end of the issue comes very close to revealing who the head of Leviathan is as he begins to remove his mask and I think gives a strong hint who it will be by the actions of other characters. I think it makes a bigger point about how the exact person under the mask doesn’t matter, what his purpose is and who might be connected. I’m interested in seeing how it all shakes out next issue. I suspect this will not be the end of Leviathan and there will be further reaching implications.
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Powers of X #6 – Wow, I was so close on my theory of what was happening in the X^3 timeline but so far off. It really did play with my expectations of what I had assumed we were told before. I actually really liked how this issue went back and revealed the story of the why behind what we have already seen reframing what came before almost like the film Memento. I loved the subtle connecting tissue revealed here. I would have always loved to see behind the curtain more but I don’t think that was ever the intent of these series. Instead, they were obviously meant to set up the new status quo that will lead into the new series. I am definitely looking forward to X-Men and might sample a couple of the other books with my eye on Marauders and Excalibur. I’m toying with the idea of picking up all the #1 issues.
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Superman #16 – This was a fun interlude issue focusing on Damian and Jonathan. David Lafuente’s guest pencils worked really well here. There was a lot of great exposition around how these two fit into other things currently happening in the DCU. However, it was mostly an issue about their relationship and how current developments (mostly in Jon’s life) have changed/not changed that. It was a great reminder of how great this team up was and how much I wish we still had it even though I like a lot of the stories that are happening now.
Spawn #301 wasn’t bad, very much a continuation of the big #300 anniversary issue. Cool to see more new McFarlane art and I like some of the story ideas – quite a few throwbacks to the earliest issues of the book, presumably for lapsed readers like me who have tuned back in after years to check it out again.
But at the same time, with the book settling back down to normal again I’m not sure I’m in this for the long haul. Like meeting up with an old friend you haven’t seen in years, it’s nice to feel that you can slip back in without missing a thing, but I also don’t necessarily feel the need to do it every month from now on.
I’ve really enjoyed Bendis’ run on the DC Batman stories. Event Leviathan has exceeded expectations, as has Batman Universe.
What are you picking up?
Decent week for me – the final issue of Superman: Year One is out and the first issue of Hickman’s X-Men too.
Plus, I need to pick up the fourth issue of Blade Runner 2019 as my shop was shorted on it last week.
What are you picking up?
Well I’m picking up porno
Fuck, I meant *comics*. I’m picking up comics.
Not porno
You could double up with some porno comics.
I’ll be picking up GIDEON FALLS #17 and TREES: THREE FATES #2 from Image.
And porno.
That Jimmy Olsen comic is so weird. I think I love it but I’m not sure.
How pornographic is it?
How pornographic is it?
I only got a semi
I have a fairly full week. I am picking X Men, Captain Marvel, Agents of Wakanda, Justice League, Guardians and Psi Lords by Van Lente over at Valiant.. I am also going to check out the new Bloodshot by Tim Seeley.
sorry no porno. I’m not stuck in the 80s ;) I get it where you should. on the interwebs. lmao
That Jimmy Olsen comic is so weird. I think I love it but I’m not sure
I ended up dropping it after the 3rd issue. I was getting really frustrated with how the splash/title pages were disrupting the flow of the comic.
It was funny in the first issue, but the joke has worn off big time for me. In fact I’ve found the whole thing a bit too ‘one note’ for my liking.
A done in one fine, but as a continued reading experience over several issues I’m finding it is stuttering rather badly.
This issue was much better but it’s still jarring.
sorry no porno. I’m not stuck in the 80s ;) I get it where you should. on the interwebs
There’s … there’s porno on the internet?
Looks like a good week for me.
Justice League #34
Superman Year One #3
X-Men #1
When I get to the shop it’ll be
X Men 1
Justice League 34
Vox Machina trade probably
Batman probably
Once and Future 3
Firefly 10 – really should read an issue
History of Marvel Universe 4
Superman: Year One #3
This was a bit of a strange book in the end.
After two issues in which Frank Miller and John Romita Jr have given readers quite a different book to the one they might have expected, this final issue seems to feel a sudden need to tick off a lot of boxes that need ticking in the Superman origin story.
So, we get <spoiler>a meeting with Lois Lane, the move to Metropolis, the Daily Planet and the creation of the Clark Kent persona, a meeting with Lex Luthor, encounters with Batman and Wonder Woman, and even a mention of Brainiac towards the end.</spoiler>
Some of these scenes are pretty good – particular the ones revolving around Metropolis (where we get to see Superman take on some local crooks in a satisfying montage) and the Daily Planet (where we see all the old familiar faces and a “new” look for Clark Kent).
But as the issue barrels towards its conclusion, there’s a sense of the book trying to cram things in before the end, and it all feels a bit rushed and forced. It’s not like we really needed another encounter with <spoiler>Batman</spoiler>in a Miller story, but we get one anyway – and unfortunately the limited space allotted for the setup and payoff means it feels like a damp squib of a conflict that’s tossed off without much impact either way. At least that’s better than <spoiler>Wonder Woman</spoiler> gets, with an appearance that’s barely more than a cameo.
Having said that, there are still some good individual scenes here, with Miller leaning heavily on his love of repeated lines and rhythmic narration to hammer his story home. In some places, that works better than others – but the opening scene with Lois and the military worked well for me.
And on the art front, JR jr again turns in some amazing work here. I love Frank Miller’s work, but Romita has ended up being the main draw of the series for me, and there are more lovely full-page shots here like the one below (as well as lots of decent sequential pages, often packing a lot of action into a small space).
After the slightly wacky and off-brand first couple of issues, this finale brings everything to a close in a more conventional way than I expected. But there’s a sense here of Miller having dithered in the early issues with his various tangents, and suddenly having to do a lot of legwork to set up various elements of the Superman mythos. And even then, the open ending makes it half-feel like there should be a fourth issue to continue all of the elements that are left hanging.
(Even some of the art feels a bit rushed towards the end, with elements like Superman’s S-shield changing wildly in size from shot to shot.)
I’ve enjoyed this series, but as a mixed bag of interesting ideas and unusual approaches to Superman, rather than as a masterpiece. I’d buy a “Year Two” by the same team (although given that this series has covered a timespan of much more than a year, maybe that title wouldn’t work!), but I’d adjust my expectations accordingly.
Hmm, those spoiler tags haven’t worked. How do you format spoilers on this board?
Let’s try this again as the old post has disappeared.
Superman: Year One #3
This was a bit of a strange book in the end.
After two issues in which Frank Miller and John Romita Jr have given readers quite a different book to the one they might have expected, this final issue seems to feel a sudden need to tick off a lot of boxes that need ticking in the Superman origin story.
So, we get a meeting with Lois Lane, the move to Metropolis, the Daily Planet and the creation of the Clark Kent persona, a meeting with Lex Luthor, encounters with Batman and Wonder Woman, and even a mention of Brainiac towards the end.
Some of these scenes are pretty good – particular the ones revolving around Metropolis (where we get to see Superman take on some local crooks in a satisfying montage) and the Daily Planet (where we see all the old familiar faces and a “new” look for Clark Kent).
But as the issue barrels towards its conclusion, there’s a sense of the book trying to cram things in before the end, and it all feels a bit rushed and forced. It’s not like we really needed another encounter with Batman in a Miller story, but we get one anyway – and unfortunately the limited space allotted for the setup and payoff means it feels like a damp squib of a conflict that’s tossed off without much impact either way. At least that’s better than Wonder Woman gets, with an appearance that’s barely more than a cameo.
Having said that, there are still some good individual scenes here, with Miller leaning heavily on his love of repeated lines and rhythmic narration to hammer his story home. In some places, that works better than others – but the opening scene with Lois and the military worked well for me.
And on the art front, JR jr again turns in some amazing work here. I love Frank Miller’s work, but Romita has ended up being the main draw of the series for me, and there are more lovely full-page shots here like the one below (as well as lots of decent sequential pages, often packing a lot of action into a small space).
After the slightly wacky and off-brand first couple of issues, this finale brings everything to a close in a more conventional way than I expected. But there’s a sense here of Miller having dithered in the early issues with his various tangents, and suddenly having to do a lot of legwork to set up various elements of the Superman mythos. And even then, the open ending makes it half-feel like there should be a fourth issue to continue all of the elements that are left hanging.
(Even some of the art feels a bit rushed towards the end, with elements like Superman’s S-shield changing wildly in size from shot to shot.)
I’ve enjoyed this series, but as a mixed bag of interesting ideas and unusual approaches to Superman, rather than as a masterpiece. I’d buy a “Year Two” by the same team (although given that this series has covered a timespan of much more than a year, maybe that title wouldn’t work!), but I’d adjust my expectations accordingly.
Still not getting the spoiler tags to work, sorry.
So does Darth Vader is Luke’s father work then?
Ah, it does. I’ll edit my post.
I’ve got loads of other new comics to read, but just caught up on the last few issues of Hawkman. There was a very pleasant surprise with Shade and Opal City making a rather large appearance. There was some good bits throwing in more from Carter’s history, though how much that makes sense without the former Golden Age because that points to Carter being the only possible superhero at that point of history. Another example of why the messing about of DC history made no sense. . I enjoyed these though less enamoured where this goes as I’m not reading Superman/Batman.
Justice League #34 – This issue was heading toward an ending that would have been a twist on my expectations from what has been presented so far and then twisted again to give something closer to the outcome I expected. There’s still a lot to love in this book but it is starting to feel like this storyline is dragging out a bit.
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Superman Year One #3 – As a lot of people have said, this issue started out in much the same quirky/weird territory as previous issue but then realized that they needed to cover some of the standard Superman origin pieces at a rather quick pace. There were still some incredible images here like the splash page of Superman flying in the rain. I think the best key to enjoying this story is realizing that this is the origin of DKR Superman. Once you realize that, it is easy to see how this characterization (and other characters) fit with that universe especially previous (though later chronologically within this world) appearances of this Superman (and Wonder Woman) in All-Star Batman & Robin, DKR and DK2. So this was far from being my favorite Superman origin but it was still enjoyable.
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X-Men #1 – I really enjoyed the the one-two punch that was House of X and Powers of X. So I’m a little surprised that I didn’t enjoy this opening issue much. It just seemed overly verbose/expository especially in the first scene of the issue. I’m not sure if they were trying to get information across to those that might not have read the two mini-series or what. I plan on sticking around for at least a couple issue and still giving a couple of the other books a shot too.
A selection for stickers for those that want them.
Bring on those sweet, sweet Wednesday comics. Looks like Action Comics #1016, Batman: Curse of the White Knight #4, Sharkey the Bounty Hunter #6 and potentially Marauders #1 for me.
I hope there’s lots of banging in Marauders.
If not im going to be super depressed and life will be meaningless.
Two corkers for me today.
Savage Dragon Vol 2 #246 (take note @ronniem)
We all have our crosses to bear.
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One point of curiosity is how is Larsen that far behind in number to McFarlane’s Spawn which is over issue 300 at this point? I didn’t think he started too long after. Was there a significant delay in issues at some point. Spawn was far from timely for good stretches.
Savage Dragon did start as a mini-series, it only went to full series a year after Spawn which explains a chunk of issues but I mainly think it’s because he does it all himself he’s had some hiatuses when he’s done outside work. He also did a couple of spin-off things too.
If you do the maths Spawn should be on around #324 by now if it were strictly out every month. Savage Dragon on about #316 or so.
Like Gar says, Larsen has fallen behind at times while he took on work-for-hire jobs to pay the bills, including stints writing/drawing Spawn and Supreme as well as stuff for Marvel and DC. He also held the title of Publisher of Image Comics from 2004-2008 before handing it off to Eric Stephenson, and lost some ground while he ran the company.
Like Gar says, Larsen has fallen behind at times while he took on work-for-hire jobs to pay the bills, including stints writing/drawing Spawn and Supreme as well as stuff for Marvel and DC. He also held the title of Publisher of Image Comics from 2004-2008 before handing it off to Eric Stephenson, and lost some ground while he ran the company.
Likely excuse.
Maurauders #1 was really good. Kitty felt like Claremont’s Kitty for the first time in a long time.
I did like the characterisation in Marauders but I did feel Kitty got on with Emma a little too well. I must admit I’ve read the X-Books sporadically over the last decade but in Whedon’s run the relationship seemed a lot ore strained with a few caustic remarks.
Welcome to the Land of Horny Polyamorous Mutants.
Finally picked up the New Mutants: War Children one-shot by Claremont & Sienkiewicz. For fans of their run I’d say it’s worth the $4.99 but wouldn’t go as far as to call it a must-read. Claremont & Sienkiewicz seem a little out of sync; at one point the dialogue refers to Sam having just flown off somewhere but we never see him do that even though it’s clear we were supposed to. Sienkiewicz possibly rushes a few pages, too, as the narration at the end implies a few group shots that instead show just Doug and Illyana.
That kind of thing happened in their original run, though–Sienkiewicz obviously prioritizes page composition over communicating every single thing in the script, which only an artist of his caliber can get away with. Here his art is really good and feels of a kind with his ’80s linework even though it’s evolved to be much looser. Chris Sotomayor’s refined color palette suits his scratchy compositions, too.
Claremont’s script is alright. The story basically shows how and why Doug Ramsey and Warlock first merged. I’ve only read New Mutants through the end of the Sienkiewicz issues so I don’t know if this is a never before told story or if it’s meant to overwrite another one that Claremont doesn’t care for. As a vessel for Sienkiewicz’s chaotic lines the story serves its purpose.
So yeah, not mind-blowing but far from a disappointment.
Criminal #9
This issue gives us a real treat by bringing back the protagonist of the very first Criminal story, Leo from ‘Coward’, and mixing his younger self into the current ‘Cruel Summer’ mega-arc.
While it’s part of a larger story, this issue feels like a one-shot in the same way that previous issues have. I love the way we’re getting these character-focused single issues and I’m even more excited to see Brubaker and Phillips start to pull all these threads together from the next issue, as promised.
The art here is as good as ever – capturing the dark shadowy setting of this issue well, while still allowing for flashes of colour, especially when it’s used to illustrate key moments.
There’s great character development here, as well as suspense, a little bit of action and a bit of longer-term building towards the larger plot. The complete package! Can’t wait to see how this arc wraps up.
Batman: Curse of the White Knight #4
I’ve been really enjoying this series, but this issue was a ‘quieter’ chapter for the most part. It deals with the fallout from issue #3 well, and there’s an interesting interlude involving Alfred as well as a decent bit of action towards the end (any excuse for Murphy to draw a movie Batmobile is fine by me). But it doesn’t hang together brilliantly as a single issue, and the big cliffhanger feels like it comes a bit soon after the similar cliffhanger for issue #3 to be able to make the same impact. I think this will read better as part of the eventual collection.
Money Shot #1
I picked this up on a bit of a whim and found it quite amusing and fun, if a little slight in terms of the story.
Having already heard the premise in interviews promoting the book – science team seeks funding through live-streaming sexual encounters with aliens on a porn channel – it was a little disappointing that the vast majority of this issue is spent setting that premise up, with the larger story only really getting into gear fairly late on.
Having said that, we at least get the chance to get to know the characters reasonably well, which will help as the book goes on. And there’s still time for a bit of risqué alien action, with one of the team’s video shoots bookending the flashbacks that take up a big part of this opening issue.
The humour is pretty funny and the sex is presented in a very positive, non-sleazy way – and it’s actually pretty tame in terms of what’s actually shown on-panel (a little nudity is about the full extent of it). Which works for the book – if it went any more graphic it might offset the light, cartoonish comedy tone that the story is going for.
I mean, anything with an opening page like this is obviously going for ‘fun and silly’ rather than dealing with the sex or alien elements in any serious way.
So this is a solid start, even if it didn’t blow me away, and I’ll likely pick up issue #2 to see how it continues.
didn’t blow me
It’ll be interesting to see how the four-issues-in-one-day model works for Chrononauts. Anyone pick it up?
No, I’ll probably wait for a digital sale.
Just Harleen #2 this week for me.
It’ll be interesting to see how the four-issues-in-one-day model works for Chrononauts. Anyone pick it up?
I assumed that was four variant covers for #1 !
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I don’t know why you would drop four simultaneous issues instead of one OGN.
This week in Transformers: Galaxies. Insecticon shit is potent energon
And now I have to check that TF issue, DAMN IT.
Joker: Killer Smile #1, DC Black Label
I’m a big fan of the Lemire and Sorrentino combo and this book was no exception. It’s really creepy like Gideon Falls. Not a huge amount happens plotwise but that’s not really the point as a psychiatrist treating Joker starts getting unhinged.
Not a huge amount happens plotwise but that’s not really the point as a psychiatrist treating Joker starts getting unhinged.
So it’s another Harley Quinn book? Or is this a different psychiatrist?
It’s a male psychiatrist so a very different take. It’s more of a creeping horror tale than being seduced into Joker’s ways, so far anyway, we’ll have to see where it goes.
Joker: Killer Smile #1, DC Black Label
I’m a big fan of the Lemire and Sorrentino combo and this book was no exception. It’s really creepy like Gideon Falls. Not a huge amount happens plotwise but that’s not really the point as a psychiatrist treating Joker starts getting unhinged.
Didn’t realise this was out this week! I’ll have to pick it up.
This week in Transformers: Galaxies. Insecticon shit is potent energon
I had no idea that robots could shit.
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On closer contemplation, there’s probably some kind of Japanese robot scat porn out there.
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And, no, I’m not going to google it.
On closer contemplation, there’s probably some kind of Japanese robot scat porn out there.
.
And, no, I’m not going to google it.Don’t worry, I’ve already shared a google drive folder with you.
I finished off Tini Howard’s Young Avengers Death’s Head mini series. Not sure why, because it started out fairly crap and didn’t get any better. I’m at a total loss as to what Marvel thought the point of this mini series was – it doesn’t really do anything to sell the character to the newer, younger audience it’s chasing, as Howard spends most of the series focusing on the Young Avengers, shitting on Death’s Head and setting up a bland, new teen version that no-one will ever use again. What benefit did the existence of this have over letting Furman have another go with the character?
It’ll be interesting to see how the four-issues-in-one-day model works for Chrononauts. Anyone pick it up?
I assumed that was four variant covers for #1 !
.
I don’t know why you would drop four simultaneous issues instead of one OGN.
Basically testing the Netflix drop model on comics. I think they were probably trying to preserve a bit of novelty instead just doing an OGN. They advertised it as a happening because of a time anomaly.
It reminds me of what TKO Studios did with their release model of putting out all the individual issues AND boxsets of the issues AND collections at the same time.
I haven’t heard much from them lately. I wonder how it worked out for them.
Well, success kind of depends on enabling people to buy your products easily.
I finished off Tini Howard’s
Young AvengersDeath’s Head mini series. Not sure why, because it started out fairly crap and didn’t get any better. I’m at a total loss as to what Marvel thought the point of this mini series was – it doesn’t really do anything to sell the character to the newer, younger audience it’s chasing, as Howard spends most of the series focusing on the Young Avengers, shitting on Death’s Head and setting up a bland, new teen version that no-one will ever use again. What benefit did the existence of this have over letting Furman have another go with the character?
Agree with every word of this and I think I maybe had a similar scathing review after the second issue
Unfortunately I preordered all 4 issues out of nostalgia, and hope.
Total waste of time for exactly all the reasons you mention above, it was fucking awful
Do not buy it, yes?
Do not buy it, yes?
Save your pennies for the two new Punisher minis that Ennis is doing for Marvel
I know one of those is Soviet but the other is?
He’s working on a Punisher/Fury mini for 2020, it might be called ‘Get Fury’.
I’d started checking CBR for comics news a few times over the past 3 weeks and there was an interview with Ennis on there where he mentions it briefly
I’m hoping it’s with Parlov; I expect it will be
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