Random Comic Related Things

Home » Forums » Comics talk » Random Comic Related Things

Author
Topic
#639

BBC Radio 6, 19:00 tonight (Friday 4th):

The legendary comic book writer shares two hours of his favourite music and chats to producer and writer Richard Norris about the important part it’s played in his life and work.

Expect tracks from Captain Beefheart, Joni Mitchell, X-Ray Spex, The Residents, Patti Smith and Sleaford Mods. Plus some of the music he’s made himself over the years.

See if you can guess who it is before you click the link:

https://www.bbc.co.uk/programmes/m0008yp0

Then Sunday at 13:00, is this one easier to guess?

The author of **** amongst much else, picks some of the music that’s shaped him. With tracks from Bowie, Dusty Springfield and Tori Amos.

https://www.bbc.co.uk/programmes/m00093q6

  • This topic was modified 5 years, 2 months ago by DavidM.
Viewing 93 replies - 901 through 993 (of 993 total)
Author
Replies
  • #58185

    schools for students who are gifted with certain talents.

    Still doesn’t explain Ron Weasley :unsure:

     

  • #58251

    A really cool flip through of TMNT #3; even as a youngster (I had the First Comics colour reprint collections; like they mention those were sold everywhere – I got mine from K-Mart) I was impressed at a car chase done so well in drawn form; I can’t think of many others in comics and none as good.

    1 user thanked author for this post.
  • #58329

    Has the funding model for Hogwarts ever been explained? The real-world English boarding schools that Rowling based it on were all fee paying. You only went if your parents were relatively wealthy.

    I would assume that Hogwarts is funded by the Ministry of Magic; the whole point of the school is to teach those born with magical ability how to use their special powers, so it would behoove them to have all young witches and wizards attend, not just those who can pay.

  • #58447

    I would assume that Hogwarts is funded by the Ministry of Magic; the whole point of the school is to teach those born with magical ability how to use their special powers, so it would behoove them to have all young witches and wizards attend, not just those who can pay.

    Especially since most of them seem to be going on to become some kind of government bureaucrats. I mean, is there even something like free wizard enterprise? Seems to me like everybody we meet is state employed, more or less. Fucking fascist totalitarian state.

    1 user thanked author for this post.
  • #58451

    I mean, is there even something like free wizard enterprise?

    The Weasleys joke shop? Otherwise it mostly seems to be about pubs and shops to get all the shit they need for school. You don’t seem to get a wizardy hardware store or a wizardy hairdresser or anything like that. Presumably they can just do all that stuff by magic.

    1 user thanked author for this post.
  • #58474

     

    Yeah, it seems like in the Wizarding World you’re some kind of government employee (bureaucrat, cop) or come from old money like the Malfoys. There seems to be some level of private enterprise — Lockhart was an author, there are at least a few wizarding periodicals, and there are some shops and pubs that are seemingly to limited to magical ghettos. There doesn’t seem to be much of a service industry, though, since most transportation, cooking, maintenance/repairs, and cleaning seem to be done with either with magic or enslaved elves. And the goblins seem to have a monopoly on banking.

    • This reply was modified 3 years, 8 months ago by Jason.
  • #58487

    The Weasleys joke shop? Otherwise it mostly seems to be about pubs and shops to get all the shit they need for school. You don’t seem to get a wizardy hardware store or a wizardy hairdresser or anything like that. Presumably they can just do all that stuff by magic.

    Does seem like some magic people specialize such as potions or fortune telling/prophecy. Who makes the wands – wizards or magical beings? I also wonder if there is a service industry of muggles who are connected like tailors, for example.

    Honestly, it’s a messed up society when you extrapolate it.

  • #58662

    Are you all still talking about Wizardly Economics in the comics forum? B-) every topic gets derailed but are you building a whole new track here?

  • #58663

    Okay – we used to do a lot of alternative speculation on superheroes, the explanations of their powers and origins. Maybe it deserves a thread.

    My idea of Superman – or more precisely – of Krypton

    Clark Kent growing up discovered he was an alien, but he didn’t know anything about the species of which he was a member. Eventually, he learns more from messages included in the craft that brought him to Earth.

    First, imagine the almost Cronenbergian anxiety he must have felt between discovering he was not human until he found out about Krypton and his parents Jor-L and Lara-L. If he wasn’t human, what would he look like when he finally grew up into adulthood? Even as a young man, could he be a larval stage for some adult form that was completely inhuman? If he enters a different environment, how would his body respond? Would he grow new limbs or new organs? Is there some alien monster inside him that will emerge when he reaches a certain age? How does his biochemistry work? If he doesn’t have testosterone, then why does he look like a human man? Is he even a male Kryptonian or do Kryptonians have genders?

    Then, what if he was lied to?

    Imagine Krypton is the burned out shell of a dead star orbiting a single primordially ancient red giant star inside a vast nebula. In this environment the periodic chart is plentiful with super-heavy elements in the theoretically stable range far higher than Uranium or Plutonium. There is as much complexity in this environment as there was in the ancient past that led to the formation of life on Earth, but it is of a completely different kind in a highly radioactive environment.

    When life formed on Earth, it was driven by one specific threat – the abundance of calcium that could tear into and poison early single cell lifeforms. Earth life developed to deal with and then use the calcium (skeletons and exo-skeletons). When life formed on Krypton, it was far more energetic and required the ability to manipulate mass, gravity, electromagnetism, thermodynamics and had to be incredibly tough to contend with far more dangerous and destructive elements at much higher speeds. It had to be extremely sensative.

    Eventually, the Kryptonians evolve. They do not look like humans. Instead, they are floating, bloated beings about the size of blue whales with masses of tentacles and sense organs all over their bodies. Something we might call Lovecraftian. In this environment, a nebula illuminated by the light of the red giant star, the Kryptonians are entirely unaware of any cosmos outside their own fairly empty binary system. Their dead star, Krypton, and their Sun Rao.

    However, one scientist speculates that there may be something outside. It creates a specialized drone that would explore the theoretical “exoverse” and when it found a planet with other forms of life, it would land there and explore.

    Essentially, that is what Kal-L is. He’s the drone exploring planet Earth for Krypton and the messages he thinks he found describing his “parents” and “home planet” are actually misinterpretations that his mostly human consciousness has projected onto the real information that is too inhuman to understand.

    Also, his powers are a mistake. Since the drone ship had to use Kryptonian materials to create Clark,  his body ended up accidentally developing the same powers natural to Kryptonian life. However, he was intended to only be a normal member of whatever race he discovered. So, this is a problem since his body and neurology essentially believes it is human, but he’s actually very, very superhuman.

    So, when he uses his powers, it is very uncomfortable. When he flies, it feels like he’s running at the limit of his speed. When he’s hit by a missile, it feels like he’s been blown to pieces even though he’s actually entirely uninjured. When he lifts a plane or a tank, it feels like he’s being crushed, though he could physically lift a hundred times that weight with no ill effect. Heat vision feels like his eyes are burning to cinders. His life has been developing the willpower to endure the sensation to do what his body and mind thinks is impossible. Also, this is why he doesn’t tear the door of his car off when he gets in. Being a normal human is what his body was designed to be.

    Until the end of his exploration, that is. Many people have described Superman as a human spaceship and that is entirely accurate. At some point, the final stage of Kal-L’s programming will activate – the return stage. Kal will gradually start growing in size and lose his human features. Eventually he will become a new version of the craft that brought him to earth. It wasn’t a spaceship, but it was like the cast off shell of a cicada or a butterfly’s chrysalis. And it is the final form he will have when he leaves Earth driven by a homing instinct to return to Krypton, whether it still exists or not after his billion year journey to Earth.

     

    6 users thanked author for this post.
  • #58681

    Some interesting comments from Ed Brubaker around the MCU Winter Soldier in his email today.

    —-

    And of course, today the FALCON AND WINTER SOLDIER show debuts on Disney+, which I sadly have very mixed feelings about. I’m really happy for Sebastian Stan, who I think is both a great guy and the perfect Bucky/Winter Soldier, and I’m glad to see him getting more screen time finally. Also, Anthony Mackie is amazing as the Falcon, and everyone at Marvel Studios that I’ve ever met (all the way up to Kevin Feige) have been nothing but kind to me… but at the same time, for the most part all Steve Epting and I have gotten for creating the Winter Soldier and his storyline is a “thanks” here or there, and over the years that’s become harder and harder to live with. I’ve even seen higher-ups on the publishing side try to take credit for my work a few times, which was pretty galling (to be clear, I’m NOT talking about Tom Breevort, who was a great editor and really helpful).

    So yeah, mixed feeling, and maybe it’ll always be like that (but I sure hope not). Work-for-hire work is what it is, and I’m honestly thrilled to have co-created something that’s become such a big part of pop culture – or even pop subculture with all the Bucky-Steve slash fiction – and that run on Cap was one of the happiest times of my career, certainly while doing superhero comics. Also, I have a great life as a writer and much of it is because of Cap and the Winter Soldier bringing so many readers to my other work. But I also can’t deny feeling a bit sick to my stomach sometimes when my inbox fills up with people wanting comments on the show.

    So… I’m sure I’ll watch it, and you should too if you’re a Marvel movie universe fan, but I’ll probably be waiting a while to check it out myself. So please don’t email me any spoilers, I guess, but go give Sebastian Stan lots of love wherever he is online.

    3 users thanked author for this post.
  • #58701

    And no matter what I think of Ed Brubaker, when I read something like that my first thought is; ‘shouldn’t have spoiled the Bucky reveal in the foreword of your first Omnibus, asshole!’
    It’s what, 15 years ago now? I’m still mad whenever I think about it.

    3 users thanked author for this post.
  • #58713

    Okay – we used to do a lot of alternative speculation on superheroes, the explanations of their powers and origins. Maybe it deserves a thread.

    My idea of Superman – or more precisely – of Krypton

    Well, that was absolutely horrifying. Love it. And I’d say that this should be an Elseworld series, but in a way, a lot of the core ideas have been done by Vaughn in Ex Machina. I mean, the superhero actually being an alien invasion drone, that’s what it turned out to be in the end. And man, Im mean, kudos for going through with that, but I kind of hated that that series actually ended on that note, because the whole political sitcom/drama aspect of it just fell flat because of it, in the end.

    3 users thanked author for this post.
  • #58716

    Yeah I still have very mixed feelings about Ex Machina’s ending. A great book overall though.

    4 users thanked author for this post.
  • #58724

    I remember that about halfway through Ex Machina, I began to really struggle to stay interested in the series. It was a chore to make it to the end. While it had a great concept, I don’t think it lived up to its potential.

    4 users thanked author for this post.
  • #58737

    I remember that about halfway through Ex Machina, I began to really struggle to stay interested in the series. It was a chore to make it to the end. While it had a great concept, I don’t think it lived up to its potential.

    True – or maybe that it had a terrific opening premise, but not one that led to a great conclusion. I think there are a few titles from that period where it felt like the books eventually fizzled out when really they were only extended origin stories. Like SUPREME POWER. It was a long origin story and after a certain point, they didn’t have a second act to move into.

    Actually, in regard to SUPREME POWER, it would likely have been better to start a second series at the end of these heroes’ stories sorta like WATCHMEN. Snyder’s DCEU reminds me a bit more of Supreme Power than anything in DC comics actually, and I think books like WATCHMEN (since he directed the movie), 2001A.D. and European comics like Heavy Metal had more influence on him than regular superheroes.

    Some interesting comments from Ed Brubaker around the MCU Winter Soldier in his email today.

    It is tough and I think Brubaker, from his reputation, is generally sensitive about credit more so than other writers that can just walk away from projects they did a decade or more ago.

    Well, that was absolutely horrifying. Love it. And I’d say that this should be an Elseworld series, but in a way, a lot of the core ideas have been done by Vaughn in Ex Machina. I mean, the superhero actually being an alien invasion drone, that’s what it turned out to be in the end.

    Another problem in general, I think, is that often the mystery of the hero’s powers take over the story. I remember an interview with Max Landis after Chronicle when he explained that the powers of the boys were due to this primordial crystalline organism that exists in the Earth’s core and has these powers to survive that environment and that’s what they encountered in the cave – one of them that had been ejected to near the surface and they were essentially infected when they came into contact with it.

    His point was that the origin of their powers had nothing really to do with the story because he’s more interested in characters driving a plot than making the story about a mystery the characters are driven to answer. In some ways, that’s something I actually don’t get into with Superman. All this Kryptonian shit doesn’t really matter. It should be about what Superman does with his powers in our world. Deciding what is the right course of action like in any drama.

    But in every damn iteration of the characters, some Krypton crap shows up practically from the very beginning. Man Of Steel, Superman 2, Supergirl Season 1, even Superman & Lois, I believe and it just aired. Jesus Christ, Krypton was destroyed – where are all these Kryptonians coming from? It used to be he was the “LAST” Son of Krypton!

    So make Krypton truly alien, horrific even, and irrelevant and focus on what Clark decides to do as a man and a superman. For me, the idea I liked the most was that his powers were a mistake so it is actually painful when he uses them AND that he is essentially doomed to end his life as a living spaceship flying billions of light years back to his origin point to a planet that may not even exist and a race that is almost sure to be extinct (the Kryptonian scientist had no idea that the universe was so large so it expected the journey to be very short, actually). That adds drama to the actions he takes as whenever he uses his powers he knows it is going to hurt – that’s not a smile, it’s a grimace – and he knows he has a time limit on this planet but no idea when that time is up.

     

    2 users thanked author for this post.
  • #58742

    Are you all still talking about Wizardly Economics in the comics forum? B-) every topic gets derailed but are you building a whole new track here?

    Sorry about that. Somebody else posted about Harry Potter, and I didn’t stop to think about which thread we were in. All these posts should probably be moved to Storytelling or something.

    Or, er, pretend all the posts are about Tim Hunter and the Books of Magic  :-)

     

    4 users thanked author for this post.
  • #58743

    Or The Magic Order which was sort of like Harry Potter combined with Supercrooks. Set a story in the Juvenile Hall version of Hogwarts for kids voted most likely to end up in Azkaban. Slytherin is sort of where the “bad kids” go in Hogwarts, but not really – it’s where the spoiled, racist rich kids go. Obviously, not in Harry Potter since if they had such a place, they would have sent Tom Riddle there. Hell, Ginny Weasley, too, for that matter, she’s a psycho (admit it!). There were always threatening to kick Harry out of school on some trumped up charge, but let’s say they did – then what? You got a half-trained magic kid out in the world – that’s not a good idea, is it?

    Instead, do a comic where your “Harry Potter” (or Hermione Granger) protagonist does get successfully framed for some mischief and instead of getting kicked out, gets sent to a special disciplinary institution where he sticks out like a sore thumb with the real bad kids.

  • #58836

    Hell, Ginny Weasley, too, for that matter, she’s a psycho (admit it!).

    Whoa, that’s some unexpected Ginny hate there!

    Instead, do a comic where your “Harry Potter” (or Hermione Granger) protagonist does get successfully framed for some mischief and instead of getting kicked out, gets sent to a special disciplinary institution where he sticks out like a sore thumb with the real bad kids.

    It’s not a bad premise.

    1 user thanked author for this post.
  • #58838

    Instead, do a comic where your “Harry Potter” (or Hermione Granger) protagonist does get successfully framed for some mischief and instead of getting kicked out, gets sent to a special disciplinary institution Hufflepuff where he sticks out like a sore thumb with the real bad kids.

    1 user thanked author for this post.
  • #58847

    Y’know, this is a very old complaint, but for a supposedly politically liberal author, the notion that you’re getting categorised with one defining character trait (smart/brave/dumb but loyal/a fucking cunt) and then you’re stuck in that group forever always seemed a little… … let’s say not exactly progressive to me. Maybe not all that surprising that she’s also stuck in conservative ideas about gender.

    6 users thanked author for this post.
  • #58851

    Yeah, it’s a really shallow idea and it’s annoying the shadow its cast. Not just that a significant percentage of the population between the ages of about 18-40 have decided to use the houses as short-hand for their personality types, like some kind of self-selecting form of astrology, but that state schools have been pressured into using house structures for about a decade now. The last primary school I went to had one anyway (before Harry Potter’s influence) – complete with house points and whatnot – and I honestly can’t say it added to the experience any (that school had a tonne of issues though, not all related to the house system). It mainly amounted to limiting you to the same teams on sports days and created a needless factional element to learning. My secondary school was blissfully free of it, but they’ve had to create one in recent years and it just seems like nothing more than a way of creating more divisions between students, which seems anathema to the point of a state secondary school.

    8 users thanked author for this post.
  • #58854

    Yeah I still have very mixed feelings about Ex Machina’s ending. A great book overall though.

    I reread it last year, and while I like all the SF stuff, most of the politics feels incredibly dated. One of the first arcs is all about gay marriage, and doesn’t even come out in favour of it. Another early one is all about marijuana.

    The pacing of the series is odd too. We find out January, Journal’s sister, is a mole fairly early on after she appears, but nothing ever really comes of it for about 20 issues, and the ending of the series completely screws her over where she’s wearing a fancy suit and working for a GOP administration, which makes no sense based on anything we’ve seen in the years she’s been in the comic.

    3 users thanked author for this post.
  • #58855

    Feels like one of those series with a real solid idea at the centre that could actually be improved and have some of its problems fixed in a TV or movie adaptation.

    Not sure how you’d update the 9/11 hook though.

    1 user thanked author for this post.
  • #58856

    Yeah I still have very mixed feelings about Ex Machina’s ending. A great book overall though.

    I reread it last year, and while I like all the SF stuff, most of the politics feels incredibly dated. One of the first arcs is all about gay marriage, and doesn’t even come out in favour of it. Another early one is all about marijuana.

    The pacing of the series is odd too. We find out January, Journal’s sister, is a mole fairly early on after she appears, but nothing ever really comes of it for about 20 issues, and the ending of the series completely screws her over where she’s wearing a fancy suit and working for a GOP administration, which makes no sense based on anything we’ve seen in the years she’s been in the comic.

    That gay marriage arc really pissed me off, even back when it came out. He obviously supports it, just goddamn say that! Instead he skirted the issue with some cutesy bullshit where his Black radical side character and cuddly conservative side character debate whether MLK would’ve been in favor of it.

    BKV is really talented but reading his work I always get the sense he’s detached from the story he’s telling, trying to think of ways to trick and surprise us, never wanting to commit too strongly to a position. Probably why the ten-issue Private Eye series is the best thing he’s ever done, doesn’t have time to indulge his worst tendencies.

    1 user thanked author for this post.
  • #58922

    I’d never watch 4 hours of Snyder Justice League, but I am making my way through a 7-hour interview with Jim Shooter:

    4 users thanked author for this post.
  • #58951

    shouldn’t have spoiled the Bucky reveal in the foreword of your first Omnibus, asshole!’



    @sean_robinson
    should’ve read the story when it first came out in floppies :rose:

    4 users thanked author for this post.
  • #58992

    https://www.instagram.com/p/CMfnTgMBqm-/

    archiecomics
    Verified
    👀

    [Originally published in Betty #46, Feb. 1997]

    #archiecomics #homeschool #betty #riverdale #simpsonslevelaccuracy

    2 users thanked author for this post.
  • #59334

    There are some really good comics in the new Humble Bundle – unfortunately (or fortunately depending on your point of view), I have most of them already, but it includes Something Is Killing The Children, Once & Future, Irredeemable, Alienated, Faithless, and more. Worth a look.

    https://www.humblebundle.com/books/best-year-of-boom-studios-books?

    3 users thanked author for this post.
  • #59341

    Makes you realise how strong Boom’s lineup has been recently.

    3 users thanked author for this post.
  • #59789

    Makes you realise how strong Boom’s lineup has been recently.

    I do wonder if BOOM is like MARVEL was in the 60’s. The publisher that will be the driver for comics going into the future.

  • #60476

    This is still making me laugh.

     

    Jordan Peterson Is Angry That He Inspired Ta-Nehisi Coates’ Take on Red Skull and We Have To Laugh

    7 users thanked author for this post.
  • #60538

     

    S

    Saw this page posted on Twitter, it’s from Frank Bellamy in 1963. No special meaning to it other than that looks really great, very sophisticated compared to most comics art in the early 60s.

    7 users thanked author for this post.
  • #60570

    This is still making me laugh.

     

    Jordan Peterson Is Angry That He Inspired Ta-Nehisi Coates’ Take on Red Skull and We Have To Laugh

    Yeah, hat off to Coates for taking the Red Skull in this direction.

    “Do I really live in a universe where Ta-Nehisi Coates has written a Captain America comic featuring a parody of my ideas as part of the philosophy of the arch villain Red Skull?” opined Peterson, who is clearly shocked that spouting hateful Nazi rhetoric on YouTube for years has resulted in him being parodied as a (wait for it) hateful Nazi on YouTube.

    This is literally the Spider-Man pointing meme come to life.

    Coates’s Red Skull employs the very same recruitment tactics of groups like the Proud Boys and the Oathkeepers: viral online conspiracy theories designed to indoctrinate angry disaffected young white men. Coates’ work is deeply relevant to our current political climate, and how the right uses conspiracy theories and disinformation to brainwash and radicalize conservatives.

    It’s really funny that Peterson seems to be surprised by this. Of course, this whole thing will probably end up just getting him some more attention and making him more popular with his target audience…

    3 users thanked author for this post.
  • #60578

    Of course, this whole thing will probably end up just getting him some more attention

    I suspect this is the main reason for his reaction. It gives him some kind of vague relevance and profile again for the first time in years.

    4 users thanked author for this post.
  • #60703

    who is clearly shocked that spouting hateful Nazi rhetoric on YouTube for years

    Whoaaa… I feel like I skipped some steps there… =/

    Has he really been spouting Nazi rhetoric? Somehow that feels like a wild exageration, but then again I haven’t heard him in… I dunno, years, probably. :unsure:

  • #61034

     

    S

    Saw this page posted on Twitter, it’s from Frank Bellamy in 1963. No special meaning to it other than that looks really great, very sophisticated compared to most comics art in the early 60s.

    Yeah, I would have guessed early 80s or so. Pretty impressive stuff.

    Unrelated, here is a collection of the hand lettered Marvel logos:
    https://reaganray.com/2021/04/06/marvel-lettering.html

  • #61156

    Has he really been spouting Nazi rhetoric? Somehow that feels like a wild exageration, but then again I haven’t heard him in… I dunno, years, probably.

    I assume it was an exaggeration for comedic effect. He’s definitely enabling the NuRight, but Nazi rhetoric is different stuff I’d say.

  • #62385

    Alan Moore short story collection and separate book series coming from Bloomsbury:

    https://www.theguardian.com/books/2021/may/03/im-bursting-with-fiction-alan-moore-announces-five-volume-fantasy-epic

  • #62389

    So long as he doesn’t acquire the fantasy writer disease that sees Volume 1 come out, then Volume 2 and Volume 3 isn’t seen for years, if ever, could be good.

  • #62390

    I’m more excited about the short story collection if I’m honest.

    But yes, hopefully the Long London series will come out as planned – no real reason to think otherwise at the moment.

  • #62393

    So long as he doesn’t acquire the fantasy writer disease that sees Volume 1 come out, then Volume 2 and Volume 3 isn’t seen for years, if ever, could be good.

    I’m painfully familiar with the JRR Martin/Songs of Ice and Fire situation, but is this a fairly common occurrence with other fantasy writers?

  • #62395

    I’m more excited about the short story collection if I’m honest.

    But yes, hopefully the Long London series will come out as planned – no real reason to think otherwise at the moment.

    Cut to four years later where Bloomsbury are reprinting Lost London volumes 1-3 with movie tie-in covers that replace Moore’s name with “the author” while Moore is refusing to write the rest of the series due to being screwed over on the movie adaptation rights.

    3 users thanked author for this post.
  • #62400

    So long as he doesn’t acquire the fantasy writer disease that sees Volume 1 come out, then Volume 2 and Volume 3 isn’t seen for years, if ever, could be good.

    I’m painfully familiar with the JRR Martin/Songs of Ice and Fire situation, but is this a fairly common occurrence with other fantasy writers?

    Sadly, yes.  Offenders on my crap list – or edging off it due to recent return to form – are:

    • Clive Barker – Serial offender, with The Art and Abarat series.
    • Patrick Rothfuss – Get the last book fucking written.
    • Scott Lynch – The Gentleman Bastards series – though Lynch has had severe mental health issues for the last decade which is what’s hit this.
    • Jim Butcher – Used to be prolific, then had some very shit years which he might be recovering from.  Put out two Dresden Files files last year, hopefully will get back to Cinder Spires.
    • Ken Liu – Might be recovering now that the third book is set for publication end of the year.
    • J V Jones – Endlords.  One day maybe we’ll get books 5-6.
    • Steven Erikson – Acquired the disease when writing Fall of Light, Book 2 of a Malazan sequel and doesn’t seem able to shake it off.  Has a new trilogy out in July, will be it completed? Your guess is as good as mine.

    I’m always willing to accept something awful can happen, best laid plans go awry etc, but it’s the radio silence that irritates.

    Comic writers are arguably worse as I can probably get to ten plus series that were started but not finished.

    And yes, I do think if, as a writer, you start a series, with all the benefits it grants, you are obliged to finish it.  Don’t like that? Don’t do a series then.

    3 users thanked author for this post.
  • #62420

    Worth bearing in mind we don’t know anything about these books yet, for all we know Moore could plan to write them all in full before the first one is released.

    1 user thanked author for this post.
  • #62422

    Being more serious, 2024 is a good amount of lead time for a couple of books, depending on how fast Moore decides to write.

    1 user thanked author for this post.
  • #62773

    E2071406-52DB-4A31-ADD1-4DA4CBB21B61

    Got to love Amazon’s AI algorithm 👍🏼

    5 users thanked author for this post.
  • #62790

    Got to love Amazon’s AI algorithm 👍🏼

    that’s pretty hilarious!

    1 user thanked author for this post.
  • #62816

    What ever happened to the series Southern Bastards? Did it finish or just never actually start up again?

  • #62820

    What ever happened to the series Southern Bastards? Did it finish or just never actually start up again?

    The latter. Last issue was three years ago this week.

    3 users thanked author for this post.
  • #62822

    What ever happened to the series Southern Bastards? Did it finish or just never actually start up again?

    There’s also a what you might think would be an OHC Volume 1 hardback that is standard size and a now probably-never-coming-out-despite-being-listed Volume 2 hardback.

  • #62824

    That was a great series. I miss it. It left off at a really interesting point too. I don’t know if it will ever come back though, given the allegations about Jason Latour. Which would be incredibly sad.

  • #62841

    Oh, I must have missed those, I take it they’re of the now sadly usual variety?

  • #62842

    Jason Latour

    Yep.

    Spider-Gwen Co-Creator Jason Latour Accused of Harassment

  • #62843

    Damn.

    That reminds me, looks like later on the year DC are issuing the Batgirl of Burnside omnibus that has Cameron Stewart’s art in it, who was the subject of various allegations, but without his name on the cover.

    1 user thanked author for this post.
  • #62844

    I think that’s maybe the best approach – never reprinting it isn’t really an option and is unfair on the other creators involved, but you can do it without trumpeting their involvement.

    2 users thanked author for this post.
  • #62847

    Some TKO bargains on Comixology at the moment.

    Picked up the full collections of The Pull at £2.39, and Goodnight Paradise and 7 Deadly Sins at £1.59 apiece.

  • #62863

    What ever happened to the series Southern Bastards? Did it finish or just never actually start up again?

    The latter. Last issue was three years ago this week.

    That’s disappointing. I’ve been going through boxes ofbooks looking to trim down the sheer volume of stuff we have in storage. Trades of a never to be completed series just can’t make the grade so I’m adding them to the “get rid of” pile.

    2 users thanked author for this post.
  • #62913

    Saw a puff piece YT video from Netflix earlier that tried to credit Mark Millar with the entire modern superhero movie and can’t stop thinking about it.

    Somehow drew a line from Marvel being in bankruptcy (for which they had the date off by three years) to “no-one knowing how to make superhero movies in the late 90s” to Ultimate X-Men to Wanted and its movie to the Avengers and Civil War movies (and then Jupiter’s Legacy of course), missing out, well, loads. The X-Men movie for a start.

    2 users thanked author for this post.
  • #62928

    Somehow drew a line from Marvel being in bankruptcy (for which they had the date off by three years) to “no-one knowing how to make superhero movies in the late 90s” to Ultimate X-Men to Wanted and its movie to the Avengers and Civil War movies (and then Jupiter’s Legacy of course), missing out, well, loads. The X-Men movie for a start.

    True – The Matrix, X-Men, Batman Begins and Iron Man are probably the start of the current run of superhero movies. Millar probably had a lot to do with Iron Man directly.

    However, I think 9-11 as an event really generated the appeal for the Marvel style of superhero films with Tony Stark as basically the clueless powerful American that realized his entire life has been working toward more war and destruction and not the peace and prosperity propaganda he’s been selling.

    In a lot of ways, it does feel like Marvel’s basic message has been “we can be good again” in the movies. A lot of redemption arcs with simplistic outcomes. Millar has that too, but The Authority and Ultimates were definitely influential. Really, The Authority still has major potential but I’m not astonished DC doesn’t want to bring it back. First, they’d probably fuck it up and, second, it would remind everyone how much better it was than anything they’re doing.

  • #62939

    In a puff piece that kid of exaggeration is expected really. Its meant to boost their product rather than provide a comprehensive history.

    Millar played his part in that the Tony Stark and Nick Fury in those first MCU films is closest to his and Hitch’s versions but yeah there’s a hell of a lot more going on and I think X-Men and Spider-Man in the early 200s showed Marvel the time was right for them to do their own thing.

  • #62940

    In a puff piece that kid of exaggeration is expected really.

    oh sure, but there’s a difference between “this guy is one of the most successful and influential comics writers of his era, look at all the stuff he worked on” (which is a totally fair description of Millar) and crediting him with single-handedly saving Marvel and the superhero genre in cinema.

  • #62941

    Millar played his part in that the Tony Stark and Nick Fury in those first MCU films is closest to his and Hitch’s versions

    I think a lot of the designs are very Hitch, and Fury is obviously the Ultimates version. The involvement of SHIELD in forming the Avengers and the alien attack also evoke Ultimates.

    But Stark is more like the Ellis or Fraction version than the Millar version, and Thor and the other characters are more in the classic MU style… ultimately, like we’ve said before, the MCU is more of a mix of many influences from across the comics rather than drawing on one single creator’s run.

  • #62946

    It’s definitely not one person by any means and that’s why I didn’t quote any other characters.

    I disagree though on the depiction of Stark, it’s a subjective call of course but I think the key characteristics are very much The Ultimates one. I’m pretty sure Fraction only took over Iron Man after the first movie had been filmed.

  • #62947

    I think Iron Man in the movies comes more from RDJ than any of the comics versions, though it obviously bleeds into the comics version after. The Ellis/Granov version was definitely an influence though, given Favreau did that aborted mini-series that Granov did the art for.

    3 users thanked author for this post.
  • #62953

    I’m pretty sure Fraction only took over Iron Man after the first movie had been filmed.

    Yes but Fraction was on the Marvel creative committee that consulted on the first Iron Man, along with Millar.

    Ultimately it’s a mix and there’s stuff from everyone but I think Millar’s constantly-drunk boozy playboy who’s shitty to his butler is a bit more of an old-fashioned take – the movies’ more modern tech-y futurist who’s conflicted over his company’s arms dealings felt closer to the Extremis version for me.

    1 user thanked author for this post.
  • #62957

    movies’ more modern tech-y futurist who’s conflicted over his company’s arms dealings felt closer to the Extremis version for me.

    And this is the subjective part because I think that conflict only appears at the very end. He’s not quite as boozy as Millar’s but he’s very much a flamboyant playboy, showing off, wisecracking and one a one night stand with the news reporter. That stays with the movie character quite a bit too even after he’s seen the error of his ways with the arms sales, until he settles down with Pepper.

    I’ll admit I’ve read very little silver age Iron Man but the Michelinie and Layton stuff I did read in the 80s had him as a pretty serious, almost dour, character.

  • #62958

    I think the conflict over Stark Industries’ arms manufacturing comes pretty much as soon as he’s captured and sees his captors using Stark tech too.

    But I guess in terms of influences it’s a little bit of everything in the end. I’m probably influenced a lot by the visuals too, RDJ and the Iron Man suit look very little like the Ultimates version but more like Stark and the suit in Extremis so that probably plays a part. It is a bit subjective like you say.

  • #63187

    An interview with a somewhat taciturn BWS about Monsters:

    https://www.theguardian.com/books/2021/may/12/barry-windsor-smith-is-back-monsters-has-been-a-slow-and-difficult-experience

    1 user thanked author for this post.
  • #63215

    Yeah I watched a video interview with him the other day, the first time I’ve seen him speak. He was polite enough and they managed for an hour or so but there’s was a good deal of curmudgeon going on. Lots of repeating of the question and the interviewer having to work hard.

    I don’t think PR is really his thing but when you have spent 30+ years on a project you probably do feel compelled to try and sell it.

     

     

    2 users thanked author for this post.
  • #63646

    I have seen these pictures on my Facebook feed:

    187459169_292701992515321_7963515972201982407_n

    186517123_3769497759845252_3980398462042337283_n

    187402151_222247049704265_5873732313885984434_n

    Now, these look very nice, but sometimes I just don’t want to be walking billboard as I go about my business in the street.

    Any interest here? Thoughts? Opinions?

  • #63652

    If you don’t want to be a walking billboard, you could sit down.

    2 users thanked author for this post.
  • #63658

    I’m not a fan of full bleed t-shirts at all, they are the kind of thing favoured by early 90s wrestling fans with mullets, so I wouldn’t wear any of them.

    If forced to the Dark Knight ones aren’t the worst.

    Interesting that the third Dark Knight one is the cover of Titan Books’ first trade paperback, it is by Miller testing out some early computer aided poster design from what I can gather, it always seemed a strange choice as I don’t think it’s a patch on his actual covers.

    Titan basically invented the trade paperback for US comics, collecting stories for the UK market starting with Judge Dredd collections and then Moore’s Swamp Thing and after they saw how well they did DC copied it. The UK Dark Knight Returns collection came before the DC one.

    There is a huge irony here because Titan was an offshoot of Forbidden Planet. Both started by Martin Landau (EDIT: it was really Nick Landau). Landau was on the same organising committee as Moore on comics conventions in the late 1970s. Moore signed his Watchmen and V contracts with DC with the understanding comics always went out of print and his rights would revert but Titan’s success reprinting his work and DC replicating it means it never has. So you can blame it all on Landau who he knew pretty well. He writes the introduction for the DKR collection that rather seals that fate (Watchmen and Dark Knight came out around the same time but the latter being 4 issues, and Watchmen being 12 and very delayed at the end means it finished and was collected a long time earlier).

    • This reply was modified 3 years, 6 months ago by garjones.
    3 users thanked author for this post.
  • #63705

    I used to have a full bleed Kingdom Come t shirt. i liked because the shirt was quality cotton. Most full bleed shirts are done on such crappy quality and really thin cotton.  It was the second picture without the old man. the other nice thing was Superman was on top center missing his head so it looked like it was my head on Supes’ body :scratch:

    1 user thanked author for this post.
  • #63707

    I was sure you’d made a mistake Gar naming Martin Landau but then I looked on his wikipedia page and he was an editorial cartoonist in addition to being an actor. Maybe he dipped into comics publishing too, I thought. Then I looked up Forbidden Planet and saw it was founded by Nick Landau; still there was a brief period where I thought Martin Landau of Mission: Impossible and Ed Wood was also a major comics figure!

    4 users thanked author for this post.
  • #63709

    Doh! Yes it is Nick Landau, the actor’s name got stuck in my subconscious. 😂

     

    1 user thanked author for this post.
  • #63715

    Doh! Yes it is Nick Landau, the actor’s name got stuck in my subconscious. 😂

     

    1 user thanked author for this post.
  • #64991

    We’ve seen a lot of aging superhero stories from The Dark Knight Returns and Watchmen to Old Man Logan. However, I was thinking about the Superman movies with Christopher Reeve where it portrays a world where there is only one superhero and he’s basically a man not necessarily an immortal. There wasn’t any idea of “shared cinematic universes” back then (especially after Supergirl flopped).

    I’ve always kinda wondered about what his story would be at the end of his life when he is elderly. The idea that the only superhero that has ever existed has spent his life protecting the world and now, as he sees his time coming to an end, he has to worry if the world will be able to protect itself when he’s not around. A story where he has to wonder if his legacy will be enough when there isn’t a Superman around to save the day anymore.

    The closest story that comes to mind is the 1977 book SUPERFOLKS, but even then it was a world that had other superheroes and villains in it.

  • #65006

    Superman: Secret Identity touches on some of those very themes, if you haven’t read it beforehand. It’s a great book.

    2 users thanked author for this post.
  • #65008

    Superman: Secret Identity touches on some of those very themes, if you haven’t read it beforehand. It’s a great book.

    That was my first thought too. A wonderful book. Going back to reread it after having kids was quite a different experience.

    2 users thanked author for this post.
  • #65018

    Superman: Secret Identity touches on some of those very themes, if you haven’t read it beforehand. It’s a great book.

    True – but that ends with other superheroes coming into the world, I think, and it isn’t focused at the end of the hero’s life or career with no clear heirs to take up the mantle. In fact, Secret Identity seems like it really spends more time or drama at the beginning and middle of his life and there isn’t much conflict or drama once he’s retirement age as others have already replaced him. In a way, that seems like the opposite of this story in that the problems of his life are pretty much solved when he’s too old to remain a superhero.

    JUPITER’S LEGACY is closer, but, again, there is a whole new generation of superheroes to take his place, the conflict is internally, whether or not Jupiter’s prepared them to replace him and externally if they really are heroes or just bullies. Similar to Superman’s dilemma in KINGDOM COME where he is older, but that’s more of a coming out of retirement story (also like WATCHMEN or SUPERFOLKS) – a power fantasy for adults who want to recapture the infinite potential of childhood but face the risk of simply being pathetically immature.

    ALL STAR SUPERMAN deals with a dying Superman who is worried about what the world will do without him, but it’s not entirely about that either and he’s not dying of old age.

     

    1 user thanked author for this post.
  • #65150

    That was my first thought too. A wonderful book. Going back to reread it after having kids was quite a different experience.

    I can imagine; although I actually haven’t read it since it originally came out a year or so before my eldest was born. I should probably rectify that. It was a pretty spectacular book.

  • #65165

    I haven’t been following comics very much but is Warren Ellis out of the business since his metoo thing? He was one of the few writers I was interested in.

  • #65168

    Much like his stories, his career just ended. No boom, no swan song, no resolution. It just ended.

    Now, I don’t know if that’s the case. But it would’ve had a measure of poetic justice to it.

    2 users thanked author for this post.
  • #65170

    Much like his stories, his career just ended. No boom, no swan song, no resolution. It just ended.

    Now, I don’t know if that’s the case. But it would’ve had a measure of poetic justice to it.

    That is true, his endings were often terrible. If his stories had an end.

     

    He did write some of the best stuff but what he did really sucked so I wouldn’t really be bothered if he never worked in the business again. Fuck him.

  • #65171

    The final series of the Netflix Castlevania cartoon he wrote came out recently, so it might be he just concentrated on that while the shitstorm went on. Short of just leaning into his notoriety, like a comicsgate people do, I can’t see any easy way for him to just pop up and start doing comics again.

    2 users thanked author for this post.
  • #65296

    Yeah, it’d probably be wise if he stuck to a field where people aren’t so interested in him as a person for a while.
    Though this may also impact his animation work. I suppose he could write another novel; at least that is one field where he doesn’t need other people to work with him.

    1 user thanked author for this post.
  • #65305

    Reading around it doesn’t sound like Ellis is likely that welcome at Netflix. Novel writing might be on point.

     

  • #65312

    Alan Moore on Lost Girls:

    8 users thanked author for this post.
  • #65493

    Two of the recent Cartoonist Kayfabe vids have seen a return to their Wizard coverage with issues 42 and 43. I was well into buying the magazine at this point and still find value in these revisits – one of the things I was waiting for was the emergence of the 90s “Bad Girl” trend; I remember it but couldn’t remember how it began. I kept waiting for something big, but in these episodes Shi and Lady Death issues are already in the Top 10 hottest comics list; I’m not sure if it’s been picked up as an official trend or named as a movement yet.

    We know it’s arrived and maybe on the way out when Mike Deodato is moved onto Wonder Woman, and Liefeld does his Babewatch event. Towards the end we have Witchblade as probably the last of the big new characters to make a splash.

    1 user thanked author for this post.
  • #65760

    Has anyone read The Steranko History of Comics? It’s pretty expensive seeing as it’s out of print so I don’t want to waste loads of money on it if it’s not very good.

  • #65828

    I can’t see any easy way for him to just pop up and start doing comics again.

    Speaking of this, Cameron Stewart’s just popped back up on instagram like nothing’s happened, less than a year after those grooming allegations which he ignored and hid from IIRC, so I guess maybe Ellis and Latour et al can just wait it out too. 😒

    1 user thanked author for this post.
  • #65855

    I would assume there’s a big step between popping up on instagram and getting paid work from a publisher though.

    1 user thanked author for this post.
  • #65869

    Hmm, we’ll see.

Viewing 93 replies - 901 through 993 (of 993 total)

This topic is temporarily locked.

Skip to toolbar