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My March round up. More great music, post metal, some dark folk, electronica, we have your back.
No argument about the album version vs. an extended version that doesn’t exist.
Go ahead and argue between the studio version vs. the live version, but I’m quite happy with one of the best songs of all time.
So what? đ
Jesus built my hotrod?
Heading for the teens. It seems like I’ve been writing this project all my life…
One of the best albums ever. But Blue Monday is the best synthpop song ever.
On Mondays, I typically wear a blue shirt to work.
On Mondays, I typically wear a blue shirt to work.
How does it feel?
On Mondays, I typically wear a blue shirt to work.
How does it feel?
I still find it so hard to say what I need to say.
One of the best albums ever. But Blue Monday is the best synthpop song ever.
Ok, that is the correct answer.
Let’s get a pit started for one of the best 90’s alt rock albums.
Let’s get a pit started for one of the best 90’s alt rock albums.
Is the Pixies alt rock? If so Surfer Rosa by the Pixies
Is the Pixies alt rock? If so Surfer Rosa by the Pixies
Watch this space, but it’s an 80’s album.
This month’s blog.
Post rock / metal, metalcore, electronica. We got stuff.
Is the Pixies alt rock? If so Surfer Rosa by the Pixies
Watch this space, but it’s an 80’s album.
- This reply was modified 2 months ago by
Uncle Retrospective.
Ah that’s right…I think the Pixies have a strong 90s vibe though. They were ahead of their time.
Here we have the best mix of post rock and beats. It kind of reminds me of Pitchshifter but I’m pretty sure 65 would punch me for saying that.
At the Commodore in Vancouver.
Die Krupps opened, and really fucking good live.
Like, at the Merch stand and getting a shirt.
Crowd into it probably best Ive seen for the first of 3 bands where not everyone here yet.
Aces baby.
I should listen more
Next up is Thrill Kill Kult, then Ministry
So I text you guys as they’re like “Sean! Lets fucking go!” amd Thrill Kill comes on.
Of course I lose them, well now know exactly, just its pretty fucking packed.
A little bit of an iffy start, but they just get better as it goes, like 4 songs in and why the fuck was I worried?
Ah, Sex on Wheels! Its a veey good time and well received!
So, Ministry, playing ’80’s stuff from before they were hardcore.
Had me a little nervous.
Whoa! Great sound, absolutely owned the stage, all 9 of them.
Great sound, great presence, great everything.
Like way better sound than the ’80’s, played live with heavier guitar.
So very glad I came out.
Some just didn’t because a Monday, some not because a Monday, some not because not the hardcore stuff, and two guys just refused because no Nitzer Ebb on this leg of tour.
I get it, but you just cant have four bands if it’s not a festival.
So anyone that didnât show did themselves a disservice.
Very good time, with a very professional Al Jourgenson (who I would say at 66 has everything very well under control,)
First encore is awesome second encore has Luc Van Acker cone out (so tenth guy on stage) and doing the Revolting Cocks version of Do Ya Think I’m Sexy (which I could have listened to a whole set of that stuff, but I guess at that age this is what we get).
So yeah, good good time.
First encore is awesome second encore has Luc Van Acker cone out (so tenth guy on stage) and doing the Revolting Cocks version of Do Ya Think Iâm Sexy (which I could have listened to a whole set of that stuff, but I guess at that age this is what we get).
I’ve seen Ministry live four or five times and I’m jealous of this specifically. They did do Supernaut when I saw them in 2003 or so though.
After wreaking havoc and dishing out dissonance since 1981 â evolving from its early synth-pop dance roots into the industrial thrash metal chaos itâs best known for â Ministryâs band leader Al Jourgensen is finally ready to call it quits. Heâs preparing to put an end to the bandâs relentless run of recording and touring â this time for good. But not before one last album and a final world tour, as âUncle Alâ prepares to bring the bandâs legendary career to a close.
Speaking on the phone from a tour stop in Canada, he discussed Ministryâs current Squirrely Years Tour â a special run of shows that focuses exclusively on the bandâs first two albums, âWith Sympathyâ and âTwitch.â For the first time in decades, Jourgensen is performing early songs â largely steeped in synth-pop â which he once dismissed, now embracing the full arc of his career. The frontman opened up about reuniting with longtime collaborator Paul Barker, the bandâs final album, his disdain for violent mosh pits, and why he never read his autobiography.
When did you decide to bring Ministry to an end? Was it a process or something more abrupt?
Oh, it was a process. After 17 albums, I feel like weâve pushed the boundaries as far as we could go with this band. I know Iâve got one more album left in me thatâll stretch those limits even further. But I donât want to end up like one of those bands doing the same riffs for 40 or 50 years â it just gets old. This has been coming for a while. Itâs not tied to my past health issues; itâs just time. After our final album comes out next year, weâre doing one last world tour. Then thatâs it. Iâm done. Time to let the kids take over.
So youâre stepping away from Ministry â but are you stepping away from music entirely?
Not entirely. Iâll still do film scores. I just did one for a documentary called âLong Knife,â about the Koch brothers ripping off the Osage Nation. Itâs kind of a follow-up to âKillers of the Flower Moon.â That kind of work still interests me. But being on a tour bus and constantly talking to people? Iâm over that.
Howâs your health now?
I feel great. Itâs a gift to go out in good health and a clear frame of mind. At one point in the early 2000s, I didnât think Iâd ever tour again. I had a ruptured artery in my stomach and was bleeding every day on the road. I just said, âNope, this isnât worth it.â But now weâre wrapping everything up intentionally â bringing back people like Paul Barker, recording in old places, ending things right.
Youâve said before that you hate mosh pits. Whatâs the energy like on this tour, especially with the older material?
Man, this tour is a psychedelic freakout. Weâre playing 40-plus-year-old songs, and somehow thereâs still a little bit of moshing happening â but not violent. Itâs cracking me up. These shows feel like a one-off trip into the past. People are just dancing and enjoying the moment. Itâs more like a weird, dark, electronic hippie dance party. I didnât expect to enjoy it this much.
Is it a different mindset performing the early material versus the heavier Ministry songs?
Oh, hell yeah. But the fans know what theyâre getting into. Nobodyâs screaming for the â90s metal stuff. It feels like stepping into a hot tub time machine. Weâve put real work into this setlist, and itâs paid off. Iâm genuinely enjoying it.
Will your final tour represent the full scope of Ministryâs career?
Absolutely. Itâll be a two- to three-hour career retrospective. Weâll be covering every era â all 17 albums. We might even bring back two drummers like we did in the â80s. The final tour wonât just be a greatest hits set â itâll be a curated journey, and maybe even feature some old friends.
Youâve been open about your battles with addiction. How did that shape you?
Like everyone, Iâve evolved. Twenty years ago, I was a different person. Now people call me âUncle Al,â and I like that. Iâve been through enough that fewer things bother me. And the things that do matter? Iâm more focused on them than ever. Iâm grateful for all of it, even the madness â it brought me to where I am now.
Did music help you survive those darker times â or did it make them worse?
Both. Some days, it saved me. Other days, being in the music business made me want to blow my head off. Itâs a double-edged sword.
Ministry has always taken on injustice. Are you still fighting the good fight?
Thatâs the irony of this tour. With everything going on in the world, this felt like the right time to step back and let people remember what joy felt like. That said, the next album will be laser-focused. I havenât stopped speaking out â if anything, Iâve sharpened my aim.
Is it true you never read your autobiography, âMinistry: The Lost Gospels of Al Jourgensen?â
Never read it. I didnât even write it. I told stories to a Rolling Stone writer over a gallon of vodka, and their legal team cleaned it up. They handed it back to me as a finished book. The first interview I did about it, they asked, âDid you read it?â I said, âWhy should I?â Same thing with watching concert footage â I lived it. Why relive it?
Do you think Wax Trax! Records and the early Midwest scene are overlooked in Ministryâs legacy.
Sometimes, yeah. But real musicians know how important that era was. Wax Trax! was its ecosystem. Itâs wild now seeing 14- to 18-year-old goth kids in the front row, right next to 50- and 60-year-olds who were there back in the day. Thatâs the reward.
What does the very final chapter of Ministry look like?
The new record will be done by Christmas and out by June 2026. Then weâll hit the road for one last world tour starting next September. Every continent except Antarctica. One year. One final ride. Then itâs over. And Iâm good with that.
This is what, the third time Al’s ended the band? Not saying it won’t stick this time but I won’t be surprised if they’re back.
https://news.northeastern.edu/2025/06/03/taylor-swift-masters-music-ownership/
I remember Prince was very much into regaining his masters and Fogerty refused to play some of his Creedence Clearwater songs because he didn’t want the company that held the rights to profit.
Swift did take advantage of this legal window to re record a few albums to be her own masters, but now that she bought the whole thing, she is happy.
So, beers, my mouth, and the last ever Black Sabbath concert is Saturday July 5th.
The âBack to the Beginningâ concert, which will mark the final performances from Black Sabbath and Ozzy Osbourne, is set to take place July 5th at Villa Park in Birmingham, England. The stacked lineup includes Metallica, Guns Nâ Roses, Tool, Slayer, Pantera, Gojira, Halestorm, Alice in Chains, Lamb of God, Anthrax, Mastodon, and many more acts.
My best friends birthday!
Party at my house!
Invites are out!
Umm, someone told me “stream” cant be recorded, or paused very long.
It’s a two hour delay from Live.
My time is 7 am Pacific
Fuck me!
No stranger to stupidity, but 7 am start day drinking is a hidden thing.
Now I’m expected to wear pants!
The horror!
Umm, someone told me âstreamâ cant be recorded, or paused very long.
You can use OBS to just record the output on your screen, works like a charm.
This month’s blog.
We have, Irish industrial techno, French post metal/noise rock/goth, Berlin based spooky electronica, indie rock, Worthing based garage and other stuff.
No.21
The greatest industrial album of all time.
No.21
The greatest industrial album of all time.
Oh yeah! Wanted to let you know that I did send some traffic to your site (hope it helps) and it did spur some talk about the awesomeness of Godflesh, like me and a couple of guys are like “why were we not all over that?” (well, listened to at other people’s houses).
And others are like “guess what we’re listening to real soon, bitch!” (they were the ones all over that shit, including my best friend).
Good times.
And your work is appreciated!
Hoping other people tell you so!
And your work is appreciated!
Hoping other people tell you so!
Thanks you so much đ
No.20 the best Depeche Metal album of all time.
No.20 the best Depeche Metal album of all time.
Huh. I listened to “Icon” a lot back in the day, but kind of lost track of Paradise Lost after Draconian Times.
Thanks to your post, I’m currently re-listening to Icon, and I have to say the only track I still recognise is Christendom. Everything else now just sounds like, well, pretty much any nineties metal to me now. Christendom still rings with something different though. Maybe because it was already a step towards the direction you describe for the later albums?
Either way, I’m now going to listen my way through the next albums and looking forward to One Second, cheers for reminding me of them!
Everything else now just sounds like, well, pretty much any nineties metal to me now.
Just remember that PL created that sound, everyone else just copied them. :D
Glad you enjoyed the post and hope you like One Second.
As if @arjandirkse requested it.
I saw the Pixies perform live about two years ago, and for FREE!!! They were fantastic!
And they played NON. STOP. Maybe a few seconds of breather between songs and for applause, then they went right into the next one. No small talk. Just music. But you could tell they were feeding on the audience’s energy and returning it a thousand-fold. At the end, they did their introductions and said their thank you’s. They were smiling. You could tell they were enjoying what they were doing.
It was a great show.
Kate Bush’s first album is still amazing.